Bacamarte Depois Do Fim (1983) [reissue 2009] (repost)

Bacamarte - Depois Do Fim (1983) [Reissue 2009] (Repost)  Music

Posted by gribovar at Jan. 7, 2015
Bacamarte - Depois Do Fim (1983) [Reissue 2009] (Repost)

Bacamarte - Depois Do Fim (1983) [Reissue 2009]
EAC Rip | FLAC (tracks+.cue+log) - 253 MB | MP3 CBR 320 kbps (LAME 3.93) - 90 MB | Covers - 134 MB
Genre: Progressive Rock | RAR 3% Rec. | Label: Som Livre (1459-2)

This was a Brazilian septet including Mario Neto (guitar/vocals), Sergio Villarim (keyboards), Delto Simas (bass), Marco Veríssimo (drums), Marcus Moura (flute/accordion), Mr. Paul (percussion) and Jane Duboc (vocals). A rich and symphonic music with wonderful keyboards and a very nice flute which enlightens the compositions full of interest and detours. The album "Depois Do Fim" is one of the highlights of the South-American prog rock: a compelling blend of varied keyboards (vintage synthesizers, strings, piano, organ), skilful acoustic - and electric guitar and strong female Portuguese vocals. The eight compositions sound warm and elaborate with many changing atmospheres. An unique, very varied prog rock CD…

Bacamarte - Depois do Fim  Music

Posted by rocka at Dec. 17, 2007
352031
Bacamarte - - Depois do Fim (1983)
Eac + Ape + Cue + Log + Covers | RAR | 288 Mb | Lossless
Genre: Progressive Rock

"…a masterpiece of progressive music"

Bacamarte - Depois do Fim (1983)  Music

Posted by DiceCracker at April 28, 2006
9327
Brazilian REAL Progressive Rock - 320k mp3 - Cover - ID3

It's 'just' the BEST EVER Brazilian Progressive Album ever made
You want it! You need it! You deserve it!
Download it, it's an order!! ;)
The Bud Powell Trio - Blues in the Closet (1956) [Reissue 2009] (Repost)

The Bud Powell Trio - Blues in the Closet (1956) [Reissue 2009]
EAC Rip | FLAC (tracks+.cue+log) - 119 MB | MP3 CBR 320 kbps (LAME 3.93) - 90 MB | Covers - 45 MB
Genre: Jazz | RAR 3% Rec. | Label: Verve Records (B0012374-02)

In the bebop revolution of the 1940’s, as Charlie Parker was the leading voice of the alto saxophone, so was Bud Powell the leading voice of the piano. Recorded in 1956 (before his Paris sojourn), the long-unavailable Blues in the Closet features Powell’s lightning-fast runs and nimble keyboard navigations on a set of originals and well-chosen standards. He is accompanied by Osie Johnson, a solid mainstream drummer, and the dean of jazz bassists, Ray Brown. A must for Powell fans and bop devotees.
Quincy Jones - You've Got It Bad Girl (1973) [Reissue 2009] (Repost)

Quincy Jones - You've Got It Bad Girl (1973) [Reissue 2009]
EAC Rip | FLAC (tracks+.cue+log) - 258 MB | MP3 CBR 320 kbps (LAME 3.93) - 101 MB | Covers - 41 MB
Genre: Jazz-Funk | RAR 3% Rec. | Label: Verve Records (0602517910416)

Quincy Jones followed up Smackwater Jack and his supervision of Donny Hathaway's Come Back Charleston Blue soundtrack with this, a mixed bag that saw him inching a little closer toward the R&B-dominated approach that reached full stride on the following Body Heat and peaked commercially with The Dude. That said, the album's most notorious cut is "The Streetbeater" - better known as the Sanford & Son theme, a novelty for most but also one of the greasiest, grimiest instrumental fusions of jazz and funk ever laid down - while its second most noteworthy component is a drastic recasting of "Summer in the City," as heard in the Pharcyde's "Passin' Me By," where the frantic, bug-eyed energy of the Lovin' Spoonful original is turned into a magnetically lazy drift driven by Eddie Louis' organ, Dave Grusin's electric piano, and Valerie Simpson's voice…
Quincy Jones - Explores the Music of Henry Mancini (1964) [Reissue 2009] (Repost)

Quincy Jones - Explores the Music of Henry Mancini (1964) [Reissue 2009]
EAC Rip | FLAC (tracks+.cue+log) - 236 MB | MP3 CBR 320 kbps (LAME 3.93) - 96 MB | Covers (5 MB) included
Genre: Jazz | RAR 3% Rec. | Label: Verve Records (0602517995741)

As modern big-band leaders go, Quincy Jones in the '60s would be first choice for many composers who wrote for a television series or the cinema. Though not the original themes, Jones was quite able to produce a full album featuring Henry Mancini's famous songs from movies and the small screen. This collection of the familiar and obscure Mancini done in 1964, preceded famed epic scores written by Jones from films The Pawnbroker and The Deadly Affair. It comprises several well-known hit tunes and a smattering of cuts not easily identifiable as the hummable and memorable Mancini classics…

Count Basie - Basie Land (1964) [Reissue 2009] (Repost)  Music

Posted by gribovar at Nov. 17, 2017
Count Basie - Basie Land (1964) [Reissue 2009] (Repost)

Count Basie - Basie Land (1964) [Reissue 2009]
EAC Rip | FLAC (tracks+.cue+log) - 242 MB | MP3 CBR 320 kbps (LAME 3.93) - 86 MB | Covers (4 MB) included
Genre: Jazz, Big Band | RAR 3% Rec. | Label: Verve Records (0602517995727)

In 1964, Count Basie handed the reins of his band over to composer and arranger Billy Byers, purportedly to modernize his sound to the times. More accurately, Byers energized the band with his bright charts loaded with counterpointed exchanges and interplay, plus a depth and density the Basie band had long since relinquished to other similarly sized groups. With stellar personnel - including Eric Dixon, Frank Foster, Frank Wess, Marshall Royal, Al Aarons, and Don Rader - Byers and Basie stoked the coals of the band with some red hot bop and intricate charts atypical to the laid-back approach that always served the band and its fans well…
Count Basie & His Orchestra - On My Way & Shoutin' Again (1962) [Reissue 2009] (Repost)

Count Basie & His Orchestra - On My Way & Shoutin' Again (1962) [Reissue 2009]
EAC Rip | FLAC (tracks+.cue+log) - 213 MB | MP3 CBR 320 kbps (LAME 3.93) - 85 MB | Covers (4 MB) included
Genre: Jazz, Big Band | RAR 3% Rec. | Label: Verve Records (0602517909045)

When Count Basie returned to Verve Records in 1962, Neal Hefti was contracted to write the tunes and arrangements, a revival of their partnership from the 1958 Roulette LP Basie Plays Hefti. While none of these selections is as famous as his songs like "Cute," "Little Pony," "Splanky," "Li'l Darlin'," and "Repetition," the substantial originality of this music is hard to deny, not to mention that the expert musicians playing his music bring these tracks fully to life in a livelier fashion than most laid-back Basie studio sessions. In fact, it has the feeling of a concert date that trumps the more clean, controlled environment of a session that was recorded on a three-track reel-to-reel…
Oscar Peterson - Plays The Jerome Kern Song Book (1959) [Reissue 2009] (Repost)

Oscar Peterson - Plays The Jerome Kern Song Book (1959) [Reissue 2009]
EAC Rip | FLAC (tracks+.cue+log) - 191 MB | MP3 CBR 320 kbps (LAME 3.93) - 87 MB | Covers (6 MB) included
Genre: Jazz | RAR 3% Rec. | Label: Verve Records (602517995765)

Jerome Kern's stage tunes - going back to the late '20s with the acclaimed presentation Show Boat - right up to the '40s, will forever be at the core of quintessential American popular songs that hold a dear place in the heart of all straight-ahead jazz performers. Oscar Peterson's immortal trio with bassist Ray Brown and drummer Ed Thigpen play Kern's themes expertly, with no small degree of interpretation, and a clever angle on these well-worn songs that only Peterson can self-identify with his genius mindset…
Max Roach Plus Four - Quiet As It's Kept (1960) [Reissue 2009] (Repost)

Max Roach Plus Four - Quiet As It's Kept (1960) [Reissue 2009]
EAC Rip | FLAC (tracks+.cue+log) - 234 MB | MP3 CBR 320 kbps (LAME 3.93) - 84 MB | Covers (5 MB) included
Genre: Jazz, Hard Bop | RAR 3% Rec. | Label: Verve Records (0602517995758)

Max Roach's post-Clifford Brown ensembles became more experimental down the road, but this 1960 band, with the brothers Tommy and Stanley Turrentine, and Julian Priester, was short-lived, very satisfying, and one of the most memorable combos the drummer led. Continuing to concentrate on hard bop themes, the band is hardly quiet as the title would suggest. It perhaps could be said that this band was a sleeper in not being as recognized as the superior collective talent would indicate. Perhaps the obscure bassist Bob Boswell has something to do with it, or that the front line would find their niches in jazz well past their membership in this fine combo…