Bwv 242

Educação - Brazil - Issue 242 - Setembro 2017  Magazines

Posted by antfer at Feb. 6, 2018
Educação - Brazil - Issue 242 - Setembro 2017

Educação - Brazil - Issue 242 - Setembro 2017
Portuguese | Pages: 68 | PDF | 34.5 MB

Ultra HD 3840x2160 Wallpaper Pack 242  Graphics

Posted by ringman at Jan. 30, 2018
Ultra HD 3840x2160 Wallpaper Pack 242

Ultra HD 3840x2160 Wallpaper Pack 242
46 JPG | 3840x2160 | 106 Mb
The Sixteen & Harry Christophers - Vivaldi: Gloria in D Major, RV 589 - J.S. Bach: Mass in G Major, BWV 236 (2018)

The Sixteen & Harry Christophers - Vivaldi: Gloria in D Major, RV 589 - J.S. Bach: Mass in G Major, BWV 236 (2018)
Classical, Choral | WEB FLAC (tracks) & d. booklet | 327 MB
Label: CORO | Tracks: 20 | Time: 70:36 min

Vivaldi's Gloria is one of sacred musics most uplifting choral works and a joyful hymn of praise with moments ranging from festive brilliance to profound sadness. Composed in Venice, probably in 1715, for the choir of the Ospedale della Pietà, its wonderfully sunny nature and distinctive melodies and rhythms give it an immediate and universal appeal. Bach was a fierce admirer of Vivaldi's work, and his extraordinarily inventive Mass in G major complements the Gloria perfectly.
Philippe Pierlot, Ricercar Consort - Bach: Magnificat BWV 243, Missa BWV 235 (2009)

Philippe Pierlot, Ricercar Consort - Bach: Magnificat BWV 243, Missa BWV 235 (2009)
EAC | FLAC | Image (Cue & Log) ~ 350 Mb | Total time: 64:52 | Scans included
Classical | Label: Mirare | # MIR 129 | Recorded: 2008

Philippe Pierlot and the Ricercar Consort's 2006 recording of Bach's Magnificat brings back the glory days of historically informed performances, those halcyon days in the 1980s when musicians, empowered by scholarship and energized by virtuosity, were recording the Baroque repertoire with the zeal of the newly converted. Though Pierlot and his musicians are of a younger generation, they bring a missionary fervor to the music, a program of Bach's Magnificat, BWV 243, and Missa Brevis, BWV 235, interspersed with two well-chosen organ works, the Fuga sopra il Magnificat, BWV 733, and the Präludium und Fuga, BWV 541. Pierlot's textures are clean, his rhythms buoyant, his colors bright, and tempos brisk, but not rushed in the fast movements, and contemplative but not moribund in the slow movements.
J.S. Bach - Goldberg Variations, BWV 988 - Ji (2018) {Parlophone-Warner 0190295719371 Official Digital Download}

J.S. Bach - Goldberg Variations, BWV 988 - Ji (2018) {Parlophone-Warner 0190295719371 Official Digital Download}
FLAC (tracks) - 16bit/44kHz - Official Digital Download -> 238 Mb | MP3 @320 -> 162 Mb
Full Artwork (jpg+pdf) -> 13 Mb | 5% repair rar
© 2018 Parlophone Records / Warner Music | 0190295719371
Classical / Baroque / Piano

The young pianist who blew everyone away at the GRAMMYs recorded Bach's Goldberg Variations as label debut. The Korean-born, US-trained pianist known simply as Ji is very much a classical musician for the 21st century. Having won the New York Philharmonic’s Young Artists Competition at the age of just 10, he went on to study at the prestigious Juilliard School. Described by the Chicago Tribune as “a gifted, sensitive young pianist who is clearly going places,” he has chosen Bach’s sublime Goldberg Variations for his debut on Warner Classics. “Classical music is never going away,” he says, “We live in very modern world, and it’s our job to live in the moment, but it’s also our job to respect and preserve tradition.”
Ji - Bach: Goldberg Variations, BWV 988 (2018) [Official Digital Download]

Ji - Bach: Goldberg Variations, BWV 988 (2018)
FLAC (tracks) 24-bit/44.1 kHz | Time - 60:11 minutes | 486 MB
Studio Master, Official Digital Download | Artwork: Digital Booklet

The Korean-born, US-trained pianist known simply as Ji is very much a classical musician for the 21st century. Having won the New York Philharmonic’s Young Artists Competition at the age of just 10, he went on to study at the prestigious Juilliard School. Described by the Chicago Tribune as “a gifted, sensitive young pianist who is clearly going places,” he has chosen Bach’s sublime Goldberg Variations for his debut on Warner Classics.

Dago - Volume 242 - Otranto e Visconti (Nuovi Fumetti)  Comics

Posted by Mendose at Jan. 19, 2018
Dago - Volume 242 - Otranto e Visconti (Nuovi Fumetti)

Dago - Volume 242 - Otranto e Visconti (Nuovi Fumetti)
Italian | CBR | 100 pages | 36.9 MB
Nicholas Ward, Northern Chamber Orchestra - Bach: Magnificat BWV 243; Cantata 'Ich habe genug' BWV 82 (1995)

Nicholas Ward, Northern Chamber Orchestra, Jeremy Summerly, Schola Cantorum of Oxford - Bach: Magnificat BWV 243; Cantata 'Ich habe genug' BWV 82 (1995)
EAC | FLAC | Image (Cue & Log) ~ 215 Mb | Total time: 53:14 | Scans included
Classical | Label: Naxos | # 8.550763 | Recorded: 1993, 1994

These works both received their first performances in Leipzig - the Magnificat in 1723 and Cantata 82 in 1727. It was in 1723 that Bach had taken up thepost of Kantor at the Thomaskirche in Leipzig, having previously been Kapellmeisterto Prince Leopold in Cothen. The Magnificat was originally heard ina version in E flat major at Christmas Vespers when movements with seasonaltexts were inserted; the version included on this disc was rendered by Bach someyears later, returning to the ordinary Magnificat text in order to makethe work performable all year round. Bach's approach to the evening canticle ischaracteristically large-scale. There is no use of recitative, owing perhaps tothe poetic nature of the text: the verses have little natural hierarchy and itis appropriate that they should all be afforded extended settings. The scoringis unusually rich and includes three trumpets, two flutes, two oboes, strings,continuo, and timpani - one of the largest ensembles to be assembled at theThomaskirche in Bach's time. Bach takes a literal view of the text in which, forinstance, the full five-part choir is used to demonstrate Omnes generationes ("All generations") with soloists used for the more reflective movements. Ina typically Bachian gesture the opening material returns for Sicut erat inprincipio ("As it was in the beginning").
Brazilian Guitar Quartet - J.S. Bach: Four Suites for Orchestra, BWV 1066-1069 (2000)

Brazilian Guitar Quartet - J.S. Bach: Four Suites for Orchestra, BWV 1066-1069 (2000)
EAC | FLAC (image+.cue, log) | Covers Included | 74:05 | 337 MB
Genre: Classical | Label: Delos | Catalog: 3254

Although J.S. Bach's orchestral music has been transcribed for guitar ensemble before, notably selected Brandenburg Concertos by the De Falla Trio and the Los Angeles Guitar Quartet, this is the first recording of the four suites for orchestra that I have heard in a setting of this type; it is not a source of material that readily springs to mind for such treatment and certainly purists would decry such practices.
Duo Mélisande - Bach: The Goldberg Variations, BWV 988 (2014) [Official Digital Download]

Duo Mélisande - Bach: The Goldberg Variations, BWV 988 (2014)
FLAC (tracks) 24-bit/48 kHz | Time - 51:35 minutes | 510 MB
Studio Master, Official Digital Download | Artwork: Digital Booklet

„The title „Goldberg Variations“, arose from a story, now thought to be doubtful, that they were commissioned for the 14 year old harpsichordist Johann Gottlieb Goldberg to play. In 1802, the first biographer of J.S Bach, Johann Nicolaus Forkel, wrote that they were the 'model according to which all variations should be made'. The work has long been regarded as the most important set of variations composed in the baroque era. In the accompanying booklet to this CD, both Sebastien Llinares and Gilles Cantagrel cover the subject of Bach being transcribed. So called 'purists' should beware because nobody transcribed Bach's music like Bach himself - from violin to lute, from lute to harpsichord etc.“