Bwv 242

Masaaki Suzuki, Bach Collegium Japan - Bach: Gloria in excelsis Deo: Kantaten BWV 30,69,191 (2017) [Blu-Ray]

Masaaki Suzuki, Bach Collegium Japan - Bach: Gloria in excelsis Deo: Kantaten BWV 30,69,191 (2017) [Blu-Ray]
BluRay | BDMV | MPEG-4 AVC Video / 21264 kbps / 1080i / 29,970 fps | 99 min | 36,0 Gb
Audio1: German, Latin / LPCM Audio / 2.0 / 24-bit | Audio2: LPCM Audio / 5.0 / 96 kHz / 11520 kbps / 24-bit

BluRay-rip | AVC | MKV 1920x1080 / 6215 kbps / 29,97 fps | 99 min | 11,5 Gb
Audio: German, Latin / PCM / 5ch / 96.0 KHz / 24 bits
Classical | BIS | Sub: English, Japanese

In June 1995, a virtually unknown group of Japanese musicians embarked on the monumental task of recording the complete sacred cantatas by Johann Sebastian Bach. Almost eighteen years later, on 23rd February 2013, the Bach Collegium Japan and Masaaki Suzuki – by then household names in the international music world – reached their goal, as they finished recording the 55th disc in a series which in the meantime had met with overwhelming acclaim worldwide. Made in conjunction with the final cantata recording, this film commemorates the occasion. Besides filmed performances of the three last cantatas – Gloria in excelsis Deo, BWV191, Lobe den Herrn, meine Seele, BWV69 and Freue dich, erlöste Schar, BWV30 – the film includes interviews with Masaaki Suzuki and key members of Bach Collegium Japan as well as behind-the-scenes footage.
Bach - Variations canoniques; Les Chorales de Leipzig, BWV 769, 651-668 (Hans Vollenweider) [1995] *Re-Up*

Bach - Variations canoniques; Les Chorales de Leipzig, BWV 769, 651-668 (Hans Vollenweider) [1995]
EAC Rip | FLAC, IMG+CUE, LOG | Covers | 2cd, 547 MB
Classical | Label: Accord | Catalog Number: 149514 | TT: CD1: 53’07, CD2: 53’55

It’s now time for a release with the famous German organist Helmut Walcha. This is the first of initially 4 releases with Walcha playing J. S. Bach. He recorded the complete works by J. S. Bach twice, from 1947-1950 in mono on the Schnitger organ in Cappel and in St. Jakobi in Lübeck and 1956-1971 on the famous organ in Alkmaar. This release is from the Alkmaar serie and is therefore in stereo. A quite interesting thing is to compare it with the IHORC14 release, where Fernando Germani plays the exact same organ about two years later…
Bach Collegium Japan, Masaaki Suzuki - Johann Sebastian Bach: Lutheran Masses, Vol. 1 (2015)

Bach Collegium Japan, Masaaki Suzuki - Johann Sebastian Bach: Lutheran Masses, Vol. 1 (2015)
EAC | FLAC | Image (Cue&Log) ~ 378 Mb (incl 5%) | Scans included | Time: 01:05:30
Genre: Classical, Choral | Label: BIS | # BIS-2081

The Reformations fundamental alterations to traditional forms of church service, had, by Bach's time, resulted in German churches Latin yielding to the country's own language. To a limited extent, however, the Latin mass text did remain in use in the Protestant church in particular the Kyrie and Gloria sections. Termed Missa to differentiate them from complete settings, these pieces are often referred to now as 'Lutheran Masses'. Bach's famous Mass in B minor began its existence as a work of this type, and four other examples from Bach's pen have survived. Newly performed and recorded by Bach Collegium Japan under the direction of Masaaki Suzuki, the Missae BWV 235 and 236 are here combined with four separate settings of the Sanctus. Two of these are original works, whereas BWV 241, and possibly also 240, is an arrangement of another composers setting. The 'KyrieChriste' BWV Anh 26 is an example of how Bach used music by other composers, in this case by his Neapolitan contemporary Francesco Durante.
Silke Strauf & Claas Harders - J.S. Bach: Goldberg-Variationen BWV 988 für 2 Violen da Gamba (2009)

Silke Strauf & Claas Harders - J.S. Bach: Goldberg-Variationen BWV 988 für 2 Violen da Gamba (2009)
MP3 (CBR 320 kbps) | Covers Included | 01:11:34 | 189 MB
Genre: Classical | Label: Raumklang

Für den kaiserlichen Gesandten in Dresden, Hermann Graf Keyserlingk, sollen die Goldberg-Variationen entstanden sein. Der Graf habe, wie Bach-Biograph Nikolaus Forkel schreibt, die Musik bei Bach bestellt in der Hoffnung, „daß er dadurch in seinen schlaflosen Nächten ein wenig aufgeheitert werden könnte.“ Diese Bearbeitung der Goldberg-Variationen für zwei Gamben setzt die Reihe der schon bestehenden Transkriptionen fort.
Richard Egarr - J.S.Bach: The French Suites, BWV 812-817 (2016) [Official Digital Download 24/88]

Richard Egarr - J.S.Bach: The French Suites, BWV 812-817 (2016)
FLAC (tracks) 24-bit/88.2 kHz | Time - 105:08 minutes | 2.12 GB
Studio Master, Official Digital Download | Artwork: Digital Booklet

The nineteenth century was one in which musicians were very busy applying names and titles to older musical conventions of form, gure and function. Virtually all of the ‘titles’ applied to ‘Classical’ sonatas, symphonies and chamber music by Haydn, Mozart and Beethoven come from a much later time. The music of the seventeenth and eighteenth centuries also did not escape this desire to name and codify.
Gaechinger Cantorey & Hans-Christoph Rademann - Bach: Weihnachtsoratorium, BWV 248 (2017)

Gaechinger Cantorey & Hans-Christoph Rademann - Bach: Weihnachtsoratorium, BWV 248
Classical, Choral | WEB FLAC (tracks) & d. booklet | 151:11 min | 685 MB
Label: Carus | Tracks: 66 | Rls.date: 2017

Originally written for the three days of Christmastide 1734 and the beginning of 1735, Johann Sebastian Bach’s Christmas Oratorio has since gone on to become an established part of Advent and Christmas – just like turkey and Christmas pudding. With soloists Regula Muhlemann, Anna Lucia Richter, Wiebke Lehmkuhl, Sebastian Kohlhepp, and Michael Nagy, the newly-formed enembles of the Gaechinger Cantorey conducted by Hans-Christoph Rademann celebrate their first Christmas Oratorio together with this recording of all six cantatas!
Daniel Barenboim, Andras Schiff, Sir Georg Solti, English CO - Mozart: Piano Concertos K 242, 365, 466 (1990) Reissue 2006

Wolfgang Amadeus Mozart: Concerto for Two Pianos in E-flat, K. 365;
Concerto for Three Pianos in F, K. 242; Piano Concerto No. 20 in D minor, K466
Sir Georg Solti, piano & conducted; English Chamber Orchestra
Daniel Barenboim, piano; András Schiff, piano

EAC | FLAC | Image (Cue&Log) ~ 300 Mb | Mp3 (CBR320) ~ 195 Mb | Scans included
Genre: Classical | Label: Decca/Universal | # 476 2451 | Time: 01:18:16

Involving, as it does, three master musicians and a fine chamber orchestra this was never likely to be be other than rewarding. It may not correspond with the ways of playing Mozart at the beginning of the twenty-first century which are fashionable at the beginning of the twenty-first century, but it has virtues – such as high intelligence, sympathy, certainty of purpose, grace, alertness of interplay – which transcend questions of performance practice. Looking at the names of the pianists above, we might be surprised by the presence of Sir Georg Solti, so used are we to thinking of him as a conductor. But the young Solti appeared in public as a pianist from the age of twelve and went on to study piano in Budapest, with Dohnányi and Bartok.
La Nuova Musica; David Bates, Lucy Crowe, Tim Mead - Pergolesi: Stabat Mater; J.S. Bach: Cantatas BWV 54 & 170 (2017)

Giovanni Pergolesi: Stabat Mater; Johann Sebastian Bach: Cantatas BWV 54 & 170 (2017)
Lucy Crowe, soprano; Tim Mead, countertenor; La Nuova Musica; David Bates, conductor

EAC | FLAC | Image (Cue&Log) ~ 283 Mb | Mp3 (CBR320) ~ 147 Mb | Artwork included
Classical, Sacred, Vocal | Label: Harmonia Mundi | # HMM907589 | Time: 01:04:14

Two of Bach’s finest cantatas, both for solo alto, composed in Weimar (1714) and Leipzig (1726) respectively, are here coupled with the delicious agony of grief that is Pergolesi’s 'Stabat mater', an acknowledged masterpiece by one of the 18th century’s most influential composers. Bach so admired the composition of his Neapolitan colleague that he made his own ‘parody’ of it to a German text. On this recording, La Nuova Musica, in its 10th anniversary year, and its two eminent soloists display equal mastery of both idioms.

in Viaggio N.242 - Novembre 2017  Magazines

Posted by crazy-slim at Nov. 6, 2017
in Viaggio N.242 - Novembre 2017

in Viaggio - Novembre 2017
Italian | 148 pages | True PDF | 48 MB
Yehudi Menuhin - Bach: Sonatas and Partitas for Solo Violin, BWV 1001-1006 (2000)

Yehudi Menuhin - Bach: Sonatas and Partitas for Solo Violin, BWV 1001-1006 (2000)
EAC | FLAC | Image (Cue & Log) ~ 419 Mb | Total time: 67:36+72:39 | Scans included
Classical | Label: EMI | # 5 73740.41 2 | Recorded: 1957

The sonatas and partitas for solo violin (BWV 1001–1006) are a set of six works composed by Johann Sebastian Bach. They are sometimes referred to in English as the sonatas and partias for solo violin in accordance with Bach's headings in the autograph manuscript: "Partia" (plural "Partien") was commonly used in German-speaking regions during Bach's time, whereas the Italian "partita" was introduced to this set in the 1879 Bach Gesellschaft edition, having become standard by that time. The set consists of three sonatas da chiesa in four movements and three partitas (or partias) in dance-form movements.
The set was completed by 1720, but was only published in 1802 by Nikolaus Simrock in Bonn. Even after publication, it was largely ignored until the celebrated violinist Joseph Joachim started performing these works. Today, Bach's Sonatas and Partitas are an essential part of the violin repertoire, and they are frequently performed and recorded.