Bruch Op. 47

Geoffrey Applegate, Vienna Symphony Orchestra, Franz  Litschauer - Sibelius: Violin Concerto in D Minor, Op.47 (2006)

Geoffrey Applegate, Vienna Symphony Orchestra, Franz Litschauer - Sibelius: Violin Concerto in D Minor, Op.47 (2006)
EAC | FLAC (tracks+.cue, log) | Covers Included | 57:12 | 278 MB
Genre: Classical | Label: Music Minus One | Catalog: MMO CD 3144

Sibelius' 20th-century masterpiece is unique in its beauty, and is a favorite in concert halls worldwide, with its Scandinavian Romantic themes. A must for the serious violinist! Includes a high-quality printed music score and a compact disc containing a complete version with soloist, in split-channel stereo (soloist on the right channel); then a second version in full stereo of the orchestral accompaniment, minus you, the soloist.
Alexander Chaushian & Yevgeny Sudbin - Schumann: Piano Quartet, Op. 47 - Brahms: Piano Quintet, Op. 34 (2017)

Alexander Chaushian & Yevgeny Sudbin - Schumann: Piano Quartet, Op. 47 - Brahms: Piano Quintet, Op. 34 (2017)
Classical | WEB FLAC (tracks) & d. booklet | 274 MB
Label: BIS | Tracks: 08 | Time: 74:28 min

Robert Schumanncomposed the Op. 47 Piano Quartet in E flat majorin his so-called chamber music year of 1842, immediately after finishing the famous piano quintet in the same key. Despite the proximity in time and tonality, there are clear differences between the two works: the quintet tends more towards a concertantedialogue between the piano and string quartet while the quartet favours equality between the four parts even if the cello has something of a leading role among the strings.
Janáček Philharmonic Orchestra & Anthony Armoré - John Robertson: Vallarta Suite, Op. 47 (2017)

Janáček Philharmonic Orchestra & Anthony Armoré - John Robertson: Vallarta Suite, Op. 47 (2017)
Soul, Funk, Disco | MP3 CBR 320 kbps | min | 136 MB
Label:

New Zealand born, Canada based composer John Robertson’s album VALLARTA SUITE showcases the continuation of classic orchestral traditions into the present day. The album’s three works testify to Robertson’s flexible compositional voice, which expresses playful, grand, and romantic materials within a welcoming style based on nineteenth century, and early twentieth century precedents. Performed expertly by the Jánaček Philharmonic Orchestra, VALLARTA SUITE is defined by beautiful melodies, confident orchestration, and classic musical forms.

La Real Cámara - Boccherini: Sei terzettini, Op. 47 (2015)  Music

Posted by SERTiL at July 12, 2017
La Real Cámara - Boccherini: Sei terzettini, Op. 47 (2015)

La Real Cámara - Boccherini: Sei terzettini, Op. 47
Classical | WEB FLAC (tracks) & d. booklet | 63:00 min | 271 MB
Label: Glossa | Tracks: 12 | Rls.date: 2015

Few musicians today possess so much awareness and experience with the music of Luigi Boccherini as Emilio Moreno, or can invest their performances with so much insight. With his ensemble La Real Cámara and for his seventh recording of Boccherini s music for Glossa, Moreno has now turned to the set of six string trios or Terzettini, Op 47 scored untypically for Boccherini for violin, viola and cello written when he was in full maturity both in his compositional activity and in his own skills as a cellist.
Salvatore Accardo, Giorgia Tomassi - Beethoven: Sonatas Op. 47, Op. 24 (2004/2012) [Official Digital Download 24/96]

Salvatore Accardo, Giorgia Tomassi - Beethoven: Sonatas Op. 47, Op. 24 (2004/2012)
FLAC (tracks) 24-bit/96 kHz | Time - 64:12 minutes | 1.29 GB
Studio Master, Official Digital Download | Artwork: Digital booklet

Violin Sonata no. 9 in A major, commonly known as the Kreutzer Sonata is a violin sonata Ludwig van Beethoven published in 1802 as his opus 47. It is known for its demanding violin part, unusual length (a typical performance lasts slightly less than 40 minutes), and emotional scope - while the first movement is predominantly furious, the second is meditative and the third joyous and exuberant.
Tauno Hannikainen, LSO, Tossy Spivakovsky - Sibelius: Violin Concerto Op. 47 & Tapiola Op. 112 (1960/2013) [24/192]

Tauno Hannikainen, LSO, Tossy Spivakovsky - Sibelius: Violin Concerto Op. 47 & Tapiola Op. 112 (1960/2013)
FLAC (tracks) 24-bit/192 kHz | Time - 46:19 minutes | 1.55 GB
Studio Master, Official Digital Download | Artwork: Digital booklet

Recording technology at the start of the 21st century is probably the best that can be achieved, but a steady flow of historic audiophile reissues demonstrates that the improvement of sound quality has been a decades-long quest, and the first superb efforts are still worth hearing today.
Peter Serkin, Chicago Symphony Orchestra - Schoenberg: Piano Concerto, Op. 42; 5 Piano Pieces, Op. 23 & Phantasy, Op. 47 (2017)

Peter Serkin, Chicago Symphony Orchestra - Schoenberg: Piano Concerto, Op. 42; 5 Piano Pieces, Op. 23 & Phantasy, Op. 47
Classical | MP3 CBR 320 kbps | 48:05 min | 111 MB
Label: Sony Classical | Tracks: 11 | Rls.date: 2017

He is "one of those rarities, a natural conductor", exclaimed one reviewer after Seiji Ozawa's Chicago Symphony debut on July 16, 1963 at the orchestra's Ravinia Festival. "His technical facility is phenomenal, his sense of rhythm both solid and subtle, and his knowledge of scores… detailed and intimate." Another Chicago critic concurred: "His conducting technique reminds you of his teacher, Herbert von Karajan, in that it lays the score in the lap of the orchestra with transparency of gesture and human communication, then commands acceptance."
Yevgeny Mravinsky, LPO - Dmitri Shostakovich: Symphony No.5, Op.47; Symphony No.12 'The Year 1917', Op.112 (2016)

Dmitri Shostakovich: Symphony No.5, Op.47; Symphony No.12 'The Year 1917', Op.112 (2016)
Leningrad Philharmonic Orchestra; conducted by Yevgeny Mravinsky

EAC | FLAC | Image (Cue&Log) ~ 445 Mb (incl 5%) | Mp3 (CBR320) ~ 214 Mb (incl 5%) | Scans included
Genre: Classical | Label: Praga Digitals | # 350 122 | Time: 01:19:27

Shostakovich's Symphony No.5 was given its premiere in 1937. It was outwardly in compliance with the ruling party, but the public heard a message of suffering in Shostakovich's masterpiece and it was an unprecedented triumph. Symphony No.12 "The Year 1917" was dedicated to Vladimir Lenin. Both works were premiered by the Leningrad Philharmonic Orchestra under the direction of Yevgeny Mravinsky. The performances featured here were recorded in December 1965.
Tchaikovsky - Violin Concerto in D major, Op.35; Sibelius - Voilin Concerto in D minor, Op.47 (1970) [Kyung-Wha Chung, Previn]

Tchaikovsky - Violin Concerto in D major, Op.35; Sibelius - Voilin Concerto in D minor, Op.47 (1970) Reissue 2001
Kyung-Wha Chung, violin; London Symphony Orchestra; Andre Previn, conductor

EAC | FLAC | Image (Cue&Log) ~ 304 Mb (incl 5%) | Mp3 (CBR320) ~ 168 Mb (incl 5%) | Scans included
Genre: Classical | Label: Decca | # UCCD-7007, 468 707-2 | Time: 01:06:25

This was Kyung-Wha Chung's first recording, made when she was 22, just after her sensational London debut in the Tchaikovsky Concerto with the same orchestra and conductor. It is splendid. Only a young, radiantly talented player could make these two tired warhorses sound so fresh and vital; only a consummately masterful one could sail through their daunting technical difficulties with such easy virtuosity and perfection. Her tone is flawlessly beautiful, varied in color and inflection; she puts her technical resources entirely at the service of the music, giving every note meaning and honestly felt expression without exaggeration or sentimentality. The Tchaikovsky has charm, humor, sparkle; the slow movement is dreamy, wistful, and unmuted but subdued and inward. The Sibelius is dark and bleak but full-blooded, passionate, and intense. The orchestra sounds and plays better in the Sibelius.
Mieczyslaw Weinberg - Polish Melodies, Op. 47, No. 2, Symphony No. 21, "Kaddish" (Bartenyeva, Siberian Symphony, Vasilyev)

Mieczyslaw Weinberg - Polish Melodies, Op. 47, No. 2, Symphony No. 21, "Kaddish" (Bartenyeva, Siberian Symphony, Vasilyev)
Classical | EAC: FLAC+Cue+Log | 1 Cd, Covers + Booklet | 328 Mb
Label:Toccata - Date:2014

Mieczysław Weinberg, born in Warsaw in 1919, became a close friend of Shostakovich in Moscow, after fleeing eastwards before the invading Nazis in 1939. His style has much in common with Shostakovich’s…….This recording pairs an early orchestral work, the suite Polish Tunes of 1950, with the last full orchestral symphony he was to complete, dedicated to the memory of those who died in the Warsaw Ghetto