A spinoff of its parent magazine, Classic Rock Presents Prog takes a look at progressive music and the artists who weave them together. Each issue takes a soul-searching foray into the hearts and minds of the heroes of rock, reviewing both new and old releases. Building upon the history of some of the most genre-defining pieces ever devised and those who followed who continue to refine, revolutionise and completely discard the formulas of those who came before. Reflecting on the proud genesis of this unexpected genre, Classic Rock Presents Prog is an able tutor for those in the dark about the evolution of progressive music, and a tonic for existing fans.
Big Dog Daddy is the eleventh studio album released by country singer Toby Keith. It was released June 12, 2007. Its first single, "High Maintenance Woman," which was released before the album came out, peaked at number three on the country charts. The album debuted at #1 on the Billboard 200 and the Billboard Top Country Albums chart. It was Keith's third number one on the Billboard 200 and his fifth on the Top Country Albums chart. In addition, this was the first album of Keith's career that he produced entirely on his own, having previously co-produced all but his first two albums.
This release presents one of John Lee Hooker's finest albums, The Big Soul of John Lee Hooker. It was recorded in 1962 and released by Vee-Jay Records. Here the bluesman explores the soul and R&B sounds of the early ‘60s, while maintaining the essence of his own boogieblues style. His gritty voice is as heavily emotive and unshakable as ever on these recordings. Hooker is backed by the seed of one of the most successful studio bands of all time, which would later be known as The Funk Brothers (the Motown studio band), as well as by a wonderful female backing vocal group. In addition to the original masterpiece, this remastered collector's edition also contains 10 bonus tracks from the same period, and constitutes one of the peaks of John Lee Hooker's incomparable musical legacy.
Asian-American baritone saxophonist Fred Ho has been a champion of freedom and expressionism in modern creative jazz for some time. A continuing battle with cancer has inspired him to assemble the Green Monster Big Band, with reference to the famed left-field wall at Fenway Park in Boston, but more directly related to the huge sound and diverse ideas this juggernaut ensemble represents. Ho is influenced by the '60s big bands, television or movie themes, and the psychedelic rock he grew up with, all present on this ambitious program.
Crazy Legs is a studio album by Jeff Beck and the Big Town Playboys, released on 29 June 1993. The recording is an album of Gene Vincent songs. The album is considered to be a tribute to Gene Vincent and His Blue Caps, and in particular to Vincent's early guitarist Cliff Gallup, whom Beck recognized as his biggest influence.
Prix Django Reinhardt, prix Boris Vian, prix audiovisuel de l'Europe, Django d'or, au fil des années, de clubs en concerts, d'enregistrements en festivals, à travers son jeu inventif et sa présence scènique, il s'est affirmé comme une des créatrices personnalités du jazz en europe. Le Monde, Francis Marmande : Le Big Band de Jean-Loup Longnon Trompettiste de tempérament, personnalité bruyante, Jean-Loup Longnon n'est jamais si vivant qu'à la tête de sa légion. Il aime les masses sonores, les chocs de sections, l'allégresse et la puissance que dégage une machine qui tourne. Il a les moyens de le faire savoir : l'entourage choisi, le goût de l'écriture et l'énergie communicative de la direction d'orchestre.
The veteran Chicago harpist's long-overdue debut album is quite credible, but you can't help but think he's got a far more satisfying set within him yet. Dreary backing by the overly cautious Ice Cream Men is the prime reason the set only occasionally soars – with a less derivative combo, Wheeler could come up with something special before he's through.
Fourth album by New York's TOP blues cats whose previous album (Big Apple Blues: “Brooklyn Blues”, StoneToneRecords, Inc) was voted # 10 out of 100 best recent blues releases by Real Blues Magazine. “Live at O’Flaherty’s” captures raucous, sweltering, energy-oozing live performance of Big Apple Blues in a NYC club. To top it off, the CD was recorded unlike any other album in the last 3 decades - using old school, brutally revealing ½” vintage 70’s stereo Ampex tape recorder with virtually no postproduction. The result is - Blues like it is meant to be – true to the bone and free of studio tricks! Turn up loud and enjoy!