Live at the Apollo is a Blues album by B.B. King and the Phillip Morris "Super Band" recorded at the famous Apollo Theater in Harlem, New York. It was awarded the 1992 Grammy Award for Best Traditional Blues Album.
Onetime rivals for R&B supremacy, the two blues greats hit the road together in the Seventies, where they soon discovered how well their styles complemented one another while bantering with expert comic timing. "Nothing is planned tonight," King announces early in this hour-long set, and whether or not that was true there's a spontaneous but never sloppy spark. It's instructive and exciting to hear King's guitar supporting another vocalist, particularly a master such as Bland.
The combination of King and the well-oiled Philly rhythm section that powered hits by the O'Jays, Spinners, and Stylistics proved a surprisingly adroit one. Two huge hits came from this album, the Stevie Wonder/Syreeta Wright-penend title track and "I Like to Live the Love," both of them intriguing updates of King's tried-and-true style.
True, this 1973 vintage best-of album covers a ridiculously slim wedge of time in the blues king's long career. Yet this period was quite significant, for it marks the crest of B.B. King's initial entry into the pop music mass market – and this album surfs succinctly, if not comprehensively, over the high points of his turn-of-the-decade winning streak. There's a potent slice of King's triumphant Live at Cook County – one of his sassiest "How Blue Can You Get?" on records – the huge hit "The Thrill Is Gone" extracts from his surprisingly pleasing early excursions into pop/rock territory on In London and Indianola Mississippi Seeds, and plenty of flavorful electric blues ("Sweet Sixteen," "Why I Sing the Blues") at full length. There are some quirks – "Caldonia" is shortened because one of the unnamed participants on the session demanded the cut, and the "compatible stereo/quad" sound on the LP has some details drastically mixed down when it's played back in ordinary stereo.
B.B. King has cut a lot of albums since the success of Live at the Regal. And, like the live shows they document, none of them are any less than solid and professional, hallmarks of King's work aesthetic. But every so often B.B. truly catches fire; his playing and singing comes up an extra notch or two, and the result is a live album with some real sparks to it. Live in Cook County Jail is one of those great concerts that the record company was smart enough to be there to capture, documenting B.B. firing on all cylinders in front of an audience that's just damn happy for him to be there…
There's more than one B.B. King best-of out on the racks, but this 1998 issue, Greatest Hits [MCA], updates his chart achievements and puts them together in a modern, 16-track package for both the novice and casual modern blues listener…
The Spirituals as B.B. King's 4th Crown LP, recorded in 1959 as a dedicated gospel album. The song selection literally represents a greatest hits package of the time, ranging from classics such as 'Precious Lord' and 'Swing Low Sweet Chariot' to no less than 6 staples from the repertoire of the highly respected 5 Blind Boys of Mississippi. Includes 8 bonus tracks.
Legendary bluesman B.B.King's glittering career has seen him lauded as one of the all-time greats of the genre. This program presents a chance to see King performing live, with footage taken from two nights–one in Memphis, the other in Nashville–of sessions at his own clubs. King performs with a full backing band as he delights his audience with renditions of classic tracks such as "When Love Comes to Town," "The Thrill is Gone," and "Ain't That Just Like a Woman.".