Audience Audience [1969]

Chicago - The Hi-Res Album Collection (1969-2014) [24bit/192kHz] Combined RE-UP

Chicago - The Hi-Res Album Collection (1969-2014)
FLAC (tracks) 24 bit/192 kHz | Time - 579:52 minutes | ~ 20,2 GB
Studio Master, Official Digital Download | Artwork: Front cover(s)

In 1967, Chicago musicians Walter Parazaider, Terry Kath, Danny Seraphine, Lee Loughnane, James Pankow, Robert Lamm, and Peter Cetera formed a group with one dream, to integrate all the musical diversity from their beloved city and weave a new sound, a rock 'n' roll band with horns. Their dream turned into record sales topping the 100,000,000 mark, including 21 Top 10 singles, 5 consecutive Number One albums, 11 Number One singles and 5 Gold singles. An incredible 25 of their 32 albums have been certified platinum, and the band has a total of 47 gold and platinum awards.
Genesis Discography. Part 1 (1969-1997) [Non-Remasters] Re-up

Genesis Discography. Part 1 (1969-1997)
EAC Rip | Flac(Image) + Cue + Log & MP3 CBR 320Kbps
19CD | ~ 5925 or 2328 Mb | Scans
Progressive Rock / Prog Pop

Genesis started life as a progressive rock band, in the manner of Yes and King Crimson, before a series of membership changes brought about a transformation in their sound, into one of the most successful pop/rock bands of the 1980s and 1990s. In addition, the group has provided a launching pad for the superstardom of members Peter Gabriel and Phil Collins, and star solo careers for members Tony Banks, Michael Rutherford, and Steve Hackett…

Dr. Strangely Strange - 2 Studio Albums (1969-1970)  Music

Posted by gribovar at April 26, 2017
Dr. Strangely Strange - 2 Studio Albums (1969-1970)

Dr. Strangely Strange - 2 Studio Albums (1969-1970)
EAC Rip | FLAC (tracks+.cue+log) - 498 MB | MP3 CBR 320 kbps (LAME 3.93) - 225 MB | Covers included
Genre: Progressive Folk Rock | RAR 3% Rec. | Label: Progressive Line, Air Mail

Ireland's answer to the Incredible String Band, Dr. Strangely Strange engaged in the same type of psychedelic acoustic music with folksy arrangements. With traditional instruments like penny whistle, fiddle, harmonium, and mandolin, Dr. Strangely Strange was more solidly rooted in melody and structure than the group's flaky Scottish counterparts. Produced by British modern folk guru Joe Boyd, "Kip of the Serenes" is built around simple and repetitious melodies occasionally interrupted by stream-of-consciousness musical and lyrical diversions. This simplistic approach would be abandoned with their 1970 follow-up, "Heavy Petting", which saw their first partnership with electric guitarist Gary Moore.
The Who - The Violent Side: Live At Woodstock Festival 1969 (2CD) (1994)

The Who - The Violent Side: Live At Woodstock Festival 1969 (2CD) (1994)
EAC Rip | FLAC with CUE and log | scans | 513 mb
MP3 CBR 320kbps | RAR | 212 mb
Genre: pop rock, classic rock

The Violent Side is a 2CD bootleg by British rockers The Who. True to its subtitle, the album is a soundboard recording of the full set of The Who at Woodstock on 16 August, 1969. The second half of disc two are bonus tracks recorded at Young Vic in London, England in April of 1971. This comes courtesy of Countdown Factory.

Deep Purple - Deep Purple (1969)  Music

Posted by v3122 at March 31, 2017
Deep Purple - Deep Purple (1969)

Deep Purple - Deep Purple (1969)
EAC | Flac(Image) + Cue + Log & MP3 CBR 320Kbps
1989 | EMI, CDP 7 92409 2 | ~ 247 or 105 Mb | Scans(jpg) -> 22 Mb
Hard Rock

This is a record that even those who aren't Deep Purple fans can listen to two or three times in one sitting – but then, this wasn't much like any other album that the group ever issued. Actually, Deep Purple was highly prized for many years by fans of progressive rock, and for good reason…
The Dubliners - Live at the Royal Albert Hall (1969) {EMI Music Ireland CDRAH I rel 2006}

The Dubliners - Live at the Royal Albert Hall (1969) {EMI Music Ireland CDRAH I rel 2006}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 352 Mb | MP3 @320 -> 124 Mb
Full Artwork @ 600 dpi (jpg) -> 49 Mb | 5% repair rar
© 1969, 2006 EMI Music Ireland | CDRAH I
Folk / Irish Folk / Traditional Irish Folk / Celtic / Drinking Songs

As good as they are on their records, the Dubliners are essentially performance artists who are at their best in front of an audience – in this case an extraordinarily large one, doing most of their best-known songs (many of which remain identified with them 40 years later). The sound is surprisingly good, and the spirits are overflowing, and the entire record makes a fine follow-up/companion to the mid-'60s In Concert album and the live Finnegan Wakes. It's the tracks off of this album, as much as the studio originals, that have filled up many a compilation on the Dubliners in the decades since.

Deep Purple - Deep Purple (1969) {1988, US 1st press}  Music

Posted by popsakov at Feb. 2, 2017
Deep Purple - Deep Purple (1969) {1988, US 1st press}

Deep Purple - Deep Purple (1969) {1988, US 1st press}
EAC Rip | FLAC (Img) + Cue + Log ~ 253 Mb | MP3 CBR320 ~ 105 Mb
Scans (PNG, 600 dpi) ~ 124 Mb | RAR 5% Recovery
Hard Rock, Psychedelic Rock, Progressive Rock | Passport Records #PBCD 3608

This is a record that even those who aren't Deep Purple fans can listen to two or three times in one sitting – but then, this wasn't much like any other album that the group ever issued. Actually, Deep Purple was highly prized for many years by fans of progressive rock, and for good reason. The group was going through a transition – original lead singer Rod Evans and bassist Nick Simper would be voted out of the lineup soon after the album was finished (although they weren't told about it until three months later), organist Jon Lord and guitarist Ritchie Blackmore having perceived limitations in their work in terms of where each wanted to take the band…
YES - The Hi-Res Album Collection (1969-1987, 2013) [24bit/192kHz] Combined RE-UP

Yes - The Hi-Res Album Collection (1969-1987, 2013)
FLAC (tracks) 24 bit/192 kHz | Time - 739:22 minutes | ~ 27 GB
Studio Master, Official Digital Download | Artwork: Front cover(s)

YES, the most successful and influential progressive rock band in the world, will celebrate its prolific tenure at Atlantic Records with the Hi-Res of the studio albums they recorded with the label…
Fairport Convention - Liege & Lief (1969) Expanded Remastered 2002

Fairport Convention - Liege & Lief (1969) Expanded Remastered 2002
XLD | FLAC | Image (Cue&Log) ~ 323 Mb (incl 5%) | Mp3 (CBR320) ~ 160 Mb (incl 5%) | Scans included
British Folk Rock, Psychedelic, Progressive Folk | Island | # 586 929-2, IMCD 291 | 00:55:21

Liege & Lief is the fourth album by the English folk rock band Fairport Convention. It is the third and final album the group released in the UK in 1969, all of which prominently feature Sandy Denny as lead female vocalist. (Denny did not appear on the group's 1968 debut album). It is also the very first Fairport album on which all songs have either been adapted (freely) from traditional British and Celtic folk material (for example "Matty Groves", "Tam Lin"), or else are original compositions (such as "Come All Ye", "Crazy Man Michael") written and performed in a similar style. By introducing songs of this genre into the group's repertoire Denny, who had previously sung and recorded traditional folk songs as a solo artist, was instrumental in this transformation. Although Denny quit the band even before the album's release, Fairport Convention has continued to the present day to make music almost exclusively within the traditional British folk music idiom, and are still most strongly associated with it.
Muddy Waters - After The Rain (1969) {Universal B0015982-02 rel 2011}

Muddy Waters - After The Rain (1969) {Universal B0015982-02 rel 2011}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 254 Mb | MP3 @320 -> 90 Mb
Full Artwork @ 300 dpi (jpg) -> 8 Mb | 5% repair rar
© 1969, 2011 Cadet Concept / Geffen / Get On Down / Universal | B0015982-02
Blues / Chicago Blues / Electric Blues

After the Rain dates from the most controversial period in Muddy Waters' history – along with its predecessors, Electric Mud (probably the most critically despised album in Muddy's catalog) and Brass and the Blues (an effort to turn him into B.B. King), it came out of an era in which Chess Records was desperately thrashing around trying any musical gambit to boost the sales of its top blues stars. But unlike Electric Mud, in which the repertoire selected by producer Marshall Chess was mostly unsuited, and the musical settings provided by Phil Upchurch, Pete Cosey et al. were too loud and too frenetic for Muddy's style of singing, After the Rain simply let him be Muddy Waters.