Audience Audience [1969]

Chicago - The Hi-Res Album Collection (1969-2014) [24bit/192kHz] Combined RE-UP

Chicago - The Hi-Res Album Collection (1969-2014)
FLAC (tracks) 24 bit/192 kHz | Time - 579:52 minutes | ~ 20,2 GB
Studio Master, Official Digital Download | Artwork: Front cover(s)

In 1967, Chicago musicians Walter Parazaider, Terry Kath, Danny Seraphine, Lee Loughnane, James Pankow, Robert Lamm, and Peter Cetera formed a group with one dream, to integrate all the musical diversity from their beloved city and weave a new sound, a rock 'n' roll band with horns. Their dream turned into record sales topping the 100,000,000 mark, including 21 Top 10 singles, 5 consecutive Number One albums, 11 Number One singles and 5 Gold singles. An incredible 25 of their 32 albums have been certified platinum, and the band has a total of 47 gold and platinum awards.
Garybaldi - Note Perdute - I Nastri Ritrovati 1969-1998 (2010) {CD + Bonus DVD5 NTSC}

Garybaldi - Note Perdute - I Nastri Ritrovati 1969-1998 (2010) {CD + Bonus DVD5 NTSC}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 214 Mb | MP3 @320 -> 79 Mb
DVD5 -> 3.69 Gb | All Regions | NTSC 16:9 | LinearPCM, 2 ch | ~ 72 min | ISO Image | subs: English
Full Artwork @ 300 dpi (png) -> 91 Mb | 5% repair rar
© 1969-98, 2010 AMS Records | AMS179CD
Rock / Progressive Rock

An amazing collection of rarities for one of the most important bands of Italian 70′s prog-rock: Garybaldi. This anthology contains a track that was meant to be included in their Gleemen debut, some live and alternate versions recorded between 1969 and 1998, and an amazing gem, three live tracks recorded during the Naples Be-In festival of 1973, one of the very few testimonies of those legendary festivals, as in those times no one used to record gigs in Italy! The artwork has been entirely conceived by Matteo Guarnaccia, one of the most important psychedelic painters in Italy: inspired by the famous "Nuda" cover art, he draw a marvellous triple gatefold artwork. The CD is accompanied with a DVD full of images of the band and documentaries shot in the 70s.

John Surman - Way Back When (1969) {Cuneform Records}  Music

Posted by tiburon at Feb. 24, 2017
John Surman - Way Back When (1969) {Cuneform Records}

John Surman - Way Back When (1969) {Cuneform Records}
EAC 1.1 | FLAC tracks level 8 | Cue+Log+M3U | Full Scans 300dpi | 294MB + 5% Recovery
Genre: Jazz, Fusion

Way Back When finds Surman on baritone and soprano saxophones, joined by John Taylor on electric piano, Brian Odgers on electric bass, John Marshall on drums and, on two tracks, alto saxophonist Mike Osborne. This one-day session was, in Surman's words, "a sort of 'farewell' jam session," held before Surman moved to continental Europe to join bassist Barre Phillips and drummer Stu Martin for the groundbreaking free jazz unit known as the Trio.
The Dubliners - Live at the Royal Albert Hall (1969) {EMI Music Ireland CDRAH I rel 2006}

The Dubliners - Live at the Royal Albert Hall (1969) {EMI Music Ireland CDRAH I rel 2006}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 352 Mb | MP3 @320 -> 124 Mb
Full Artwork @ 600 dpi (jpg) -> 49 Mb | 5% repair rar
© 1969, 2006 EMI Music Ireland | CDRAH I
Folk / Irish Folk / Traditional Irish Folk / Celtic / Drinking Songs

As good as they are on their records, the Dubliners are essentially performance artists who are at their best in front of an audience – in this case an extraordinarily large one, doing most of their best-known songs (many of which remain identified with them 40 years later). The sound is surprisingly good, and the spirits are overflowing, and the entire record makes a fine follow-up/companion to the mid-'60s In Concert album and the live Finnegan Wakes. It's the tracks off of this album, as much as the studio originals, that have filled up many a compilation on the Dubliners in the decades since.

Deep Purple - Deep Purple (1969) {1988, US 1st press}  Music

Posted by popsakov at Feb. 2, 2017
Deep Purple - Deep Purple (1969) {1988, US 1st press}

Deep Purple - Deep Purple (1969) {1988, US 1st press}
EAC Rip | FLAC (Img) + Cue + Log ~ 253 Mb | MP3 CBR320 ~ 105 Mb
Scans (PNG, 600 dpi) ~ 124 Mb | RAR 5% Recovery
Hard Rock, Psychedelic Rock, Progressive Rock | Passport Records #PBCD 3608

This is a record that even those who aren't Deep Purple fans can listen to two or three times in one sitting – but then, this wasn't much like any other album that the group ever issued. Actually, Deep Purple was highly prized for many years by fans of progressive rock, and for good reason. The group was going through a transition – original lead singer Rod Evans and bassist Nick Simper would be voted out of the lineup soon after the album was finished (although they weren't told about it until three months later), organist Jon Lord and guitarist Ritchie Blackmore having perceived limitations in their work in terms of where each wanted to take the band…
YES - The Hi-Res Album Collection (1969-1987, 2013) [24bit/192kHz] Combined RE-UP

Yes - The Hi-Res Album Collection (1969-1987, 2013)
FLAC (tracks) 24 bit/192 kHz | Time - 739:22 minutes | ~ 27 GB
Studio Master, Official Digital Download | Artwork: Front cover(s)

YES, the most successful and influential progressive rock band in the world, will celebrate its prolific tenure at Atlantic Records with the Hi-Res of the studio albums they recorded with the label…
Fairport Convention - Liege & Lief (1969) Expanded Remastered 2002

Fairport Convention - Liege & Lief (1969) Expanded Remastered 2002
XLD | FLAC | Image (Cue&Log) ~ 323 Mb (incl 5%) | Mp3 (CBR320) ~ 160 Mb (incl 5%) | Scans included
British Folk Rock, Psychedelic, Progressive Folk | Island | # 586 929-2, IMCD 291 | 00:55:21

Liege & Lief is the fourth album by the English folk rock band Fairport Convention. It is the third and final album the group released in the UK in 1969, all of which prominently feature Sandy Denny as lead female vocalist. (Denny did not appear on the group's 1968 debut album). It is also the very first Fairport album on which all songs have either been adapted (freely) from traditional British and Celtic folk material (for example "Matty Groves", "Tam Lin"), or else are original compositions (such as "Come All Ye", "Crazy Man Michael") written and performed in a similar style. By introducing songs of this genre into the group's repertoire Denny, who had previously sung and recorded traditional folk songs as a solo artist, was instrumental in this transformation. Although Denny quit the band even before the album's release, Fairport Convention has continued to the present day to make music almost exclusively within the traditional British folk music idiom, and are still most strongly associated with it.
Muddy Waters - After The Rain (1969) {Universal B0015982-02 rel 2011}

Muddy Waters - After The Rain (1969) {Universal B0015982-02 rel 2011}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 254 Mb | MP3 @320 -> 90 Mb
Full Artwork @ 300 dpi (jpg) -> 8 Mb | 5% repair rar
© 1969, 2011 Cadet Concept / Geffen / Get On Down / Universal | B0015982-02
Blues / Chicago Blues / Electric Blues

After the Rain dates from the most controversial period in Muddy Waters' history – along with its predecessors, Electric Mud (probably the most critically despised album in Muddy's catalog) and Brass and the Blues (an effort to turn him into B.B. King), it came out of an era in which Chess Records was desperately thrashing around trying any musical gambit to boost the sales of its top blues stars. But unlike Electric Mud, in which the repertoire selected by producer Marshall Chess was mostly unsuited, and the musical settings provided by Phil Upchurch, Pete Cosey et al. were too loud and too frenetic for Muddy's style of singing, After the Rain simply let him be Muddy Waters.
King Crimson - Fillmore East, New York, N.Y., USA - 21 November, 1969 (2006) {DGM Official Digital Download}

King Crimson - Fillmore East, New York, N.Y., USA - 21 November, 1969 (2006) {DGM Official Digital Download}
FLAC (tracks) - 16bit/44kHz - Official Digital Download (dgmlive.com) -> 206 Mb | MP3 @320 -> 88 Mb | Artwork (pdf+jpg) | 5% repair rar
© 1969, 2006 Discipline Global Mobile / King Crimson / DGMlive.com
Rock / Art Rock / Progressive Rock

They say good things come in small packages. By seamlessly joining an audience recording of In The Court to Michael Giles’ own cassette of the gig at the first night of the Fillmore East (which had been missing the bulk of that song), DGM have faithfully recreated a small slice of KC history - now audible for the first time since the gig some 37 years ago although the majority of this show will be familiar to anyone who has the KCCC25. A tired Ian McDonald records in his 1969 dairy that the band had spent the previous day rehearsing Pictures Of A City ('A Man A City') and ran through it on the afternoon of the 21st just to nail down the arrangements.
Johnny Cash - At San Quentin (The Complete 1969 Concert) (1969) Expanded Reissue 2000

Johnny Cash - At San Quentin (The Complete 1969 Concert) (1969) Expanded Reissue 2000
EAC | FLAC | Tracks (Cue&Log) ~ 405 Mb (incl 5%) | Mp3 (CBR320) ~ 179 Mb (incl 5%) | Scans included
Country, Rock, Rock & Roll, Gospel | Label: Columbia/Legacy | # 498176 2, COL 498176 2 | 00:59:13

While Johnny Cash at Folsom Prison, the 1968 album that made Cash a household word, spent only two weeks at No. 1, this 1969 follow-up topped the charts for 20 weeks. As with Folsom, the San Quentin LP had to be edited due to space limitations. Now, 31 years after the fact, the show can at last be heard in true perspective. All the original performances hold up, including the album's hit single: Shel Silverstein's "A Boy Named Sue," presented unbleeped for the first time. Equally impressive are the eight restored tracks and unexpurgated between-song patter. Cash's opening renditions of "Big River" and "I Still Miss Someone" are bracing. So are four closing songs teaming Cash with his complete performing troupe (the Carter Family, Carl Perkins, and the Statler Brothers). Their gospel performances ("He Turned the Water into Wine," "The Old Account," and an early version of "Daddy Sang Bass") are electrifying, as is a concluding medley featuring everyone. Cash is presented here at his roaring, primal best.