Lynyrd Skynyrd wrote the book on Southern rock with their first album, so it only made sense that they followed it for their second album, aptly titled Second Helping. Sticking with producer Al Kooper (who, after all, discovered them), the group turned out a record that replicated all the strengths of the original, but was a little tighter and a little more professional…
LYNYRD SKYNYRD Sounds Of The South/MCA Years 1973-1988 (Limited edition 2007 promotional Japanese box set) contains Lynyrd Skynyrd's original MCA albums digitally remastered and expanded and housed in miniature LP sleeves [One More For The Road is a double CD], all of whichare promo-stamped. Five of the albums include bonus tracks and each includes replica liner notes or picture inserts. Not least there are two booklets: an extensive 80-page booklet with English lyrics and specific notes onthe bonus tracks + a 28-page booklet about the boxand album reissues themselves.
Crosscut Saw reissues Albert King's 1983 album San Francisco '83 (a studio album, not a live one), adding two previously unreleased cuts. His first new release in five years, it wasn't one of King's better records – but it did represent a return to a basic five-piece sound, an improvement upon his over-produced outings of the late '70s.
B.B. King is one of America's few, long-standing musical treasures whose stature has grown to an unassailable, international level. Despite his 85 years, King continues to tour, perform and to grow in influence, casting a shadow that reaches far beyond the blues scene from whence he first came. His warm, down-home vocal style, his distinctive, talking blues guitar playing, and his songs that sing of love's joys and hardships Sweet Sixteen, How Blue Can You Get?, Help The Poor, The Thrill Is Gone and countless others are all indelibly imprinted elements in the modern musical heritage. Celebrating his 50th Anniversary signing to ABC-Paramount Records in 1962 we bring you this multi-format career retrospective. Leading the way with a slick 10 CD, 194 track collection chronicling his entire career from his first recordings in 1949 through to his most recent studio album.
Collection includes: All Over The Place (1984); Different Light (1985); Everything (1988); Greatest Hits (1990) and Doll Revolution (2003).
The album was recorded live in the Studio, along with Daniel Ruiz Estrada (piano, organ), Steve Harrish (bass), Stephen Morin (drums) and played on three songs with Joe Murphy (harmonica).With what damn casual relaxed, he and the band interpreted here well-known and lesser-known songs, already bordering the insolence.Where a Gary Moore recorded his "walking by myself" on "Still got the Blues" in a violent way, Campbelljohn Estrada leaves the introduction to the song Daniel Ruiz on piano.Also vocally he brings out more quite a bit from the song, as it is capable of Moore at all."Walking by myself" is equipped with a slide solo, but the lion's share is part of the fine strumming of Estrada….