Released a year after Martin Scorsese’s controversy-laden film first hit the big screen in 1988, "Passion" tends to be regarded as a work in its own right rather than just being a movie soundtrack. It features additional music than was included in the film; this extra material was the result of Peter Gabriel (ex-Genesis) continuing to record and to resolve "unfinished ideas", hence the later arrival of the record. Built on a foundation of Middle Eastern and North African rhythms and melodies, "Passion" is unsurprisingly Peter’s most spiritual work, no more so than when the alternately ascending voices of Nusrat Fateh Ali Khan, Youssou N’Dour and himself interweave on the title track. Nusrat and Youssou are far from the only notable guests; the cross-continental gathering of musicians also includes Senegalese griot Baaba Maal, jazz drummer Bill Cobham and avant-garde trumpeter Jon Hassell among many others…
"Ain't Ready for the Grave", stirs the soul and breathes new life into the blues with Hurricane Ruth's amazing voice, fantastic songs, the skillful producing of Tom Hambridge, and the backing of world class musicians.
Tab Benoit's latest release on Telarc, Fever for the Bayou, continues in what has become Benoit's signature territory, a funky, ragged blend of Louisiana swamp blues and East Texas guitar, with hints of funk, soul, and country thrown in to give the gumbo just the right spice. If it sounds like a formula, well, Benoit's jagged guitar playing and increasingly soulful vocals make it clear that this is the music he loves, so it hardly matters. He touches a lot of bases here, including an eerie approximation of Elmore James' slide sound on a cover of James' "I Can't Hold Out" (which also features some cool tenor sax work from Jimmy Carpenter), then conjures Buddy Guy on Guy's "I Smell a Rat," fires up on the old Slim Harpo chestnut "Got Love if You Want It," and tears through a wonderfully swampy take on Levon Helm's "Blues So Bad" before ending things with an acoustic version of Clarence Williams' "My Bucket's Got a Hole in It" (made famous by another Williams, Hank Williams Sr.).
Music for the Masses is the sixth studio album by Depeche Mode. It was released by Mute Records on 28 September 1987. The album became the band's highest-charting in the US upon its release, reaching #35 on the Billboard 200. It also contained more hit singles than any of their previous releases. While there was no extremely popular single from the album ("People Are People" from Some Great Reward reached #13 on the Billboard Hot 100), the three singles that were released all made it onto the Hot 100, a feat that hadn't been achieved by any Depeche Mode single after those from Some Great Reward. Moreover, all three singles achieved modest success on the chart.