Warm, lyrical, and aristocratic in his interpretations, Artur Rubinstein performed impressively into extremely old age, and he was a keyboard prodigy almost from the time he could climb onto a piano bench. He came from a mercantile rather than a musical family, but fixated on the piano as soon as he heard it.
A classic collection of 11 CDs that compiles every recording that the late Arthur Rubinstein released on the RCA label from 1946-1967! Many aficionados consider these definitive performances of Chopin repertoire, produced by the legendary Grammy award winner Max Wilcox and presented in both monaural and stereo recordings.
Never before have all Arthur Rubinstein albums been available together like this. Arthur Rubinstein – The Complete Album Collection features all of the legendary pianist’s issued recordings made by RCA Victor between 1940 and 1976, plus one recording issued on the DECCA label in 1978. Also included in this set are the recordings Rubinstein made in England for the His Master’s Voice (HMV) label between 1928 and 1940. As a bonus, this special package also has the sensational world-premiere release of two Carnegie Hall concerts recorded on December 8 and 10, 1961.
Get ready for the shock of the new , or, in this case, the old. This disc of Beethoven concertos by keyboardist Arthur Schoonderwoerd has a highly unusual sound, even by the standards of the historical-performance movement. Performances of the Beethoven concertos in period style are rarer than those of the sonatas, which are themselves rarer than those of music by Mozart and Haydn. This is partly because the whole issue is more problematical with Beethoven, who was clearly striving toward larger dimensions.
This disc, covering Beethoven's first two piano concertos, is the last of a series of three Beethoven concerto discs by historical pianist Arthur Schoonderwoerd, playing an 1800 Walter fortepiano and accompanied by the small ensemble Cristofori. The ensemble basically involves one instrument per part. The other booklets contain more elaborate justifications for this procedure, but here the only evidence given involves the cover pages of the original publications of the concertos, which refer to the instruments in the singular.
Sony Classical honors the great Rubinstein’s historic recordings with this brilliant collection that contains some of his finest moments committed to tape.
Russian pianist Mikhail Pletnev has an astoundingly clean and virtuosic technique. He has the ability to bring out inner voices that in some other recordings are completely lost. These skills are sometimes enough to make his interpretations of these three early and middle period Beethoven sonatas completely satisfying. The third movement of the "Moonlight" Sonata, for example, is absolutely electrifying in its virtuosity. The first movement of the"Waldstein" and the final movement of "Appassionata" are brisk, energetic, and always completely under control. Movements such as these, where the performer's technique truly comes to the forefront, are absolutely satisfying here.