What does is it mean to see a painting—and is seeing it the same thing as understanding it? Hieronymus Bosch's monumental Garden of Earthly Delights is instantly recognizable to most lovers of Renaissance art, and as Professor Catherine B. Scallen explains, it has been admired, looked on with shock, and puzzled over for 500 years. In its own time it was copied and even made into tapestries. It has been owned by a deeply devout Catholic king of Spain—and in the 1900s was cited by various scholars as representing the lost golden age of humanity, symbolizing the coded language of the alchemist, or even proving its creator's belief in sexual license. In the turbulent 1960s its images were common in dormitory rooms, delighting students eager to accept its joyful, frolicking nudes in their fantasy landscape as a proclamation of freedom and self-indulgence.
What does it mean to be human? Where did we come from? And what unites us in our diversity today? As the world population continues to explode, these big questions about humanity become increasingly important, and anthropology is the field of study that tackles them. From our tree-dwelling primate ancestors 63 million years ago through today’s globally connected citizens, anthropology looks at Homo sapiens to find out why we are the way we are.
Andrew Manze is celebrated as, 'a violinist with extraordinary flair and improvisatory freedom' (BBC Music Magazine). Featuring Manze's longtime duo partner Richard Egarr on harpsichord, Jaap ter Linden on gamba, the Academy of Ancient Music and The English Concert, this varied selection of award-winning recordings offers a comprehensive portrait of one of the past decade's most influential artists.