Art Blakey Messengers Flac 1959

Art Blakey & Les Jazz-Messengers - Au Club Saint-Germain Vol.3 (1959) {2014 Japan Jazz Collection 1000 Columbia-RCA Series}

Art Blakey & Les Jazz-Messengers - Au Club Saint-Germain Vol.3 (1959) {2014 Japan Jazz Collection 1000 Columbia-RCA Series SICP 3968}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 244 Mb | MP3 @320 -> 93 Mb
Full Artwork @ 600 dpi (png) -> 189 Mb | 5% repair rar
© 1959, 2014 RCA / Sony Music Japan | SICP 3968
Jazz / Hard Bop

Reissue with the latest remastering. Comes with liner notes. Grand Prix Du Disque De L'académie Charles Cros 1959. Recorded at the celebrated Club Saint Germain, the formation presented here marks the third incarnation of Art Blakey’s Jazz Messengers, with trumpeter Lee Morgan (then only 20 years old), tenor saxophonist Benny Golson, pianist Bobby Timmons and bassist Jymie Merrit. For the last two tunes, bop drum pioneer Kenny Clarke (who was living in Paris) substitutes Blakey. Besides the individual gifts of each member, the group forms a compact unit with a cohesive sound. “We play modern jazz”, explained Blakey during a 1958 interview, “and to understand it you mus listen. We study, we rehearse. The Jazz Messengers are very serious about getting the music across to you. If you don’t want to listen, maybe the person sitting next to you does.”
Art Blakey & Les Jazz-Messengers - Au Club Saint-Germain Vol.2 (1959) {2014 Japan Jazz Collection 1000 Columbia-RCA Series}

Art Blakey & Les Jazz-Messengers - Au Club Saint-Germain Vol.2 (1959) {2014 Japan Jazz Collection 1000 Columbia-RCA Series SICP 3967}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 270 Mb | MP3 @320 -> 101 Mb
Full Artwork @ 600 dpi (png) -> 187 Mb | 5% repair rar
© 1959, 2014 RCA / Sony Music Japan | SICP 3967
Jazz / Hard Bop

Reissue with the latest remastering. Comes with liner notes. Grand Prix Du Disque De L'académie Charles Cros 1959. Recorded at the celebrated Club Saint Germain, the formation presented here marks the third incarnation of Art Blakey’s Jazz Messengers, with trumpeter Lee Morgan (then only 20 years old), tenor saxophonist Benny Golson, pianist Bobby Timmons and bassist Jymie Merrit. For the last two tunes, bop drum pioneer Kenny Clarke (who was living in Paris) substitutes Blakey. Besides the individual gifts of each member, the group forms a compact unit with a cohesive sound. “We play modern jazz”, explained Blakey during a 1958 interview, “and to understand it you mus listen. We study, we rehearse. The Jazz Messengers are very serious about getting the music across to you. If you don’t want to listen, maybe the person sitting next to you does.”
Art Blakey & Les Jazz-Messengers - Au Club Saint-Germain Vol.1 (1959) {2014 Japan Jazz Collection 1000 Columbia-RCA Series}

Art Blakey & Les Jazz-Messengers - Au Club Saint-Germain Vol.1 (1959) {2014 Japan Jazz Collection 1000 Columbia-RCA Series SICP 3966}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 292 Mb | MP3 @320 -> 107 Mb
Full Artwork @ 600 dpi (png) -> 190 Mb | 5% repair rar
© 1959, 2014 RCA / Sony Music Japan | SICP 3966
Jazz / Hard Bop

Reissue with the latest remastering. Comes with liner notes. Grand Prix Du Disque De L'académie Charles Cros 1959. Recorded at the celebrated Club Saint Germain, the formation presented here marks the third incarnation of Art Blakey’s Jazz Messengers, with trumpeter Lee Morgan (then only 20 years old), tenor saxophonist Benny Golson, pianist Bobby Timmons and bassist Jymie Merrit. For the last two tunes, bop drum pioneer Kenny Clarke (who was living in Paris) substitutes Blakey. Besides the individual gifts of each member, the group forms a compact unit with a cohesive sound. “We play modern jazz”, explained Blakey during a 1958 interview, “and to understand it you mus listen. We study, we rehearse. The Jazz Messengers are very serious about getting the music across to you. If you don’t want to listen, maybe the person sitting next to you does.”
Art Blakey & The Jazz Messengers - Les Liaisons Dangereuses (1959) {EmArcy-Universal 812 017-2 rel 2003}

Art Blakey & The Jazz Messengers - Les Liaisons Dangereuses (1959) {EmArcy-Universal 812 017-2 rel 2003}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 309 Mb | MP3 @320 -> 119 Mb
Full Artwork @ 300 dpi (jpg) -> 38 Mb | 5% repair rar
© 1959, 2003 EmArcy / Universal Music France | 812 017-2
Jazz / Hard Bop

An interesting set of music originally recorded as the soundtrack for the French film Les Liaisons Dangereuses, the majority of these tracks feature Art Blakey's Jazz Messengers of mid-1959 with trumpeter Lee Morgan, tenorman Barney Wilen, pianist Boby Timmons and bassist Jymie Merritt joining the explosive drummer/leader. In general, the music manages to stand on its own with the ensemble getting to stretch out a bit on the rare material.
Art Blakey & The Jazz Messengers - A Night In Tunisia (1960) {Blue Note Japan SHM-CD TYCJ-81010 rel 2013} (24-192 remaster)

Art Blakey & The Jazz Messengers - A Night In Tunisia (1960) {Blue Note Japan SHM-CD TYCJ-81010 rel 2013} (24-192 remaster)
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 384 Mb | MP3 @320 -> 122 Mb
Full Artwork @ 600 dpi (png) -> 245 Mb | 5% repair rar | 24-bit 192 kHz remaster
© 1960, 2013 Universal Japan / Blue Note | BN 75th The Masterworks | TYCJ-81010
Jazz / Hard Bop

One of a number of Art Blakey albums titled after "Night In Tunisia" – and most likely the best! The tune is a perfect fit for the Blakey Jazz Messengers format – long, rhythmic, really stretching out, yet allowing plenty of space for the horn players to solo. Players include Bobby Timmons on piano, Lee Morgan on trumpet, and Wayne Shorter on tenor – a killer lineup that's in really classic form here – driven on nicely by Blakey's drums and bass work by Jymie Merritt. Titles include "Night In Tunisia", with Blakey thundering through impeccably – plus the tracks "Yama", "Kozo's Waltz", and a version of Timmons' great "So Tired".
Art Blakey - Drums Around The Corner (1959) {Blue Note Japan SHM-CD UCCQ-5028 rel 2014} (24-192 remaster)

Art Blakey - Drums Around The Corner (1959) {Blue Note Japan SHM-CD UCCQ-5028 rel 2014} (24-192 remaster)
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 494 Mb | MP3 @320 -> 171 Mb
Full Artwork @ 600 dpi (png) -> 282 Mb | 5% repair rar | 24-bit 192 kHz remaster
© 1959, 2014 Universal Japan / Blue Note | BN 75th The Masterworks | UCCQ-5028
Jazz / Hard Bop

Features the high-fidelity SHM-CD format (compatible with standard CD player) and the latest 24bit 192kHz remastering. Pounding! This is the long-awaited re-release of a lost session that Blakey recorded in 1958, with a triple-drum rhythm group that included himself, Philly Joe Jones, and Roy Haynes – plus some additional conga work by Ray Barretto. Unlike other Blakey "drum orgy" sessions, though, this one's got a much straighter jazz feel – with plenty of solo space for trumpeter Lee Morgan and pianist Bobby Timmons.
Art Blakey and The Jazz Messengers - Roots & Herbs (1961) {Blue Note Japan SHM-CD TYCJ-81094 rel 2014} (24-192 remaster)

Art Blakey and The Jazz Messengers - Roots & Herbs (1961) {Blue Note Japan SHM-CD TYCJ-81094 rel 2014} (24-192 remaster)
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 471 Mb | MP3 @320 -> 147 Mb
Full Artwork @ 600 dpi (png) -> 247 Mb | 5% repair rar | 24-bit 192 kHz remaster
© 1961, 2014 Universal Japan / Blue Note | BN 75th The Masterworks | TYCJ-81094
Jazz / Hard Bop

New Remaster. Features the high-fidelity SHM-CD format (compatible with standard CD player) and the latest 24bit 192kHz remastering. A blinding session by Blakey! Truly one of his all-time great ones, and a record we've been putting on the turntable for 20 years, still always with new delight! The session was recorded in 1961 – when Blakey was working with Bobby Timmons, Lee Morgan, and Wayne Shorter (who's especially fantastic here!) For some incredibly odd reason, the session was not issued at the time – and only came out briefly at the end of the 60s. It's amazing, though – and features 6 stunning tracks that will forever restore your faith in jazz, even at your darkest moments. Includes "Ping Pong", "Roots & Herbs", "Master Mind", "Look At the Birdie", and "United".
Art Blakey and The Jazz Messengers - Album Of The Year (1981) {2015 Japan Timeless Jazz Master Collection Complete Series}

Art Blakey and The Jazz Messengers - Album Of The Year (1981) {2015 Japan Timeless Jazz Master Collection Complete Series}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 308 Mb | MP3 @320 -> 101 Mb
Full Artwork @ 600 dpi (png) -> 196 Mb | 5% repair rar
© 1981, 2015 Timeless Records / Solid Records Japan / Ultra-Vibe | CDSOL-6306
Jazz / Hard Bop

Reissue with the latest remastering. Features original cover artwork. Comes with a descripton in Japanese. Out of hundreds of jazz CD's I own or have heard, this will always rank in my top ten. Recorded in 1981 with the awesome lineup of - Art Blakey (drums), Charles Fambrough (bass), Wynton Marsalis (trumpet), Bill Pierce (tenor sax), Bobby Watson (alto sax), and James Williams (piano). A little over 42 minutes long, this disc is as perfect as it gets and there is absolutely no filler! It's incredible to hear Blakey play… he is so good that he keeps a perfect rhythm going but then inserts offbeat syncopated and ghost beats on top of it. His style of playing always amazes me. Of course the rest of the band kick serious tail also and never miss a beat. Great tunes, outstanding arrangements, awesome solos, what else is there?
Art Blakey - Live At Montreux and Northsea (1980) {2015 Japan Timeless Jazz Master Collection Series CDSOL-6305}

Art Blakey and The Jazz Messengers Big Band - Live At Montreux and Northsea (1980) {2015 Japan Timeless Jazz Master Collection Series CDSOL-6305}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 286 Mb | MP3 @320 -> 103 Mb
Full Artwork @ 600 dpi (png) -> 186 Mb | 5% repair rar
© 1980, 2015 Timeless Records / Solid Records Japan / Ultra-Vibe | CDSOL-6305
Jazz / Hard Bop

Reissue with the latest remastering. Features original cover artwork. Comes with a descripton in Japanese. A beautiful big band set from the great Art Blakey – but one that's got all the sharp focus of his small group sides by the Jazz Messengers! The lineup here is a great one – that very vibrant early 80s version of Blakey's group with Bobby Watson on alto sax, Bill Pierce on tenor, and James Williams on piano – augmented by Kevin Eubanks on guitar, Valerie Ponomarev on trumpet, and the Marsalis brothers rounding out the set with some extra horn work! The sound is strong and proud, and handled by Blakey with a tightness that's similar to his smaller group work of the time – but with a power that's simply incredible – especially when Watson's presence is made known on his tunes "Wheel Within A Wheel", "Linwood", and "Bit A Bittadose". Also features a take on Williams' "Minor Thesis".
Art Blakey & The Jazz Messengers - Mosaic (1961) [Reissue 2006] (Repost)

Art Blakey & The Jazz Messengers - Mosaic (1961) [Reissue 2006]
XLD Rip | FLAC (tracks+.cue+log) - 312 MB | MP3 CBR 320 kbps (LAME 3.93) - 101 MB | Covers (6 MB) included
Genre: Jazz | RAR 3% Rec. | Label: Blue Note Records (0946 3 55497 2 0)

This is the one that started it: Mosaic, recorded in 1961, was the first recording of Art Blakey's Jazz Messengers as a sextet, a setting he kept from 1961-1964. The band's front line was trumpeter Freddie Hubbard, trombonist Curtis Fuller, and tenor saxophonist Wayne Shorter; Cedar Walton played piano and Jymie Merritt (a criminally underappreciated talent) was the bassist. Everything on this set was written by the musicians in the band. Walton wrote the burning title track; its blazing tempo and Eastern modes were uncharacteristic of the Jazz Messengers sound, but it swings like mad. Hubbard contributed two pieces to the album, the first of which is the groover "Down Under," with its blues gospel feel…