Reissue with SHM-CD format and new 24bit remastering. Comes with a mini-description. Killer work from this overlooked Art Blakey stretch of the mid 70s – a time when the drummer was getting back to basics, and re-igniting his music with help from some key younger players! This set sparkles with sharp tenor from the great David Schnitter – already a powerhouse out of the box, and driven onto new heights by Blakey! Also present is pianist Albert Dailey, whose conception helps bring in some fresh sounds to the Jazz Messengers universe – alongside flute player Ladji Camara, who also vocalizes on one cut. Yoshio Suzuki handles bass, and old line trumpeter Bill Hardman comes in to round out the group – on titles that include "Uranus", "Third World Blues", "Namfulay", and "Backgammon".
Reissue with the latest remastering. Features original cover artwork. 35 years after first officially forming The Jazz Messengers, drummer Art Blakey entered his final year still at it. Due to the many promising young players around at the time, Blakey expanded The Messengers from its usual quintet or sextet into a septet for this fine recording session. In addition to trumpeter Brian Lynch, pianist Geoff Keezer and bassist Essiet Okon Essiet, this version of The Messengers had two tenors (Javon Jackson and Dale Barlow) and a pair of alternating trombonists (Frank Lacy and Steve Davis).
Reissue with the latest remastering. Features original cover artwork. The 1978 Jazz Messengers was one of Art Blakey's strongest groups in years, although it would soon be overshadowed by its successor (which introduced a young Wynton Marsalis). With trumpeter Valerie Ponomarev, altoist Bobby Watson and a tenor saxophonist forming a potent frontline and new material from each of the principals (plus pianist James Williams) in addition to a lengthy ballad medley, this is a fine all-around set, last available on LP.
Reissue with the latest remastering. Features original cover artwork. One of Art Blakey's final recordings as a leader features two separate pianists (Benny Green and Mulgrew Miller) and two bassists (Leon Lee Dorsey and Lonnie Plaxico) taking part, along with the guest appearance of former Jazz Messenger Freddie Hubbard. Blakey was going deaf near the end of his life and sounds a tad tentative at times, while Hubbard's return may have been more to improve his chops (which had been in question after his experiments with fusion). The trumpeter seems rejuvenated by working with his former boss and his latest crop of Young Lions, who also include tenor saxophonist Javon Jackson.
Reissue. Comes with new liner notes. Available only for a limited period of time until March 20, 2015. The music of Alan Jay Lerner and Frederick Loewe – composers usually associated with the Broadway stage, brought into a whole new light here by the late 50s Jazz Messengers! The album's one of Art Blakey's more unusual outings – part of that great 1957 run away from Blue Note – but it cooks strongly with a lineup that includes Jackie McLean on alto, Johnny Griffin on tenor, and Bill Hardman on trumpet – all players who bring an unusual degree of bite to these tunes, while still reflecting the lyrical beauty within!
Remastered in 24-bit from the original master tapes. Part of our Keepnews Collection, which spotlights classic albums originally produced by the legendary Orrin Keepnews. Art Blakey's legendary Jazz Messengers recorded for numerous labels large and small during the 35 years of its existence. Few periods in the band's storied history were as inspired as its 1962-63 stint at Riverside, when the Messengers were a sextet with the incredible Freddie Hubbard/Curtis Fuller/Wayne Shorter front line and Cedar Walton/Reggie Workman/Blakey rhythm section.
Drummer Art Blakey led many great editions of the Jazz Messengers from the inaugural mid-'50s sessions until his death in the '90s. While arguments rage regarding which was his best, there is no doubt that the 1960-1961 unit figures in the debate. This wonderful six-disc set, notated with care and painstaking detail by Bob Blumenthal, covers studio and live sessions from March 6, 1960, to May 27, 1961, with the same personnel on all but two songs. Producer Michael Cuscuna used only first issue dates, and while he included some alternate takes, he did not litter the discs with second-rate vault material. They smoothly detail the band's evolution, cohesion, and maturation. This set, as with all Mosaic boxes, goes beyond essential. Get it post haste.