An extension of the popular Original Jazz Classics series (est. 1982), the new OJC Remasters releases reveal the sonic benefits of 24-bit remastering-a technology that didn't exist when these titles were originally issued on compact disc. The addition of newly-written liner notes further enhances the illuminating quality of the OJC Remasters reissues. "Each of the recordings in this series is an all-time jazz classic," says Nick Phillips, Vice President of Jazz and Catalog A&R at Concord Music Group and producer of the series.
Art Pepper mostly sticks to standards on this Discovery LP, but he brings out new life in the veteran songs, particularly on such ballads as "Round Midnight," "What's New" and "Besame Mucho." With the assistance of pianist Russ Freeman, bassist Bob Magnusson and drummer Frank Butler, the great altoist (who is heard just prior to signing an exclusive contract with the Galaxy label) is also in top form on such pieces as "What Is This Thing Called Love" and "I'll Remember April." An excellent (if not quite essential) release.
Altoist Art Pepper recorded many albums for the Galaxy label during 1979-1982, all of which have been reissued in a massive 16-CD "complete" box set. This single CD is pretty definitive and serves as a perfect introduction to Pepper's second (and most rewarding) period. Not only is there a superior version of Pepper's famous title cut but very emotional (and explorative) renditions of "September Song" and "Nature Boy." Filling out this quartet set (which also features pianist Tommy Flanagan, bassist Red Mitchell, and drummer Billy Higgins) are "Surf Ride," "Make a List," and "Long Ago and Far Away." Brilliant music.
I’ve long overlooked Pepper’s later work, there is so much good stuff in his prime, but when I stumbled on this lovely three box set recorded in 1977, and with one of my recent favourite bassists, George Mraz, and Mr Elvin Jones on drums, a second opinion was long overdue. Recorded over three nights before a relaxed appreciative audience (no jackass stomping hooting or whistling, – apologies to those who welcome the more demonstrative audience ) this live set automatically has you turning the lights down low and joining the audience, a decanter positioned strategically within arms reach.