Bax's second violin sonata is one of the most nuanced, subtly inflected duos ever written, requiring everything from gutsy, sweeping gestures to ethereal harmonics, all couched in a richly chromatic idiom that pushed tonality in new directions. Those who know Bax's "November Woods" will recognize the close kinship of this sonata with the seminal orchestral work. Jackson has the measure of this music and plays it all with a stunning tonal palette, ably matched by Wass. Reproduced on a good system and with proper volume levels, there is nothing reticent in this bold performance.
By the time Bax began composing his Concerto for Violin and Orchestra in 1937, he had written six symphonies and numerous works for combinations of solo instruments and orchestra, only two of which, the Phantasy for Viola and Orchestra and the Cello Concerto, are actual concertos. (The pieces for piano and orchestra are more akin to Bax's tone poems than to genuine concertos.) Bax began the concerto in June 1937, finishing the short score in October. The piece was completed …….John Palmer @ Allmusic
Perhaps I should begin by reminding readers that Krysia Osostowicz (of Polish descent) and the Edinburgh-born Susan Tomes are founder members of Domus—the group whose debut recording of Faure's two piano quartets won them the Gramophone Chamber award in 1986. And once again these two artists affirm their very special affinity with this French composer. It is a record I can recommend without reservations for its style and conviction, as also for wholly natural tonal reproduction (Andrew Keener and Antony Howell) and discerning programme-notes (Richard Wigmore).
Nicola Porpora, a contemporary of Bach, Handel, Vivaldi, and Haydn (and a very young Mozart) is best remembered today as a famous singing teacher and opera composer. During his long career (he lived to age 81) he suffered many employment-related difficulties and disappointments that caused him to move frequently. Naples (where he was born), Venice, Dresden, and Vienna (where he taught Haydn) all enjoyed Porpora's reputable presence, and he even spent a period in London at the behest of a group seeking to unseat Handel and his opera company from its preeminent position. In addition to his operas and vocal music, Porpora wrote instrumental works such as the six violin sonatas featured here, which are drawn from a set of 12. Although anyone familiar with Italian Baroque and early Classical-style solo violin music will discover nothing particularly original on this generally fine recording, if you enjoy that genre and period you'll find much here to indulge and satisfy your taste.
Teodorico Pedrini is the only 18th century composer of which we know that he wrote European music in China, where he arrived after an eight year long journey from Italy to the Canary Island, Chile, Mexico, Peru and the Philippines. After his arrival in Beijing in 1711, he worked for the emperors Kangxi, Yongzheng and Qianlong until his death in 1746. Until today, he has been appreciated as one of the most important cultural ambassadors for Western music in Asia of all times.