Mozart's concert arias are not really generically independent from his operas. They were mostly written for insertion into operas by a singer, often Mozart's girlfriend and then sister-in-law Aloysia Weber, who wanted to display her talents to their best advantage. As such, however, they stand out from other operatic arias as some of the most difficult vocal pieces Mozart composed.
]Yoshikazu Mera born May 21, 1971, in Miyazaki, Japan, is a Japanese countertenor. His range is three and a half octaves. Originally wanting to become a pop singer, Mera now primarily sings classical music from the West but also classical Japanese music. He appears frequently as a soloist with the Bach Collegium Japan, which under its conductor Masaaki Suzuki performs Baroque music. His 1998 recital disc "Nightingale" on Sweden's BIS Records was a major success in Japan.
At just 13 years old, Norwegian boy soprano Aksel Rykkvin releases his debut recording of challenging soprano arias by Bach, Handel and Mozart with the Orchestra of the Age of Enlightenment and conductor Nigel Short. A classically trained singer since the age of eight, Aksel has so far enjoyed a short but stratospheric career, lauded by critics and audiences alike for his astonishing talent, combining skilful virtuosity and a rare innate musicality with a beautifully resonant voice, unusually rich and mature.
One of the brightest stars in the 20th-century operatic firmament, the Pennsylvania-born soprano Anna Moffo (1932–2006) enjoyed a meteoric rise in the 1950s and 1960s that saw her conquer all the major opera houses in Europe and America. After making her Metropolitan Opera début in 1959 as Violetta in La traviata, she went on to appear with the company in 200 performances of 21 roles over a total of 18 seasons, before finally singing her last complete performance – once again as Verdi’s Violetta – and retiring from the stage in 1976. Specially released to mark the 10th anniversary of Anna Moffo’s death, Sony Classical releases for the first time, newly mastered from the original analogue tapes using 24bit/96kHz technology.
The magnificent Christopher Purves performs a recital of Handel’s bass arias. This unique collection demonstrates the range and brilliance of Handel’s writing for this voice, featuring a selection from Italian and English operas, English classical drama, Biblical oratorios, literary odes and a masque. Handel’s endlessly imaginative gift for characterization is fully explored here, with Purves commanding an extraordinary emotional and technical range from the buffo blustering of Polyphemus in Acis and Gatalea to the loving musings of Abinoam in ‘Tears, such as tender fathers shed’ from the oratorio Deborah.
This video is designed for those who are intimidated by flash and don’t know where to start. I’ll walk you through all the parts and pieces you need to get that flash off camera. Then I’ll walk you through how you expose properly for that off camera flash. I spend a lot of time talking about lighting modifiers and how to use them. You’ll then follow along on three shoots to bring all of the gear and exposure variables together.