Anton Angerer sammelte die Voraussagen vieler berühmter Seher: Der blinde Jüngling von Prag, Irlmaier, Fatima, La Salette, Pfr. Handwercher, Das Lied der Linde, usw.
Aussagen aus dem Buch: Wenn die Menschen sich immer weiter von Gott entfernen, kommt ein dritter Weltkrieg.
Kleine tragbare Atombomben verschwunden?
These three masses are early works but Bruckner had already gestated into Bruckner by the time of their composition. His symphonies regularly quote motifs from these works; they resonated in his mind down the years (and in fact, the F Minor Mass was written as a palliative gesture when the poor bugger was madder than usual).
Known for his scientific explorations of timbre and his innovative syntheses of acoustic and electronic techniques, Tristan Murail is regarded as a composer of the "spectral school." He accepts untempered sound as the basis for his expansive musical language, far removed from tonality, serialism, and aleatoric procedures. Gondwana was developed from electronic music concepts, and its expanding and contracting bands of complex sounds are analogous to those generated through a synthesizer. Shimmering clusters, washes of color, and massed, low sonorities evoke the slow shifting of continents. The Orchestre National de France, directed by Yves Prin, delivers this work with primordial grandeur and astonishing depth. Because of its smaller forces, Désintégrations is more focused and intense than Gondwana, though no less cosmic in its implications. The Ensemble de l'Itinéraire blends effectively with the electronic tape, so it is difficult to distinguish acoustic from synthetic sounds. Time and Again is a departure from the familiar practice of slowly unfolding processes, for its chopped-up material is jumbled, as if sequential events were reordered in a time machine.
Introduced to each other by the label, the two artists found common ground with thousands of miles between them, in more ways than one. A desire for each other's work sparked a productive partnership that quickly found Leandro creating specific sounds based on concrete directives from Rafael. Leandro Fresco’s signature melodies and warm, colorful textures have adorned the Argentinian’s work ever since his first appearance on Kompakt’s Pop Ambient Series in 2003, right up to his latest artist album El Reino Invisible (2015). This "melodic sensibility" as Rafael likes to say, proved to be the defining undercurrent to Rafael’s signature sound design, a combination that takes each of their distinct sounds into new heartbreaking territory…