Antoine Hervé (20 January 1959 in Paris) is a French composer and pianist. Hervé studied composition at the Conservatoire national supérieur de musique. Between 1987 and 1989 he was director of the French National Jazz Orchestra. He has played with Dee Dee Bridgewater, Chet Baker, Randy Brecker, Cab Calloway, Louis Sclavis, Martial Solal, Michel Portal, Carla Bley, Didier Lockwood and Daniel Humair. Next to musicals, soundtracks for movies and dance shows Hervé has composed a concert for trumpet and a piece for drums and orkest. During 1997 Hervé and Markus Stockhausen founded a quintet. He has his own jazz label, Philo.
C’est à une véritable leçon de jazz que nus convie Antoine Hervé. Mais c’est bien plus que cela. Une sorte de déclaration d’amour à tous ses maîtres en piano jazz, au centre desquels il place Monk. Certes en s’attaquant en solo à l’œuvre de Monk (à l’exception d’un thème signé Irving Berlin et d’un thème de lui-même - Camara), Antoine Hervé prenait lors de ce concert donné en public en 1997 à la Cité de la Musique le risque de se voir comparer aux grands solos du Maître.
In the past, the pianist we had already shown he was an excellent musician through his numerous creations jazzy as artistic. Antoine Hervé confirms its strong character more likable and talented teacher with his "jazz lessons." What is hidden there behind the name a bit windy and a bit daunting? A lot of talent and a mischievous wink! Lesson Jazz Antoine Hervé addresses those who seek the key to address the work of a great jazz musician. What a boon that whomsoever also the dream of a warm-up on jazz in general! After his lesson on jazz Jobim and the second lesson dedicated to Wayne Shorter, one discovers the talent Hervé explain the ins as a piece of Wayne Shorter, to fill the appetite of enthusiasts insiders than deviate by example to dissect what a binary or ternary blues or funk to a wide audience.
Antoine Hervé (20 January 1959 in Paris) is a French composer and pianist. Hervé studied composition at the Conservatoire national supérieur de musique. Between 1987 and 1989 he was director of the French National Jazz Orchestra. He has played with Dee Dee Bridgewater, Chet Baker, Randy Brecker, Cab Calloway, Louis Sclavis, Martial Solal, Michel Portal, Carla Bley, Didier Lockwood and Daniel Humair.
This new opus of Antoine Hervé-and three free electrons that revolve around him for a few decades already-successful the challenge of reconciling the electroacoustic sound material galaxy (Véronique Wilmart), their logic and their autonomous dynamics, with the metric neat and inspired that we know the famous jazz pianist and teacher. Irregular heartbeat segmentation gives a characteristic swaying to wand Philippe "Pipon" Garcia on drums. Finally virtuoso Jean-Charles Richard saxophones willingly joined the Antoine Hervé to get their impressionistic harmonies in the particle accelerator. An intentional and well balanced lyricism.
Double Messieurs, c’est l’histoire de deux pianistes qui se retrouvent après 20 ans ; celle de Jean-François Zygel et du pianiste de jazz Antoine Hervé. Double Messieurs, c’est aussi l’histoire de 6 dates de concerts, dans six villes différentes. Double Messieurs enfin, c’est avant tout une histoire d’improvisation. En composant ce duo, Jean-François Zygel, figure émérite du classique dans les médias et pour les amateurs passionnés d’improvisation à la ville, aidé du jazzman Antoine Hervé, casse une bonne fois pour toute la barrière qu’il y a entre la musique classique et le jazz.
Voici le premier DVD de La Leçon de Jazz d'Antoine Hervé, consacré à Antonio Carlos Jobim. Antonio Carlos Jobim est considéré à travers le monde comme l’un des pères de la Bossa Nova. L’originalité rythmique et la richesse harmonique de ses compositions ont immédiatement influencés les improvisateurs du jazz. Ses sources d’inspiration proviennent de compositeurs tels que Frédéric Chopin, Claude Debussy ou encore Bill Evans. Pour ce premier DVD La Leçon de Jazz, Antoine Hervé a demandé au chanteur Rolando Faria, ex « Les Étoiles », carioca de naissance, de venir mettre à contribution son immense talent musical et poétique. Ensemble, ils vont nous raconter la fabuleuse histoire de la Bossa Nova. Bienvenue dans l’âge d’or du Rio des années cinquante!
Antoine Hervé surrounded inseparable brothers Moutin has chosen as the theme for his third lesson jazz to evoke the great Oscar Peterson. Massif, the pianist whose shoulders were four octaves wide, and whose large hands allow him an extraordinary digitality, is not less an accomplished melodist. This lesson is more difficult that few musicians have met the technical challenge of such a project, but Antoine Hervé party every artist of his pantheon, playing as he knows how, the smugglers.
Keith Jarrett is a legend, a phenomenon that seldom occur in a century. Improviser standards, he synthesizes various streams such as the classic (with an emphasis on the music of JS Bach), jazz, country music, rock, free jazz and many more. An artist who has never ceased to defend improvised music with total commitment and can not be compared to anyone else.
Antoine Hervé at the piano evokes a fun and affordable topics such as his career, his influences, the development of harmony in the history, management and energy rhythms, piano technique, the analysis of solos, the evolution of blues, etc …
Young and aspiring musicians devoted to the performance of Baroque music are still having few problems finding composers whose works have remained in the recycle bin of history up until now. Louis-Antoine Dornel was an organist and composer active in Paris in the early decades of the eighteenth century. Much of his music has been lost, but enough records survive to suggest that he was well thought-of in his own day. The set of six suites recorded here was published in Paris in 1709.