Antoine Busnois, Chansons

Cantica Symphonia - Antoine Busnois: L'Homme Arme (2009)  Music

Posted by tirexiss at Dec. 29, 2016
Cantica Symphonia - Antoine Busnois: L'Homme Arme (2009)

Cantica Symphonia - Antoine Busnois: L'Homme Arme (2009)
EAC | FLAC (image+.cue, log) | Covers Included | 71:49 | 334 MB
Genre: Classical, Sacred | Label: Glossa | Catalog: GCD P31906

In the Biblioteca Nazionale in Naples there is a fifteenth-century manuscript containing six masses all based on the cantus firmus of the popular tune L'homme Armé. The front pages of these masses are neatly razored out owing to some miniature harvesting in antiquity, depriving us not only of key parts from within the musical texts but also of any composer attribution that may have appeared on those pages. This has produced one of the most hotly debated issues in renaissance music; Judith Cohen – who has edited the masses for their first publication in 1981 – Richard Taruskin and most others have adduced in favor of Franco-Flemish composer Antoine Busnois.
Robert Harre-Jones, Mark Dobell, Orlando Consort - Antoine Busnois: Missa O Crux lignum, Motets & Chansons (2005)

Robert Harre-Jones, Mark Dobell, Orlando Consort - Antoine Busnois: Missa O Crux lignum, Motets & Chansons (2005)
EAC | FLAC (image+.cue, log) | Covers Included | 62:31 | 300 MB
Genre: Classical, Sacred | Label: Harmonia Mundi | Catalog: 907333

England's Orlando Consort, a quartet of male singers augmented as needed by other performers, offers performances of Renaissance vocal music that lie midway between the traditional and the highly individualized modern. Sometimes they veer toward one of those two extremes, but often, as on the present disc, they find a happy medium. Their sound, especially in sacred music, owes much to the English cathedral tradition, but there's a well-honed edge to their one-voice-to-a-part interpretations that brings out the crowds who've recently been drawn to early music. This disc is intended as an introduction to a composer who doesn't always offer easy listening to the modern ear. Netherlander Antoine Busnois, active at the end of the fifteenth century and considered the greatest figure between Dufay and Josquin, wrote music that broke free from elaborate medieval numerology but came in advance of Josquin's perfect marriage of music and text.
VA - Medieval & Renaissance: The Florilegium Series (50 CDs, 2016)

VA - Medieval & Renaissance: The Florilegium Series (50 CDs, 2016)
XLD Rip | FLAC (Tracks+.cue, log) | Covers included | 12,6 Gb
MP3 320 kbps | 50 Cds | 6,55 Gb
Genre: Classical, Medieval, Renaissance / Label: L'Oiseau-Lyre/Decca

This final LOiseau-Lyre set presents some of the most significant Medieval & Renaissance albums recorded by one of the most authoritative Early Music labels.
Harmonia Mundi Century Collection - A History Of Music: 20 CD Box Set  (2005)

Harmonia Mundi Century Collection - A History Of Music: 20 CD Box Set (2005)
Classical Music | MP3 CBR 320 kbps | 3,53 Gb | Covers - 191 Mb
Label: HMX | Release Year: 2005

A unique collector's edition is a "climbing on the history of music" for 20 centuries from ancient times (Greece) to the present day. "History of Music", the 20-disc collection. Starting with the ancient music, music of the Middle Ages continued, Renaissance and Baroque music and ending the era of romanticism and modernity.
Various Artists - Early Music: From Ancient Times To The Renaissance (2010) [10CD BoxSet] {Harmonia Mundi}

Various Artists - Early Music: From Ancient Times To The Renaissance (2010) [10CD BoxSet] {Harmonia Mundi}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 3.29 Gb | MP3 @320 -> 1.75 Mb
Full Artwork @ 300 dpi (png) -> 1.20 Gb | 5% repair rar
© 2005, 2010 Harmonia Mundi | HMX 2918163 72
Classical / Chamber Music / Early Music

Originally issued in the Century series in 2005,this EARLYMUSIC set by the artists of harmonia mundi now returns to invite you to travel the centuries in music. In 10 CDs and more than 12 hours listening, this unique guide will allow you to (re)discover the music of the past and develop your musical knowledge. Each CD is accompanied by a detailed booklet dealing with the musical, historical and geographical context, closely linked with key elements from the visual arts of the appropriate period. From the ancient world to 1600: the pleasure of discovery is complete, for eyes and ears alike!

Nicole Williams by Antoine Verglas for GOSEE  Girls

Posted by nrg at Jan. 22, 2018
Nicole Williams by Antoine Verglas for GOSEE

Nicole Williams - Antoine Verglas Photoshoot
7 jpg | up to 1280*1919 | 2.32 MB
Canadian model

Eva Biechy - Antoine Magnien Polaroids 2017  Girls

Posted by nrg at Jan. 22, 2018
Eva Biechy - Antoine Magnien Polaroids 2017

Eva Biechy - Antoine Magnien Polaroids 2017
4 jpg | up to 1280*1571 | 2.02 MB
French model
Antoine Ouellette, "Musique autiste: Vivre et composer avec le syndrome d'Asperger"

Antoine Ouellette, "Musique autiste: Vivre et composer avec le syndrome d'Asperger"
Triptyque | 2012 | ISBN: 2890317293 | French | EPUB | 304 pages | 0.97 MB

En novembre 2007, l’écrivain et compositeur Antoine Ouellette est dia-gnostiqué Asperger, un syndrome appartenant au spectre autistique. …

Cédric Charles Antoine, "Le Voile rouge des apparences"  eBooks & eLearning

Posted by TimMa at Jan. 19, 2018
Cédric Charles Antoine, "Le Voile rouge des apparences"

Cédric Charles Antoine, "Le Voile rouge des apparences"
Lordkarsen | 2018 | ISBN: N/A | French | EPUB | 274 pages | 0.3 MB

« J’ai maudit l’obscure époque de l’ère soviétique, cet hiver interminable qui a enfin cessé un jour d’août 1991… »
Gustav Leonhardt - Antoine et Jean-Baptiste Forqueray: Pieces de Clavecin (2015)

Gustav Leonhardt - Antoine et Jean-Baptiste Forqueray: Pieces de Clavecin (2015)
EAC | FLAC (image+.cue, log) | Covers Included | 62:33 | 440 MB
Genre: Classical | Label: Diapason | Catalog: No 67

Though participants in the "authentic performance practice" movement might insist otherwise, the search for the old is really a search for the new. This statement certainly captures the spirit that Dutch keyboardist Gustav Leonhardt brought to his early music performances in the 1950s. His style was characterized not by a rigorous observance of rules, but by the intuitive, almost spiritual connection it tried to establish with the music a kind of authenticity that sought validation not so much from a rigorously academic accuracy (though Leonhardt is by no means historically careless) as from its having an "authentic" effect on the listener.