Nehmen Sie Ihren Mut zusammen, greifen Sie zum Digitalpinsel und folgen Sie vier erfahrenen Dark-Art-Künstlern in eine andere, stets aufs Neue faszinierende Welt. Erfahren Sie, wie Sie Gesichter zu Fratzen entstellen, morbide Illusionen erschaffen und mystische Kompositionen inszenieren. Entdecken Sie die Geheimnisse der Dark-Art-Bildlooks und lassen Sie sich von zahlreichen bizarren Kunstwerken inspirieren. Das perfekte Training für alle Photoshopper, die meinen, schon alles gesehen zu haben! Mit Peter Braunschmid, Stefan Heilemann, Dieter Schumann und Julia Rohwedder.
The 18 previously unreleased, solo acoustic performances on this collection were recorded between March 1965 and December 1966. These show Parsons not as a country singer, rock singer, or even folk-rock singer, but very much as a mid-'60s folkie, in the mold of so many artists to be heard in the Greenwich Village scene. There's no straight country music in his repertoire, comprised largely of covers of songs by then-contemporary writers such as Buffy Sainte-Marie ("Codine"), Tim Hardin, Tom Paxton, and Fred Neil, along with high-caliber compositions that would be popularized by rock groups (Billy Wheeler's "High Flyin' Bird" and Hamilton Camp's "Pride of Man"). There are also five Parsons originals, a few not available elsewhere, and others recorded at other points either by himself ("Brass Buttons" and "Zah's Blues") or different performers ("November Nights," placed on an obscure single by Peter Fonda). A bit of R&B pokes out in his covers of "Searchin'" and "Candy Man." This disc is definitely of historical interest, if only to demonstrate that Parsons' roots were certainly not country-soaked, but largely indebted to '60s folk as well. As music, it's very average (though certainly not bad) mid-'60s folk, of the kind you might hear by numerous coffeehouse support acts. He sings best on the jazzy "Zah's Blues," where he seems to reach further into himself than he does on most of the other material here.
Released in May 1989, it was recorded in Los Angeles, mixed in Buckinghamshire in England, and is loosely based around the theme of Alice's Adventures in Wonderland. The album reached #10 on the U.S. Billboard albums charts, propelled by the hit single, "Rooms on Fire" (No.16), and achieved platinum status for selling in excess of 1,000,000 units. The album reached #3 in the UK and was certified gold there for sales in excess of 100,000 units, and is Nicks' highest charting album to date in various European countries including Germany, The Netherlands, Sweden and the United Kingdom.