Such was the popular reception accorded to their debut album with MCI that we have returned to their songbook for this second wonderful collection, including favourite songs most of us have ourselves tried our best to sing on so many occasions, be it at Sunday School, at school assemblies, or in our own churches. – Roger St. Pierre
Never one to relegate particular instruments to merely supporting roles, Hindemith composed his String Trio No. 1 (1924) with an eye (and ear) toward complete equality among the parts. The Trio is written in an almost constantly contrapuntal texture that makes much use of canon and fugue techniques; virtually the only instances where a homophonic texture is evident are those that mark important structural divisions of the movements. Though much of the music has an atonal feel, Hindemith provides a sense of direction by establishing tonal centers as points of momentary resolution. Typical of Hindemith's music of the early 1920s, the Trio is marked by a bracing, energetic spirit. The String Trio No. 2 strongly contrasts with its predecessor, the String Trio No. 1 (1924), which is marked by a strong feeling of atonality. When Hindemith wrote the present work nearly a decade later, his style had evolved somewhat. The Trio No. 2 is built on standard Classical forms but incorporates Hindemith's personal sense of tonality, in which any note or chord may be related to a given tonal center; the music has a refreshing, non-Romantic sound.
Scorpions is a German rock band formed in 1965 in Hanover by Rudolf Schenker. Since the band's inception, its musical style has ranged from hard rock to heavy metal. The lineup from 1978–92 was the most successful incarnation of the group, and included Klaus Meine (vocals), Rudolf Schenker (rhythm guitar), Matthias Jabs (lead guitar), Francis Buchholz (bass guitar), and Herman Rarebell (drums)…
This two-disc set of Handel's Suites performed by Andrei Gavrilov and Sviatoslav Richter is just as good as their other two-disc set of Handel's Suites but with one big advantage. Here as there, Handel's Suites are models of wit, sensitivity, affection and virtuosity. Here as there, Gavrilov's performances are fluent, muscular, and persuasive and Richter's performances are supremely expressive, wonderfully supple, and overwhelmingly commanding.