Ironically, In the Beginning (1974) was the final studio LP Roy Buchanan (guitar) cut during his four year (1970-1974) tenure on Polydor. While definitely mellower than his previous platter, That's What I Am Here For (1974), his fluid fretwork continues to capture and conjure a seemingly infinite number of moods and textures…
This 1980 live broadcast from Austin, TX captures a young Stevie Vaughan (he had yet to become Stevie Ray) blasting the hometown crowd with a style that was already very well-formed. With Chris Layton on drums and bassist Jackie Newhouse (Tommy Shannon would join up a year later), his basic sound was already in place, albeit still in need of some polishing. Taken from the surviving two-track master, Vaughan's guitar is raw and in your face every note of the way. His takes on Freddie King's "In the Open" and the lengthy "Tin Pan Alley" are the real highlights here. Fans of this mercurial guitarist will want to add this one to the collection.
"In the Beginning" is the debut album by Swiss melodic metal/melodic hard rock band "Crystal Ball", originally released in 1999 and reissued this summer by AFM records following the reissue of their iconic album "Hard impact". While lately recognized as a heavy/power metal outfit with high profile release in these genres, "Crystal Ball" stated out as a band that drew elements from both hard rock and metal standing right between the two. In fact the melodic hard rock/glam metal sound of the late `80s was vastly influential on their early works.
Production-wise, «Right in the Guts» sounds almost exactly like the past two Accept albums. It’s the traditional metal album mix through and through. The guitars are upfront and dominate along with the vocals and it works just fine. The first thing to note here is Herman is a real high-quality guitarist and there’s nothing on this album to invalidate that. Herman Frank is a treasure of heavy metal and does everything good about the genre in his own inimitable style.