Though perhaps best (or at least better) known for his work with the Police, guitarist Andy Summers seems to be doing rather well for himself. He may not be filling arenas and attracting screaming teenage girls, but their mothers can scream pretty loud as well, and as it is to them that Summers now appears to be playing, his maturity and ability to look forward work in his favor. Backed by bassist Tony Levin and drummer Gregg Bissonette, Summers works well as a frontman. A captivatingly atmospheric voyage round Summers's bleached jazz roots. Dominated unsurprisingly by Summers's intricate fretwork, these 11 instrumentals comprise chiefly originals and homages to jazz maestros.
Many a guitar fan would have predicted that a summit between legendary guitarists Andy Summers (the Police) and Robert Fripp (King Crimson) would result in a guitar solofest. But the music on their first collaboration together, I Advance Masked, stresses guitar textures and moods over indulgent soloing. Although the recording sessions weren't entirely enjoyable for Summers (who was experiencing marital problems at the time), some very beautiful music can be found on the resulting album. The music for the track "Girl on a Swing" does an excellent job of conveying the song's title in one's mind, and the duo's guitars weave wonderful polyrhythmic guitar lines throughout "China – Yellow Leader." "The Truth of Skies" is an atmospheric piece, created by a wash of keyboard sounds and guitar dissonance, while "New Marimba" would have sounded right at home on an early-'80s King Crimson album. I Advance Masked has a dreamlike quality to it, and is definitely not typical rock music. It's highly recommended to fans of these two great and original guitarists. ~ by Greg Prato
The former Police guitarist's first solo instrumental album turns out to be a gentle, thoroughly domesticated continuation of his looping soundscapes with Robert Fripp earlier in the 1980s ("I Advance Masked"). Keyboardist David Hentschel is … Full Descriptiona co-conspirator on several tracks, though Summers is perfectly content to go it alone on others. With its repeated guitar loops, interactive counterlines, gentle washes of keyboards, advancing and receding waves of effects, Summers is out to sooth and refresh, not to challenge and disturb – and the music drifts lazily toward the shores of the soporific New Age.
La-La Land Records, 20th Century Fox and 20th Century Fox TV Records present the world premiere release of acclaimed composer Mark Snow's original score to the 2016 FOX special limited series presentation of The X-Files - The Event Series, starring David Duchovny and Gillian Anderson, and created by Chris Carter. The X-Files made an exciting return to television last year, with an event series that marked its first all-new TV episodes in more than a decade. Returning with the show he helped immortalize, composer Mark Snow once again thrills with new music that would ensure the original X-Files magic was still intact. By turns chilling, dramatic, propulsive and emotional, Snow's score leads the show's plot, characters and atmosphere in its unwavering search for the Truth. Produced by Mike Joffe and Mark Snow, and mastered by James Nelson, this special 2-CD presentation, limited to 3000 units, assembles the musical highlights from this six-episode television event!
La-La Land Records and 20th Century Fox present the remastered release of acclaimed composer Mark Snow’s (THE X-FILES, MILLENIUM, GHOST WHISPERER, BLUE BLOODS) original motion picture score to the 1998 motion picture THE X-FILES: FIGHT THE FUTURE, starring David Duchovny, Gillian Anderson and John Neville. Composer Snow launches the beloved television series, THE X-FILES onto the silver screen with an astounding score that retains the show’s already established sonic palette of atmospheric synths, while opening up its musical universe with the addition of a live orchestra. This special limited edition release features much improved sound and contains some music not previously released. Also, the incorrectly reversed stereo channels on the original soundtrack release have been corrected here. Produced by Mark Snow and Nick Redman, and mastered by Mike Matessino, this exciting release also contains exclusive liners by writer Julie Kirgo and an updated print interview with Snow conducted by film music writer Randall D. Larson.