Andrew Marriner

Mozart - Marriner & Marriner - Clarinet Concerto, Clarinet Quintet (2004) [Official Digital Download 24bit/88,2kHz]

Wolfgang Amadeus Mozart - Clarinet Concerto K. 622, Clarinet Quintet K. 581
Academy Of St. Martin In The Fields - Andrew Marriner - Sir Neville Marriner
FLAC: 977 MB | Artwork | 5% Recovery Info
Label/Cat#: Pentatone # PTC 5186 048 | Country/Year: Europe 2004
Genre: Classical | Style: Viennese School, Clarinet | Source:
VA - Mozart 225: The New Complete Edition (2016) [200 CD Box Set] RE-POST

VA - Mozart 225: The New Complete Edition
Classical | FLAC (tracks)+cue, artwork, books, bonus materials | 240:57:55 | 62 GB
Label: Decca / DG | Tracks: 3335 | Rls.date: 2016

To mark the 225th anniversary of Mozart’s death, Decca and Deutsche Grammophon are releasing the most authoritative, complete and scholarly box set ever devoted to the work of a single composer. The 200CD Complete Edition was created in partnership with the Salzburg Mozarteum Foundation and Mozart expert Professor Cliff Eisen of King’s College London, and will be released worldwide on 28 October 2016.
Academy Of St. Martin-In-The-Fields, Neville Marriner - Mozart: Requiem etc. (2CD) (1994)

Academy Of St. Martin-In-The-Fields, Neville Marriner - Mozart: Requiem, Krönungsmesse / Coronation Mass, Exsultate, Jubilate Litany K195 (2CD) (1994)
EAC Rip | FLAC with CUE and log | scans | 558 mb
MP3 CBR 320kbps | RAR | 282 mb
Genre: classical

The Academy Of St. Martin-In-The-Fields, conducted by Neville Marriner, offer Mozart: Requiem, Krönungsmesse / Coronation Mass, Exsultate, Jubilate Litany K195. This was released by London Records in 1994 and is a reissue/remaster of works released in 1967, 1972, and 1977.
Neville Marriner & Academy of St. Martin-in-the-Fields - Fantasia on 'Greensleeves' (1997) 2CD

Neville Marriner & Academy of St. Martin-in-the-Fields - Fantasia on 'Greensleeves' (1997) 2CD
Ralph Vaughan Williams - Peter Warlock - George Butterworth - Frederick Delius - Edward Elgar

EAC | FLAC | Tracks (Cue&Log) ~ 672 Mb (incl 5%) | Mp3 (CBR320) ~ 376 Mb (incl 5%) | Scans included
Genre: Classical | Label: Decca | # 452 707-2 | Time: 02:29:40

There are many anthologies of late nineteenth and early twentieth century English music available but this collection from Decca is one of the finest. Neville Marriner directs the Academy of St Martins-in-the-Fields in a programme of popular favourites and lesser known works collected from a number of LP's recorded between 1968 and 1981. The late analogue Decca sound is superb and the orchestra and conductor are totally in tune with the music.
Murray Perahia, Neville Marriner - Mendelssohn: Piano concertos 1 & 2 (1990)

Murray Perahia, Neville Marriner - Mendelssohn: Piano concertos 1 & 2 (1990)
MP3 (CBR 320 kbps) | Covers Included | 75:23 | 180 MB
Genre: Classical | Label: CBS Masterworks

The concerto performances here have been available in a number of guises over the years, and have rarely been out of the catalogue. In their last incarnation they were coupled with the other items from Perahia’s later, digital solo disc, namely the Variations sérieuses, Op.54 and the famous Rondo Capriccioso, Op.14, as well as the Prelude and Fugue that’s here again. The powers-that-be at Sony must have decided that the Piano Sonata represents better value, and it is certainly a very substantial piece, making a well-filled re-issue.
Academy of St. Martin in the Fields, Sir Neville Marriner - J.S. Bach: The Art of Fugue; Musical Offering (1994) 2CDs

Johann Sebastian Bach: The Art of Fugue; Musical Offering (1994) 2CDs
Academy of St. Martin in the Fields; Sir Neville Marriner, conductor

EAC | FLAC | Image (Cue&Log) ~ 630 Mb | Mp3 (CBR320) ~ 304 Mb | Scans included
Genre: Classical | Label: Philips Classics | # 442 556-2 | Time: 02:09:01

There are many apocryphal stories in the classical-music world, but the one in which Frederick the Great challenged Bach to improvise a six-part fugue on a theme of the king's own invention is true, and The Musical Offering was, after a period of further reflection, the result. As with all the works of Bach's later years, the work is both great art and a "teaching piece," which shows everything that he thought could be done with the king's theme. The Trio Sonata based on the theme is the only major piece of chamber music from Bach's last decades in Leipzig, and that makes the work and essential cornerstone of any Bach collection. This performance, led by Neville Marriner, is both polished and lively, and very well recorded. At a "twofer" price, coupled with The Art of Fugue, it's the preferred version of the work on modern instruments.
George Malcolm, Sir Neville Marriner - Arne, C.P.E. Bach & J.C. Bach: Harpsichord Concertos (2017)

George Malcolm, Sir Neville Marriner - Arne, C.P.E. Bach & J.C. Bach: Harpsichord Concertos
Classical | MP3 CBR 320 kbps | 74:16 min | 171 MB
Label: Decca | Tracks: 17 | Rls.date: 2017

* Featuring many tracks for the first time on CD. There were many worlds in George Malcolm's (1917–1997) universe – organist, harpsichordist, pianist, composer, choral director and conductor – and this one demonstrates his unique skill as a solo performer who, throughout his career, more than any other individual defined the harpsichord's identity in England.
Luigi Cherubini - Masses, Overtures, Motets - Muti, Marriner (2010) (7CD Box Set) {EMI}

Luigi Cherubini - Masses, Overtures, Motets - Muti, Marriner (2010)
EAC Rip | FLAC (tracks+.cue, log) | Covers | 1915 mb | MP3 CBR 320kbps | RAR | 1137 mb
Classical, Choral, Sacred | Label: EMI - 6 29462 2

Cherubini’s major sacred works are generally quite marvelous. The two Requiems have a distinguished history on disc. Toscanini recorded the C minor, Markevitch the D minor, and my colleague David Vernier praised the recent release of the C minor piece on Carus. They are both truly excellent: grave and austere, but also dynamic, moving, and well worth hearing. The same is certainly true of the large-scale Masses: the Missa solemnis in D minor and E major and the Mass in F are especially memorable. Their grandeur never strains for effect and is always leavened with the composer’s Italian lyricism. Cherubini may not have been well-treated by history, but he knew what he was doing.
Ingrid Jacoby & Sir Neville Marriner - Mozart: Piano Concertos (2016) [TR24][OF]

Ingrid Jacoby & Sir Neville Marriner - Mozart: Piano Concertos
Classical | FLAC (tracks) 24-bit/96 kHz | 69:29 min | 1.43 GB | Front Cover
Label: ICA Classics | Tracks: 09 | Rls.date: 2016

Elegance and energy characterise this account of K453, Ingrid Jacoby especially attractive to listen to in her fluid and dynamic playing, crispy phrased and also affectionate without losing the Concerto s bigger picture, and most attentively accompanied by the Academy of St Martin in the Fields and Sir Neville Marriner. Separating such lively music-making (the playful and ultimately witty Finale brings a smile), the soulful slow movement is particularly eloquent with some very expressive contributions from woodwind soloists, and Jacoby digs deep into the music's potential.
Pepe & Celedonio Romero; Sir Neville Marriner - Mauro Giuliani: Complete Guitar Concertos (1996) 2CDs

Mauro Giuliani - Complete Guitar Concertos (1996) 2CDs
Pepe & Celedonio Romero, guitars; Academy of St. Martin in the Fields; Sir Neville Marriner, conductor

EAC | FLAC | Tracks (Cue&Log) ~ 750 Mb (incl 5%) | Mp3 (CBR320) ~ 400 Mb (incl 5%) | Scans included
Genre: Classical, Classical Guitar | Label: Philips | # 454 262-2 | Time: 02:37:27

An acclaimed Italian guitar virtuoso and composer, Mauro Giuliani, along with Fernando Sor, was one of the last great classical proponents of his instrument until its revival in the early twentieth century. He studied counterpoint and the cello, but on the six-string guitar he was entirely self-taught, and that became his principal instrument early on. Italy abounded with fine guitarists at the beginning of the nineteenth century (Carulli remains the most familiar today), but few of them could make a living because of the public's preoccupation with opera. So Giuliani embarked on a successful tour of Europe when he was 19, and in 1806 he settled in Vienna, where he entered the musical circle of Diabelli, Moscheles, and Hummel. He solidified his reputation with the 1808 premiere of his Guitar Concerto in A major, Op. 30, and was soon heralded as the greatest living guitar virtuoso. Even Beethoven noticed Giuliani, and wrote of his admiration for him. Perhaps to return the favor, Giuliani played cello in the 1813 premiere of Beethoven's Symphony No. 7.