Like the legendary pianists of the 19th and early 20th century, such as Sigismund Thalberg, Franz Liszt, Leopold Godowsky, and Ignace Jan Paderewski, it often sounds as if Marc-André Hamelin has more than 10 fingers. His ability to play fiendishly difficult music, make it sound as if it's a stroll in the park, yet imbue it with musical sensitivity makes him worthy of the description "super-virtuoso" by The New York Times' Harold Schoenberg. Hamelin studied at the Vincent d'Indy School of Music in Montréal with Yvonne Hubert, a pupil of Cortot, then received bachelor's and master's degrees at Temple University, working under Russell Sherman and Harvey Weeden.
The peerless Takacs Quartet recently nominated for a Gramophone award for their second disc of Brahms's string quartets, continue their exploration of the Romantic chamber music tradition with this disc of Schumann. The Piano Quintet is by far Schumann's most popular chamber work and one of the most beloved works in the genre. Schumann was the first romantic composer to pair the piano with the string quartet. Schumann studied the string quartets of Beethoven, Mozart and Haydn and his quartet Op. 41 No. 3 demonstrates these influences. However, it contains many highly original strokes, particularly the casting of the scherzo as a set of variations. The Takacs Quartet are joined by Marc-Andre Hamelin in an invigorating partnership that has already been widely acclaimed on the concert platform.
Franck’s Piano Quintet and Debussy’s String Quartet make an apt and unusual coupling, each work its composer’s only, unsurpassable, contribution to the genre. Both receive authoritative performances from Marc-André Hamelin and the Takács Quartet.
This collection of essays by twenty-eight Dutch scholars is intended as a tribute to prof. dr. A.H.M. Kessels on the occasion of his retirement as professor of Greek Language and Literature at the Radboud University Nijmegen (Netherlands). It reflects his broad interests in the entire field of classical scholarship, ranging from early Greek poetry to later Latin literature and the reception of classics in modern literature. At the same time, the volume singles out some areas for special interest, …
Even though Marc-André Hamelin is world-renowned for his astonishing virtuosity and a massive repertoire of the most demanding piano works, including those of Scriabin, Godowsky, and Sorabji, he has startled many with his sudden turn toward the placid domain of Classical music. First came his critically acclaimed recordings of Franz Joseph Haydn's keyboard sonatas, which were surprise best-sellers for Hyperion, and here he offers a double-CD of the piano sonatas of Wolfgang Amadeus Mozart, with a handful of short pieces to round out the discs. Since Hamelin's fine reputation precedes him, suffice it to say that these are among the most meticulously played and wittily interpreted renditions of these pieces ever recorded. Even though Mozart's sonatas are tamer than the showpieces of pianistic derring-do normally associated with Hamelin, they are endlessly fascinating for their skillfully crafted details, subtle phrases, and elegant expressions. Since the issue isn't how Hamelin manages all the notes, but instead how he shapes them into such entertaining and moving performances, there is much food for thought in this album, and anyone who attentively follows his playing will find a deeper appreciation of Mozart. Highly recommended.