Schiff’s performances are, as expected, profound, masterful, and not flashy at all. While he ornaments the works creatively, he doesn’t exaggerate. He is sometimes serious, sometimes playful, yet it’s clear just how much he understands and appreciates this music…
This recording is wonderful! Schiff in particular is clearly inspired, amused and transformed by the astounding young Mr. Mendelssohn. Try them yourself. If you don't smile and your pulse doesn't race a bit, you need to see a doctor as soon as possible.
Between March 2004 and May 2006 András Schiff performed the complete cycle of Beethoven’s Piano Sonatas at the Tonhalle, Zürich, recorded and released by ECM New Series. This collection presents the encores from these concerts. What does one play after Beethoven sonatas? András Schiff: “For me it's essential not to seek entertainment but rather to look for pieces that are closely related to the previously heard sonatas.” The pianist explores links to Schubert, Mozart, Haydn and Bach. For all the interconnecting strands of musical history, András Schiff’s selection of encores also adds up to a thoroughly enjoyable ‘recital’ disc in its own right.
When it came time for Johann Sebastian Bach to publish his Opus 1, what work do you think he picked? One of the sacred cantatas? One of the Brandenburg Concertos? One of the cello suites? No, none of the above. In 1726, Bach chose his B flat major Partita to start his publishing career – and once a year for the next five years, he published five more partitas, then collected them under the title Clavier-Übung in 1731. When it came time for Hungarian pianist András Schiff to make his major-label debut, what work do you think he picked? Yes, that's right. In 1985, Schiff released his recording of the complete partitas – and followed it with many more Bach recordings over the next few years until he'd released nearly the complete canonical works by 1996. And yes, Schiff's partitas are wonderful.
This was to be the end of the line for Italian word-setting by Viennese composers: once the confident sentiments that belonged to the poet Metastasio's opera seria felt the chill and threatening wind of Enlightenment and Revolution, their time was up. Even we, for the most part, prefer to remember the German-speaking Beethoven, Schubert and Haydn. So it is good to be reminded of their responses to the Italian muse (usually as part of their craft-learning student work) in this particularly well-cast recital. Central Europe, in the person of Andras Schiff meets Italy, in Cecilia Bartoli, to delightful, often revelatory effect.