The course is in textbook form and is intended for speakers and communicators of English who wish to learn the modern spoken form of the Eastern Armenian language. It is suitable for any English speaking language students, adult learners and Diaspora Armenians ranging from the beginner to intermediate level. …
“Hover” choral ensemble was established within “Hover” State Chamber Choir. It is gathered from the leading singers of the choir, who are also orchestra musicians. It started to appear in Europe as “Armenian Voices” since January 2012.
Gevorg Avetisyan is one of the leading flutists of Armenian Philharmonic, State Youth orchestras and Opera Theatre orchestra. Kim Sargsyan is a violinist of Armenian National Opera and Ballet Theatre.,.
This group, the best-known Armenian music group, carries the name of Komitas (Soghomon Soghomonyan, 1869-1935). Komitas was a monk whose genius brought a renaissance to Armenian music at the turn of the 20th century. During its uninterrupted creative life, celebrating its 85th anniversary in 2009, the quartet has become well known throughout the world, taking part in numerous international festivals, giving concerts in more than 80 countries, and demonstrating the highest standards of performance.
Fine works by any standards, the two string quintets on this disc become even more significant in light of the marginal role accorded to chamber music in the flowering of Russian music during the second half of the 19th century. The common goal of many composers of the period was the creation of a national musical idiom based on Russian folk song, and to them chamber music seemed far too abstract as well as too closely associated with German traditions. There were of course exceptions, and Alexander Glazunov is an obvious example: never a dogmatic nationalist he was himself a competent amateur cellist who learned his craft by playing chamber music, and composed a number of chamber works: in his worklist the Quintet in A major appears between the third and the fourth of his seven string quartets.
"… it’s music that we can never know well enough, especially in revelatory performances like these. The playing thrives on a close, intense and uncannily natural ambience (all except the violin sonatas were recorded in the Lutheran Church of Saint Catherine, St. Petersburg, Russia). Philip Borg-Wheeler’s liner notes make absorbing reading." ~audiophile-audition