Audio quality of this German Archiv recording is noticeably pleasant to the ear. Louder parts do not have the accompanying outbursts of digital junk noise typically present in many digital recordings; it's just pure sweet music. Archiv did this one right. Recommended for the high audio quality. Every piece is a masterpiece played with verve and energy.
This beautiful recording, once long out-of-print, is now remastered in high definition multi-channel hybrid SACD, and is the first album made by Jordi Savall for the Astrée label, now reissued on Alia Vox. With this rare 1975 disc, Savall confirmed François Couperin as a master composer for viola da gamba with affinities to the previous masters of French music. On the recording Mr. Savall plays an authentic 7-string bass viol, anonymously constructed in 17th century France. He is joined by musicians Ton Koopman playing a Gilbert des Ruisseaux harpsichord built in the late 17th century and Ariane Maurette playing a Barak Norman bass viol constructed in London in 1697. Couperin’s music for these colorful instruments is marvelous, contemplative and beguiling. The highly collectible album, a must-have of the Savall oeuvre, is now available again and features a very informative booklet.
The music of the Eighteenth century features delicate textures and refinement as well as expressiveness and energy. This was the age of the smaller chamber orchestra, and Bach was one of the compositional geniuses of the century. In this recording, the award-winning Amsterdam Baroque Orchestra, which specializes in authentic renditions on fine reproduction period instruments, performs four delightful Bach suites, including No. 1 in C, No. 2 in B Minor and Nos. 3 and 4 in D Major.
"…Koopman opts for solo strings in this, which is generally a good idea, and allows the two horns and oboe to sing out easily. Some listeners, however, may find the solo double-bass just a little too prominent – it has a quite percussive edge sometimes, which is not at all unpleasant, but a touch surprising nonetheless. (No slur on the excellent bass playing, more likely a problem for the recording team).This is an ideal issue for these hot summer nights; Eine Kleine Mozart to keep you cool with highly efficient musical air-conditioning." ~MusicwebInternational
…The confirmation of Telemann’s remarkable musical and stylistic diversity which this album provides should make it popular with collectors.
By his twenties, Antonius "Ton" Koopman was already carving a musical niche for himself in which he would rise to become one of the world's most prominent performers in the early music movement. Koopman was born in the Dutch town of Zwolle in 1944. After what he describes as a "classical education," he went to Amsterdam to study organ (with Simon C. Jansen), harpsichord (with Gustav Leonhardt), and musicology. Koopman's musical interests from the outset centered upon the re-creation of older musics on their original instruments in a thoroughly researched historical performing style. He founded his first Baroque orchestra in 1966, followed by an exuberant career (40 years and counting) of mingled performance, conducting, and scholarship.
“First, Koopman’s harpsichord dances on its own; then string quartet, flute and bass viol join in the joyfully ingenious canons and fugues on the theme suggested by Frederick the Great of Prussia. The ornamentation is never fussy, while the recording is bright — bottled sunshine, that’s what this CD is.” The Times, 25th April 2009