Two women fall in love in nazi-occupied France, and must fight to survive the war. A task made more difficult as one is a jew on the run from Germany.
"Aquarela do Brasil," an unofficial anthem of Brazil, may have received literally thousands of different version and interpretations, but even then, Egberto and Brazilian percussionist Naná Vasconcelos (his sole accompanist here) were able to devise an extremely original version, which opens with an unassuming stylized samba introduction, slowly bringing elements which conduce the listener to the piece's identification. Egberto is very fond of percussive attacks and ethereal configurations, both acquiring superior importance in his music, not being necessarily attached to or supportive for a musical theme or melody.
"Yves Montand and Claude Debussy, Jacques Brel and André Jolivet -Anette Maiburg is taking us on another conducted tour, bringing musical worlds together. "Classica francese" gives the enterprising and exceptional flautist the opportunity to show us that high-calibre chamber music and deeply expressive chansons need not be worlds apart. She is joined by Alexandra Cravero, whose remarkably flexible voice leaves these well-known songs haunting us, and Emmanuel Ceysson, whose sensitive harp playing has delighted audiences and reviewers alike." ~prestoclassical
Having suffered a commercial decline with the ballad-filled Another Page, Christopher Cross took a harder rocking approach with his third album...
Celebrated Aussie musician Mark Seymour has compiled a new retrospective full-length album celebrating 30 years of songwriting ahead of embarking on a six-date national tour from late June. Roll Back The Stone 1985-2016 collects Seymour's best-known and best-loved works — yes, including Hunters & Collectors favourites such as Throw Your Arms Around Me, When The River Runs Dry and the evergreen Holy Grail — re-recorded and reimagined with his current backing band, The Undertow. The album was laid down over three nights in the Scrap Museum, at Richmond's Bakehouse Studios, and draws on the complementary talents of instrumentalists Cameron McKenzie (guitars), Peter Maslen (drums) and John Favaro (bass) to imbue Seymour's songs, no matter their physical age, with a renewed sense of purpose and immediacy.