During the 1990s, Collegium Musicum 90 and Simon Standage released several volumes of Albinoni concertos, which proved popular with critics and public alike. The concertos were released as discs of single oboe concertos, double oboe concertos, and string concertos. In this re-issue on the Chaconne label, the concertos are presented in opus number order, showing the contrasting colours and tonalities of the concertos as they originally appeared.
During the eighteenth century music publishers, and occasionally composers themselves, adapted sonatas originally intended for string instruments, for wind instruments. The adaptation of Albinoni's violin sonatas for woodwind instruments has a historical precedent set by one of the great musicians of the French Baroque. The composer, flautist, bassoonist, gambist and instrument maker Jacques Hotteterre Le Romain (c. 1680-1761) adapted some of Albanian's violin sonatas for the flute….
This double CD compiles recordings of 20th century oboe concertos made in recent years with the RSO Frankfurt's solo oboist Fabian Menzel. The selection does not attempt to be representative of oboe composition at the end of the last century, since such a repertoire is to extensive and varied. The five pieces presented in this edition, however, are interesting and significant contributions to the genre and vary greatly in terms of their conception.
C.P.E. Bach’s two surviving oboe concertos both began as keyboard concertos that were later transcribed for oboe; their intended performer was probably Johann Christian Fischer, a virtuoso based in Potsdam in the mid 1760s. This would perhaps account for their technical and immensely challenging solo lines, which suggest that, like his father, Carl Philipp Emmanuel revelled in pushing instruments and performers to their limits.
Christian Hommel studied the oboe in Freiburg with Heinz Holliger and the piano with James Avery. He was a prizewinner at the Geneva International Music Competition and at the Trieste Oboe Competition and received various other awards and prizes, including the scholarship of the German Music Council in 1985, the 1987 German Music Competition prize and the 1988 prize of the Wiesbaden Mozart Society. He has appeared throughout Europe, America and Asia as a soloist, chamber musician and conductor. For some years he has served as a member of the Cologne Chamber Orchestras as a soloist and ensemble player and has a special interest in contemporary music. He gives regular international master-classes, is Professor at the Bremen Hochschule für Künste, directs the German Youth Symphony Orchestra and has won awards for his recordings.