Two years after they recorded Friday Night in San Francisco, John McLaughlin, Al di Meola and Paco de Lucía reunited for another set of acoustic guitar trios, Passion, Grace and Fire, If this can be considered a guitar "battle" (some of the playing is ferocious and these speed demons do not let up too often), then the result is a three-way tie…
New version of the Paco de Lucía Integral, 27 CDs his complete work remastered. "Cositas Buenas", his last album, comes as a new in this new Integral. Now in a new economic format. This collection is a unique tour of the work of Paco de Lucia from 1964 to 2004. Flamenco is not improvised: everything is carefully rehearsed. Every falseta, every step of the dance, although it may appear spontaneous is based on conscientious preparation. Flamenco artists are not fans of improvisation in their public performances; only in the dance are small spaces left. In the singing and above all the guitar there is no place for improvisation.
Generally speaking, guitar wizard Al Di Meola has divided his musical attentions over the years between electric and acoustic, fusion and world music directions. This time out he splits the difference with some dazzling results. Coming off his short-lived reunion with Return to Forever, Di Meola returns to the solo spotlight with Pursuit of Radical Rhapsody, a strong and varied effort that moves mostly in the acoustic direction and features some high-profile personnel, including pianist Gonzalo Rubalcaba and bassist Charlie Haden.
With a musical career spanning more than three decades, Al Di Meola continues to be one of the most influential and pioneering guitarists in the jazz-world-fusion category, mirroring the rich influences of flamenco, tango, Brazilian, African, and Middle Eastern music in his work. Recorded in 1993 at the North Sea Jazz Festival, an event widely acknowledged as the biggest and most prestigious festival in the world. Over the past 30 years, Al Di Meola has been recognized as a prolific composer, with over two dozen recordings to his name. The profundity of Di Meola s writing, along with the soulfulness and natural lyricism of his playing, have won him a large number of admirers worldwide.
Excellent addition to any fusion music collection
Somehow passed over and nearly forgotten, languishing in the shadow of the 'Friday Night in San Francisco' set, is this great album from the guitar hero team. The immediacy of that first release is still here but this session benefits from the quiet calm of the studio and less chance for the these luminaries to get caught up in showmanship. Rather, a proper selection of music is heard and the delicate balance the three achieve between jazz spontaneity, Spanish heat, and the precision of Latin fusion is more clearly rendered than on the beloved but somewhat cold 'Friday Night'. And the music is better, too, if only from lack of exposure.
Excellent addition to any prog rock music collection
I like Di Meola's music and trying to see and hear him live at any possibility (to be honest, during last some years he is very regular in our side of Europe).And I like his different music - perfect early electric jazz-fusion albums, and later world -fusion with "World Sinfonia".
This album is real transition one. After some excellent electric fusion albums and one not very successful "Splendido Hotel" trying to change things, Al Di Meola returned back to his roots. But only in part.
Essential: a masterpiece of fusion music
The day I heard these three musicians, I was literally "combed back." Well, is that this concert became part of the essential in guitar history (long before fashion "unplugged").
Al di Meola's fifth of seven fusion albums as a leader for Columbia is a typically fiery effort, with di Meola joined by keyboardist Jan Hammer, electric bassist Anthony Jackson, drummer Steve Gadd, percussionist Mingo Lewis, and guest spots for flamenco guitarist Paco de Lucía ("Passion, Grace & Fire") and keyboardist Philippe Saisse. This lesser-known effort is easily recommended to fans of rock-ish jazz guitar.