When the pilot of a small aircraft has a heart attack and crashes his plane into the cockpit of a Boeing 747, several members of the flight crew are killed and the pilot is blinded. Miraculously, the 747 stays in the air on auto-pilot with flight attendant Nancy Prior at the controls. Ground controllers, including her boyfriend Alan Murdock, try to teach her the basics but they soon realize they will have to get a trained pilot into the cockpit. Their first attempt fails and Murdock realizes he will have to do it. Meanwhile, various passengers have their own problems including a young girl who is destined to a life saving operation.
Band on the Run was a commercial success, but even if it was billed as a Wings effort, it was primarily recorded by Paul, Linda, and Denny Laine. So, it was time to once again turn Wings into a genuine band, adding Joe English and Jimmy McCulloch to the lineup and even letting the latter contribute a song…
Keeping their forward momentum at warp speed, the Pointer Sisters brought the effusive Steppin' to bear in summer 1975. Having already danced into the spotlight across their first three albums, it was no surprise when the David Rubinson-produced LP, which boasted one of the era's best cut-out sleeves (slingback high-heeled tap sneakers!), cruised to number three R&B. Keeping their feet planted firmly in the older soul tradition which had served them so well, the Pointer Sisters continued to look ahead, carving their own niche in a genre soon to be glutted with contenders. This set is a thriller, from the opening funk groove of the number one hit "How Long (Betcha' Got a Chick on the Side)," which remains a delicious collision of mid-period soul, funk.
1975 was a hell of a year for Creed Taylor's Kudu Records. Not only was the mighty, mighty Feels So Good album by Grover Washington, Jr. released, but so was saxophonist Hank Crawford's Don't You Worry 'Bout a Thing. It was one of two recordings issued by Crawford for the label in that calendar year. But perhaps the most deeply satisfying and out of character album from that year was the absolute soul-jazz masterpiece Upchurch/Tennyson by Chicago guitar god Phil Upchurch and pianist/vocalist Tennyson Stephens. Where else can you find tracks by Bob James, Charles Stepney, Stevie Wonder, Ralph MacDonald, and Franz Schubert on the same album played by a cast of musicians that includes Steve Gadd, David Sanborn, Hubert Laws, James, Upchruch, Stephens, and a slew of others.