Paramount among independent modern jazz record labels, Black Saint was founded in Italy back in 1975 and grew to encompass more than 190 albums, while its comparatively mainstream sister enterprise, Soul Note, emerged in 1979 and eventually racked up a phenomenal index of more than 350 releases. After purchasing both gold mines, CAM Jazz began reissuing the cream of these catalogs in affordable box sets, setting the stage for a full-scale reassessment of modern creative music. The Henry Threadgill edition contains no less than seven remastered albums, packaged like little LPs in perfectly reproduced jackets, each with the original print scaled down in miniature but still legible with the aid of a magnifying lens.
A new Sony Classical release from Grammy Award-winning violinist Joshua Bell showcases two masterpieces from romantic composer Max Bruch. The album features Bell’s first recording of the virtuosic Scottish Fantasy as well as a new recording of the Violin Concerto No. 1 in G minor, which he first recorded over thirty years ago with the Academy of St Martin in the Fields and Sir Neville Marriner. Now, as Music Director of the Academy, Bell both performs and directs the orchestra and offers a fresh take on the Bruch Concerto in addition to a thrilling performance of the Scottish Fantasy. In recent years, the Scottish Fantasy has become a favourite performance piece for Bell and his affection for the piece runs deep and with good reason: “My father’s descendants were from Scotland, and I grew up hearing stories about how my great- grandfather and great-great-grandfather fought in the Black Watch in Scotland. My dad was proud of his Scottish heritage, and this connection makes the melodies in Bruch’s Scottish Fantasy even more meaningful to me.”
Digipack reissue of this rare rock album. "Schadel No 1" recorded in '70 with a strong westcoast rock orientation with a bit of psychedelic feeling.
Roberto Esposito’s Piano Concerto No. 1, ‘Fantastico’ and his Piano Sonata No. 1 stem from his desire as a pianist and composer to engage with the major musical structures of 19th and 20th-century Classical and Romantic music. While drawing inspiration from the great composers of the past, in these two works he injects classical form with the musical idioms closest to his heart – those of jazz and the folk music of both his native southern Italy and the Mediterranean.
Gustav Mahler’s Symphony No. 1 is an incomprehensible wonder of music history, rigorously peculiar, disturbingly new, and timelessly modern. “Wie ein Naturlaut” (Like a sound of nature) is indicated above the first notes of the symphony. It is both the prelude and the key to his symphonic cosmos as a whole. Mahler captures this music of the world, transforms it into a symphony in the old, comprehensive sense of the word and uses it to create his masterpiece of harmony. Composed over the course of just a few months at the beginning of 1888 in Leipzig, this symphony is a true musical awakening. Riccardo Chailly and the Gewandhausorchester Leipzig bring Mahler’s sounds of nature to life in a riveting performance.