The English, historical-instrument, Baroque ensemble La Serenissima (the term was a nickname for the city of Venice) has specialized in somewhat scholarly recordings that nevertheless retain considerable general appeal, and the group does it again with this release. The program offers some lesser-known composers, and some lesser-known pieces by famous composers like the tiny and fascinating Concerto alla rustica for two oboes, bassoon, strings, and continuo, RV 151. What ties the program together formally is that it covers a range of Italian cities that were becoming cultural centers as they declined in political power: not only Venice (Vivaldi, Albinoni, Caldara), but also Padua (Tartini), Bologna (Torelli), and Rome (Corelli). There are several works by composers known only for one or two big hits, and these are especially rewarding. Sample the opening movement of Tartini's Violin Concerto E major, DS 51, with its unusual phrase construction and daringly chromatic cadenza passage: it has the exotic quality for which Tartini became famous, but it does not rely on sheer virtuosity. That work is played by leader Adrian Chandler himself, but he also chooses pieces for a large variety of other solo instruments: the Italian Baroque was about more than the violin. Each work on the album has something to recommend it, and collectively the performances may make up the best album of 2017 whose booklet includes footnotes.
Adrian Younge is a prolific composer whose brassy, ‘70s-centric arrangements recall the work of soul music legends Isaac Hayes and Curtis Mayfield, and often emulate the soundtracks of blaxploitation movies like Shaft and Super Fly. He’s also a willing collaborator who’s produced music for everyone from Ghostface Killah and the Delfonics to Bilal and PRhyme. Younge’s music was also featured in popular Netflix series Luke Cage and the 2009 film Black Dynamite, a comedy classic starring actor Michael Jai White. Though Younge is clearly the primary voice behind all of his work, he tweaks his sound to suit each artist he pulls into his orbit.
These Decca recordings of Vaughan Williams's complete symphonies appear in a boxed set for the first time ever, and they feature such august personages as sopranos Isobel Baillie and Margaret Ritchie, baritone John Cameron and speaker John Gielgud!
Adrian Boult conducts the London Philharmonic Orchestra.
The songs included on this album are all settings of words by either Elizabethan or Jacobean poets: a period of literature that has been a prime source for song composers since its creation. The Shakespeare texts – all ‘songs’ from the plays – contain the works that made Quilter’s name, and have largely been responsible for his enduring reputation. Nathan Vale studied with Ryland Davies at the Royal College of Music and Benjamin Britten International Opera School. He was awarded an Independent Opera Vocal Scholarship to the National Opera Studio, where he was further supported by the Elmley Foundation, ENO, the Nicholas John Trust and The Seary Trust. He is a former winner of the London Handel Singing Competition where he was also awarded the Audience Prize. He continues his studies with David Pollard.
Jim Ed Brown was an American country singer-songwriter who came to fame as a member of the 1950's vocal group The Browns, where he was the band's lead male vocalist. In 1965, when the group was still together, he embarked on a solo career that would eventually eclipse the success of The Browns. Jim Ed Brown had his greatest success in the late 1970's, when he regularly performed duets with Helen Cornelius.
Difficult as it may be for younger listeners to believe, there was a time when ECM released adventurous improvised music. Back near its inception in the early '70s, the label issued a wide variety and decent number of challenging avant-garde recordings that represented some of the most forward-looking musical thinkers of the time. One of these was Marion Brown, who, at the time of this session, was about midway between his extreme post- Coltrane explorations and the luscious, down-home evocations of Georgia that he would create for Impulse! over the next few years. He gathered 11 musicians, including a couple from the then current Miles Davis Bitches Brew band (Chick Corea and Bennie Maupin), the then little-known Anthony Braxton, Andrew Cyrille, and the late great vocalist Jeanne Lee for two side-long, wide-ranging pieces.
The third and last solo album by Vicky Brown in Holland, produced by her daughter Sam Brown. Vicki Brown was an English pop, rock and contemporary classical singer. She was a member of both The Vernons Girls and The Breakaways and was the first wife of fellow singer and musician Joe Brown and mother of the singer Sam Brown. In 1979 Brown began recording with The New London Chorale and the group's popularity with the Dutch people paved the way for Brown's solo success in the Netherlands. As a session and live vocalist, Vicki worked with Jon Lord, Roger Waters, Alvin Lee, Chris Farlowe, Steve Marriott, Cerrone, Gary Moore, Yvonne Keeley, Eric Burdon, Pink Floyd, Bryan Ferry, Olivia Newton-John, Robert Palmer, Elton John, amongst other artists.