Addictive Drums Modern Jazz

The Modern Jazz Quartet - Concert In Japan Vol.1 (1966) {2013 Japan Jazz Best Collection 1000 Series 24bit Remaster WPCR-27454}

The Modern Jazz Quartet - Concert In Japan Vol.1 (1966) {2013 Japan Jazz Best Collection 1000 Series 24bit Remaster WPCR-27454}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 256 Mb | MP3 @320 -> 98 Mb
Full Artwork @ 600 dpi (png) -> 93 Mb | 5% repair rar | 24-bit remaster
© 1966, 2013 Atlantic / Warner Japan / Rhino | WPCR-27454 | Jazz Best Collection 1000 Series
Jazz / Cool / Third Stream

Features 24 bit digital remastering. An excellent Japanese performance from the Modern Jazz Quartet – and a set that was issued in a bit of a lull during their 60s American years for Atlantic Records – which makes it even more important as a key part of their catalog at the time! The 1966 date has the combo in fine form – and almost stepping out with a bit of added soulfulness, in ways that echo some of the styles that Milt Jackson was exploring on his own at the time, and which seem to be brought back to the group! Milt's vibes are wonderful – ringing out with a great sense of pride and presence that may well go beyond earlier MJQ material.

The Modern Jazz Quartet - The Sheriff (1964) {Atlantic}  Music

Posted by tiburon at April 16, 2018
The Modern Jazz Quartet - The Sheriff (1964) {Atlantic}

The Modern Jazz Quartet - The Sheriff (1964) {Atlantic}
EAC 1.0b3 | FLAC Image level 8 | Cue+Log | Full Scans 300dpi | 182MB + 5% Recovery
MP3 CBR 320 Kbps | 85MB + 5% Recovery
Genre: Cool, Hard Bop

Recorded in 1963, The Sheriff features the Modern Jazz Quartet in fine swinging form. The program is not as sharply focused as on some of the earlier Atlantic releases, but it is compelling nonetheless. There are four originals by pianist John Lewis, including the fleeting, bluesy title cut, and the moody, spacious "In a Crowd," – originally composed for the 1961 film A Milanese Story. Its stepped-up time signature and series of phrases played by Milt Jackson grounds the tune in blues, but Lewis' solo feels more like a solo trumpet breezing through the center. The set includes Heitor Villa-Lobos' "Bachianas Brasileiras," a classical piece the quartet first performed with guitarist Laurindo Almeida. Bassist Percy Heath is stellar here, playing both arco and pizzicato and alternately moving the work forward with deftness and precision. Lewis and Jackson engage in gorgeous counterpoint throughout.

The Modern Jazz Quartet - Lonely Woman (1962) {Atlantic}  Music

Posted by tiburon at April 16, 2018
The Modern Jazz Quartet - Lonely Woman (1962) {Atlantic}

The Modern Jazz Quartet - Lonely Woman (1962) {Atlantic}
EAC 1.0b1 | FLAC tracks level 8 | Cue+Log+M3U | Full Scans 300dpi | 236MB + 5% Recovery
MP3 CBR 320 Kbps | 105MB + 5% Recovery
Genre: Cool, Hard Bop

Having sponsored Ornette Coleman at the School of Jazz near Lennox, MA, pianist and composer John Lewis helped launch the controversial career of one of the last great innovators in jazz. Lewis' support of the ragtag Texas native was somewhat unique in jazz circles at the time and even surprising, especially considering the gulf between the classical jazz formality of his group the Modern Jazz Quartet and Coleman's radical notions of free improvisation. Nevertheless, Lewis not only saw in Coleman the first jazz genius since bebop's Parker, Gillespie, and Monk, but put pay to the praise with the MJQ's 1962 rendition of one of Coleman's most famous numbers, "Lonely Woman." (Along with Art Pepper's 1960 version of "Tears Inside," this was one of the earliest of Coleman covers done.)
The Modern Jazz Quartet - Concert In Japan Vol.2 (1966) {2013 Japan Jazz Best Collection 1000 Series 24bit Remaster WPCR-27455}

The Modern Jazz Quartet - Concert In Japan Vol.2 (1966) {2013 Japan Jazz Best Collection 1000 Series 24bit Remaster WPCR-27455}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 260 Mb | MP3 @320 -> 94 Mb
Full Artwork @ 600 dpi (png) -> 93 Mb | 5% repair rar | 24-bit remaster
© 1966, 2013 Atlantic / Warner Japan / Rhino | WPCR-27455 | Jazz Best Collection 1000 Series
Jazz / Cool / Third Stream

Features 24 bit digital remastering. An excellent Japanese performance from the Modern Jazz Quartet – and a set that was issued in a bit of a lull during their 60s American years for Atlantic Records – which makes it even more important as a key part of their catalog at the time! The 1966 date has the combo in fine form – and almost stepping out with a bit of added soulfulness, in ways that echo some of the styles that Milt Jackson was exploring on his own at the time, and which seem to be brought back to the group! Milt's vibes are wonderful – ringing out with a great sense of pride and presence that may well go beyond earlier MJQ material.
VA - So Much, So Quickly: British Modern Jazz Pianists 1948-63 (2018)

VA - So Much, So Quickly: British Modern Jazz Pianists 1948-63 (2018)
MP3 CBR 320 kbps | 1:43:44 | 237 Mb
Genre: Jazz, Soul / Label: Acrobat

To those British jazzmen coming to terms with the Bebop revolution of the Charlie Parker, Dizzy Gillespie and Thelonious Monk during the late 1940s, there was one, hugely imposing barrier; harmony. The new, supersonic melodies and off-kilter rhythms were one thing but underpinning these and forming the very bedrock of the music was a very novel, very definite methodology, a new system of chordal building blocks that challenged the understanding of all but the most patient. Inevitably, it fell to the pianists - those with a map of keyboard harmony laid out before them - to try and discover just what were these new, at times mind-bogglingly complex routes towards the cutting edge.

VA - J-Jazz - Deep Modern Jazz from Japan 1969-1984 (2018)  Music

Posted by delpotro at Feb. 24, 2018
VA - J-Jazz - Deep Modern Jazz from Japan 1969-1984 (2018)

VA - J-Jazz - Deep Modern Jazz from Japan 1969-1984 (2018)
WEB FLAC (tracks) | 01:31:24 | 614 Mb
Jazz, Free Jazz | Label: Barely Breakin Even Records

In the years following World War Two, Japan developed one of the most insatiable, dynamic and diverse markets for jazz. For a crucial period of little over a decade, from the late 1960s to the early 1980s, Japanese jazz culture progressed at an astonishing rate, producing an extraordinary array of artists, recordings and record labels that created some of the most forward thinking and impressive jazz to be committed to tape. This amazing journey is explored on ‘J Jazz’. This record uncovers some of the most sought after and rare material from this period and pulls together key artists who shaped the post-war modern jazz scene in Japan.

VA - J-Jazz Deep Modern Jazz from Japan 1969-1984 (2018)  Music

Posted by ciklon5 at Feb. 22, 2018
VA - J-Jazz Deep Modern Jazz from Japan 1969-1984 (2018)

VA - J-Jazz Deep Modern Jazz from Japan 1969-1984 (2018)
MP3 CBR 320 kbps | 01:31:20 | 211 Mb
Genre: Jazz, Funk, Soul, Disco / Label: BBE

‘J Jazz’ includes obscure and sought after rarities like the bass-driven power jazz of Koichi Matsukaze’s ‘Earth Mother’, the holy grail rarity of Aizawa Tohru Quartet’s ‘Dead Letter’ and the loping majesty of Takeo Moriyama’s ‘North Wind’. This collection takes the listener into deep spiritual jazz, post-modal impressionism and fierce dance-floor fusion with material from artists and composers whose names are generally only known to committed collectors of Japanese jazz.
The Modern Jazz Quartet - The Complete Modern Jazz Quartet Prestige & Pablo Recordings (2003) {4CD Set}

The Modern Jazz Quartet - The Complete Modern Jazz Quartet Prestige & Pablo Recordings (2003) {4CD Set}
EAC rip (secure mode) | FLAC (image)+CUE+LOG -> 1,44 Gb | MP3 @320 -> 703 Mb
Full Artwork @ 300 dpi (jpg) -> 21 Mb
© 50s, 80s, 2003 Fantasy / Prestige / Pablo | 4PRCD 4438-2
Jazz / Third Stream / Bop / Cool

In typical Fantasy Records aplomb, this four-CD set collects the eight albums which the Modern Jazz Quartet either mentored or collaborated on during their tenure at the commencement and nadir of their reign as jazz's premier chamber ensemble. Beginning with the 1952 issue of Modern Jazz Quartet/Milt Jackson Quintet recording (the earlier Milt Jackson Quartet sides are not here for obvious reasons, as the band did not commence its fully developed form on them) featuring original drummer Kenny Clarke before Connie Kay replaced him, and ending with This One's For Basie in 1985; the association the MJQ had with Prestige was a monumental one.
The Modern Jazz Quartet - The Artistry Of The Modern Jazz Quartet (1986) [Reissue 2006] (Repost)

The Modern Jazz Quartet - The Artistry Of The Modern Jazz Quartet (1986) [Reissue 2006]
EAC Rip | FLAC (tracks+.cue+log) - 269 MB | MP3 CBR 320 kbps (LAME 3.93) - 157 MB | Covers (5 MB) included
Genre: Jazz | RAR 3% Rec. | Label: Prestige Records (00025218301626)

Spanning one of the few transitional periods for the Modern Jazz Quartet when Connie Kay replaced Kenny Clarke as the group's drummer, The Artistry of the Modern Jazz Quartet covers the years from 1952-1955. By this point in the group's career, John Lewis was largely overseeing the quartet's repertoire, penning the bulk of the original material. Indeed, on The Artistry Of, the pianist contributes six compositions to Milt Jackson's one (the excellent "Ralph's New Blues"). The set is balanced out by renditions of the most common of jazz standards in "Almost Like Falling in Love," "I'll Remember April," and "In a Sentimental Mood," and the work of more contemporary artists like Dizzy Gillespie and Sonny Rollins…

The Modern Jazz Quartet - Pyramid (1960) [Reissue 2003]  Music

Posted by gribovar at Jan. 29, 2018
The Modern Jazz Quartet - Pyramid (1960) [Reissue 2003]

The Modern Jazz Quartet - Pyramid (1960) [Reissue 2003]
EAC Rip | WavPack (image+.cue+log) - 211 MB | MP3 CBR 320 kbps (LAME 3.93) - 86 MB | Covers - 109 MB
Genre: Jazz | RAR 3% Rec. | Label: Atlantic (81227 3679-2)

This is a strong recording from the Modern Jazz Quartet, with inventive versions of John Lewis' "Vendome," Ray Brown's "Pyramid," Jim Hall's "Romaine," and Lewis' famous "Django," along with cooking jams on "How High the Moon" and "It Don't Mean a Thing." The MJQ had become a jazz institution by this time, but they never lost their creative edge, and their performances (even on the remakes) are quite stimulating, enthusiastic, and fresh.