Addictive Drums Modern Jazz

The Modern Jazz Disciples - The Modern Jazz Disciples (1959) {2013 Japan Prestige New Jazz Chronicle SHM-CD HR Cutting Series}

The Modern Jazz Disciples - The Modern Jazz Disciples (1959) {2013 Japan Prestige New Jazz Chronicle SHM-CD HR Cutting Series UCCO-5370}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 295 Mb | MP3 @320 -> 97 Mb
Full Artwork @ 600 dpi (png) -> 404 Mb | 5% repair rar | DSD / HR Cutting Remaster
© 1959, 2013 Prestige New Jazz / Concord / Universal Japan | UCCO-5370 | NJLP 8222
Jazz / Hard Bop / Bop

Reissue features the latest DSD / HR Cutting remastering and the high-fidelity SHM-CD format (compatible with standard CD player). Comes with a description. Features the original LP designs. In a perfect world, Curtis Peagler's Modern Jazz Disciples would have had a longer run and built a much larger catalog. But regrettably, the Cincinnati quintet is only a small footnote in the history of hard bop and gave listeners only two albums. The first was this self-titled LP, which was recorded for Prestige's New Jazz subsidiary in 1959. The Modern Jazz Disciples shows the late Peagler, who turned 29 that year, to be a hard-swinging alto saxman in the Charlie Parker/Sonny Stitt/Cannonball Adderley/Phil Woods vein – his hot-blooded solos on tracks like "A Little Taste," "Slippin' and Slidin'," and the standard "After You've Gone" make this record well worth the price of admission.

XLN Audio Addictive Drums 2 v2.0.7 WiN  Software

Posted by orientazure at Dec. 31, 2014
XLN Audio Addictive Drums 2 v2.0.7 WiN

XLN Audio Addictive Drums 2 v2.0.7 WiN | 7.06 Gb

Since 2006, Addictive Drums has been one of the world's best-loved and best-selling virtual instruments. Our advanced technologies and obsession with recording the world's most interesting instruments has gotten us on to so many hit songs, games, and movies we've lost count. In fact, if you watch TV, play games, or listen to the radio, chances are good that you've already heard Addictive Drums.

XLN Audio Addictive Drums 2 v2.0.0  Software

Posted by orientazure at May 18, 2014
XLN Audio Addictive Drums 2 v2.0.0

XLN Audio Addictive Drums 2 v2.0.0 | 6.51 Gb

Since 2006, Addictive Drums has been one of the world's best-loved and best-selling virtual instruments.
Our advanced technologies and obsession with recording the world's most interesting instruments has gotten us on to so many hit songs, games, and movies we've lost count. In fact, if you watch TV, play games, or listen to the radio, chances are good that you've already heard Addictive Drums.

XLN Audio Addictive Drums v1.5.3 Library  Software

Posted by blizzards at Oct. 12, 2012
XLN Audio Addictive Drums v1.5.3 Library

XLN Audio Addictive Drums v1.5.3 Library | PC | 4.64 GB

Addictive Drums is one of the most powerful and popular drum softwares in the world and can be heard on countless hit songs and albums. The unique architecture, fast loading times and flexibility makes it the first choice for many musicians and music producers.

XLN Audio Addictive Drums v.1.1.1 & Retro addon Bundle  Software

Posted by kittylovely at Dec. 23, 2009
XLN Audio Addictive Drums v.1.1.1 & Retro addon Bundle

XLN Audio Addictive Drums v.1.1.1 & Retro addon Bundle | 2.85 Gb

All in one: XLN Audio Addictive Drums + update to version 1.1.1 + extension Retro ADpak. To install the updates and extensions are not required: cracks, serial, translate hours ago, and other tricks.

Victor Modern Jazz Sextet - Matrix (Japan Edition) (1969/2017)  Music

Posted by Domestos at May 23, 2018
Victor Modern Jazz Sextet - Matrix (Japan Edition) (1969/2017)

Victor Modern Jazz Sextet - Matrix (Japan Edition) (1969/2017)
EAC Rip | FLAC (tracks+.cue, log) ~ 227.27 Mb | 40:40 | Covers
Modal, Fusion, Post Bop | Label: JVC Kenwood Victor Entertainment Corp. - VICJ-70041

Recorded in 1969, best known under the 1977 US reissue by Catalyst Records, Matrix is the first album as a leader of Masabumi Kikuchi featuring Tetsuo Fushimi & Hideyuki Kikuchi (if one ignores the album duet with Terumasa Hino in 1968). Matrix is obviously a masterpiece, released after significant experience years as sideman, close to various Jazz masters, it was conceived, reciprocally, on the saxophone overtones occurred by Hideyuki Kikuchi alongside Akio Nishimura on tenor. The track list constits in great variations selection of standards & covers rearranged with brio by Kikuchi, from Chick Corea (the amazing piano run "Matrix"), the modal "On A Green Dolphin Street" (based on the 1958 Miles Davis version), the Jazz Rock Baroque (Kikuchi using harpsichord) "If I Said The Sky Was Falling" composed for the TV drama "Matte Masu Wa" by Sadao Watanabe, and the bossa "Black Orpheus" composed by Luiz Bonfa, including two own compositions that completes magnificently the album : the original ballad, reminiscent of John Coltrane, "Little Aby", & "In Fourth Way".
Curtis Peagler & The Modern Jazz Disciples - Disciples Blues (1959-1960/2001)

Curtis Peagler & The Modern Jazz Disciples - Disciples Blues (1959-1960/2001)
EAC Rip | FLAC (tracks+.cue, log) ~ 521.90 Mb | 76:48 | Scans included
Bop, Hard Bop | Country: USA | Label: Prestige/Fantasy - PRCD-24263-2

The Modern Jazz Disciples weren't a group for very long; 14 of the 15 masters they recorded for Prestige between 1959 and 1960 are present on this compilation of their only two releases. Praised by Cannonball Adderley and Eddie "Lockjaw" Davis (the latter who helped get them their record deal), this fine quintet deserved a better fate. Leader Curtis Peagler is a Charlie Parker-influenced alto saxophonist, while the other major soloist, William "Hicky" Kelley, plays the rarely heard normaphone, a sort of valve trombone built shaped somewhat like an alto sax. Both men are strong soloists and also engage in some sensitive interplay on occasion.
Lucky Thompson - Modern Jazz Group (1956) [Reissue 2000] (Repost)

Lucky Thompson - Modern Jazz Group (1956) [Reissue 2000]
EAC Rip | FLAC (tracks+.cue+log) - 214 MB | MP3 CBR 320 kbps (LAME 3.93) - 83 MB | Covers - 48 MB
Genre: Jazz | RAR 3% Rec. | Label: Universal Music (159 823-2)

Lucky Thompson was very active in the recording studios during his 1956 visit to France; this CD in Verve's attractive Jazz in Paris reissue series features the big toned tenor saxophonist with both a quartet and a tentet. Thompson's lush sound in sensitive interpretations of "The Man I Love" and the less familiar ballad "There's No You" brings Ben Webster to mind. Thompson's original "Tight Squeeze" is an up-tempo jump blues which showcases his harder blowing, more boppish side; while the venerable standard "Gone With the Wind" is a brisk swinger. Pianist Henri Renaud leads the potent rhythm section…
Bobby Jaspar - Modern Jazz Au Club St-Germain (1956) [Reissue 2000] (Repost)

Bobby Jaspar - Modern Jazz Au Club St-Germain (1956) [Reissue 2000]
EAC Rip | FLAC (tracks+.cue+log) - 231 MB | MP3 CBR 320 kbps (LAME 3.93) - 96 MB | Covers - 47 MB
Genre: Jazz | RAR 3% Rec. | Label: Universal Music (159 941-2)

Bobby Jaspar is in top form in this pair of sessions previously released in the 1980s on an Emarcy CD entitled Memory of Dick prior to its reappearance in 2001 as a part of Verve's ambitious Jazz in Paris series. The tenor saxophonist is joined by pianist René Urtreger, guitarist Sacha Distel, bassist Benoit Quersin, and drummer Jean-Louis Viale for this bop-oriented disc, which includes a sauntering take of Milt Jackson's "Bag's Groove," a revival of "Milestones" (an early gem by Miles Davis from his days with Charlie Parker), and a delightful romp through "You Stepped Out of a Dream"…

The Modern Jazz Quartet - Django (1955) {Japan SHM-CD}  Music

Posted by tiburon at April 24, 2018
The Modern Jazz Quartet - Django (1955) {Japan SHM-CD}

The Modern Jazz Quartet - Django (1955) {Japan SHM-CD}
EAC 0.95b4 | FLAC Image level 8 | Cue+Log | Full Scans 300dpi | 230MB + 5% Recovery
MP3 CBR 320 Kbps | 113MB + 5% Recovery
Genre: Jazz, Bop, Cool

Hailing from a trio of Modern Jazz Quartet (MJQ) sessions, Django (1955) contains some of the earliest sides that Milt Jackson (vibraphone), John Lewis (piano), Percy Heath (bass) and Kenny Clarke (drums) recorded for Prestige Records. Initially, the combo was part of Dizzy Gillespie's influential backing band and after a change in drummers (to Connie Kay), they continued as one of the more sophisticated aggregates of the post-bop era. The album commences with Lewis' sublime and serene title track "Django," dedicated to the memory of guitarist extraordinaire Django Reinhardt. This musical paean aptly recaptures the essence of Reinhardt's enigmatic gypsy-like nature, especially evident within Jackson's leads, which emerge from the thoughtful opening dirge with a refined, warm tone throughout.