Albert Schweitzer was a German (writing in French also) theologian, organist, philosopher, physician, and medical missionary. As well as his important theological work (he depicted Jesus as literally believing the end of the world was coming in his own lifetime), he developed various theories on music, in particular the work of J.S. Bach. He explained figures and motifs in Bach’s Chorale Preludes as painter-like tonal and rhythmic imagery illustrating themes from the words of the hymns on which they were based.
Dantone interpretation is easily one of the best I have heard in recent years, and I consider it among the elite harpsichord recordings of the Goldbergs in the catalogs. His interpretations feature a compelling mix of power/energy, rhythmic lift, sharply etched phrasing, poignant refrains, playful episodes, bleak terrains and totally satisfying conversations from Bach's contrapuntal musical lines. I think it is fair to say that Dantone gives us the full measure of Bach's soundworld in excellent sonics that are crisp as well as well as abundantly rich.
There are many apocryphal stories in the classical-music world, but the one in which Frederick the Great challenged Bach to improvise a six-part fugue on a theme of the king's own invention is true, and The Musical Offering was, after a period of further reflection, the result. As with all the works of Bach's later years, the work is both great art and a "teaching piece," which shows everything that he thought could be done with the king's theme. The Trio Sonata based on the theme is the only major piece of chamber music from Bach's last decades in Leipzig, and that makes the work and essential cornerstone of any Bach collection. This performance, led by Neville Marriner, is both polished and lively, and very well recorded. At a "twofer" price, coupled with The Art of Fugue, it's the preferred version of the work on modern instruments.