Adagio: J.s. Bach

Ksenija Sidorova - Classical Accordion: J.S.Bach; D. Scarlatti; Mozart; Berio; Schnittke; Nordheim; Takahashi; Piazzolla (2011)

Ksenija Sidorova - Classical Accordion (2011)
J.S.Bach; D. Scarlatti; Mozart; Berio; Schnittke; Nordheim; Takahashi; Piazzolla

EAC | FLAC | Image (Cue&Log) ~ 313 Mb | Mp3 (CBR320) ~ 156 Mb | Scans ~ 98 Mb
Genre: Classical | Label: Champs Hill Records | # CHRCD019 | Time: 01:08:28

The winner of numerous international competitions, the brilliant young accordion player Ksenija Sidorova here presents her debut recording; a recital for solo classical accordion. A particularly accomplished artist, Ksenija has collaborated with many leading musicians (including the Belcea Quartet, and Valergy Gergiev with the CBSO), and won numerous awards and accolades. Still an underexploited resource in western classical music, the accordion has had a fast-increasing amount of music written for it since the mid-20th Century. Here, Ksenija Sidrova brings a varied recital featuring some of the best contemporary compositions for the classical accordion, alongside transcriptions of well-known works. No composer has been transcribed more often than Bach; but the accordion - heard here in Bachs Overture in the French Style - brings an advantage that few other instruments can offer; its notes do not die away as soon as they are sounded. This allows an array of colouristic possibilities, denied to other musicians.
J. S. Bach - Matthäus-Passion BWV 244 - AKAMUS, Jacobs (2013) (2CD) {Harmonia Mundi}

J. S. Bach - Matthäus-Passion BWV 244 - AKAMUS, Jacobs (2013)
EAC Rip | FLAC (tracks+.cue, log) | Artwork (300dpi, png), booklet | 1444 mb | MP3 CBR 320kbps | RAR | 1034 mb
Classical, Choral, Sacred | Label: Harmonia Mundi - HMC802156.58

The appetite for evolving performance practices in Bach’s St Matthew Passion appears undiminished as we have gradually shifted, over the generations, from larger to smaller ensembles and also towards a greater dramatic understanding of the implications of Bach’s ambitious ‘stereophonic’ double choir and orchestra choreography.
Munchner Bach Orchester, Karl Richter - J.S.Bach: Brandenburg Concertos; Orchestral Suites; Triple Concerto (2002) 3CDs [Re-Up]

Johann Sebastian Bach: Brandenburgische Konzerte; Orchestersuiten;
Tripelkonzert für Flöte, Violine, Cembalo und Streicher
Münchener Bach-Orchester, Karl Richter, conductor & harpsichord
Aurèle Nicolet, flute; Gerhart Hetzel, violin

EAC | FLAC | Image (Cue&Log) ~ 1.13 Gb | Mp3 (CBR320) ~ 498 Mb | Scans included
Genre: Classical | Label: Deutsche Grammophon | # 463 657-2 | Time: 3:33:19

Very few conductors have recorded as much Bach as Karl Richter and none can lay a stronger claim to a legacy based on championing the master. Richter's reverence for Bach is evinced by the simplicity, splendor, and grandeur with which he consistently imbued his performances exemplified here by these landmark recordings of the Brandenburg Concertos and Orchestral Suites. In Archiv's original-image bit-processing remastered transfers as well, the sound is better than ever. This is cornerstone Bach that should not be missed.
Francesca Pagnini & Annibale Rebaudengo - J.S. Bach: Complete Works for Flute (2017)

Francesca Pagnini & Annibale Rebaudengo - J.S. Bach: Complete Works for Flute
Classical | WEB FLAC (tracks) & d. booklet | 109:39 min | 453 MB
Label: Vermeer | Tracks: 28 | Rls.date: 2017

Musicological research has always raised doubts about the authorship of some of Bach’s Sonatas, particularly the BWV 1031, 1033, and 1020, while the others were certainly written by J. S. Bach. Whoever the author of the three dubious Sonatas may be, these are a group of songs that display wonderful artistic and musical qualities, and can easily be considered a point of reference for all flute players. Francesca Pagnini and Annibale Rebaudengo present these Sonatas on modern instruments, enriched by modern philological studies.
Alexandre Tharaud - Rameau, J.S.Bach, Francois Couperin: Piano Works (2010)

Alexandre Tharaud - Rameau, J.S.Bach, Francois Couperin: Piano Works (2010)
EAC | FLAC (image+.cue, log) | Covers Included | 03:03:17 | 660 MB
Genre: Classical | Label: Harmonia Mundi | Catalog: HMX 2958379.81

A midprice reissue collecting this young French pianist s three baroque recordings. I fell in love with Tharaud s Rameau disc several years ago and never once missed the rattling sound of the harpsichord. Tharaud points out that Rameau s frequent ornamentation would have served to prolong notes on a harpsichord. This isn t necessary on a modern piano, and there s an incredible delicacy to the pianism here, with the trills and turns played with a barely credible lightness of touch. It s infectious stuff, with the witty character pieces from the Suite in G vivid and alive.
Isabelle Faust - J.S. Bach: Sonatas & Partitas, Vol. 1, BWV 1004-1006 (2010) [Official Digital Download 24/96]

Isabelle Faust - J.S. Bach: Sonatas & Partitas, Vol. 1, BWV 1004-1006 (2010)
FLAC (tracks) 24-bit/96 kHz | Time - 68:48 minutes | 1.13 GB
Studio Master, Official Digital Download | Artwork: Digital booklet

Isabelle Faust has gone back to the original manuscript sources to offer us her versions of these iconic masterpieces of the violin repertoire. In Bach s time, music for solo instruments was still little explored territory, and his Sonatas and Partitas immediately established themselves as a benchmark, technically challenging and brimming with creativity.

The Purcell Quartet - J.S. Bach: Trio Sonatas (2000) (Repost)  Music

Posted by tirexiss at March 5, 2017
The Purcell Quartet - J.S. Bach: Trio Sonatas (2000) (Repost)

The Purcell Quartet - J.S. Bach: Trio Sonatas (2000)
XLD | FLAC (tracks+.cue, log) | Covers + Digital Booklet | 01:12:37 | 389 MB
Genre: Classical | Label: Chaconne | Catalog: Chan 0654

Rarely do we feel the presence of Bach so vividly on a recording as we do here with this set of Trio Sonata arrangements, performed by violins, viola da gamba, and harpsichord. What a perfect combination, thanks to Richard Boothby's settings and to the wonderfully synergistic interaction among these very experienced early music players–violinists Catherine Mackintosh (in her best recorded performance in a while) and Catherine Weiss, gambist Boothby, and harpsichordist Robert Woolley.
Gil Shaham - J.S. Bach: Sonatas & Partitas for Violin (2015) [Official Digital Download]

Gil Shaham - J.S. Bach: Sonatas & Partitas for Violin
Classical | FLAC (tracks) 24-bit/44.1 kHz | 117:20 min | 1.23 GB | Digital booklet
Label: Canary Classics | Tracks: 31 | Rls.date: 2015

J.S. Bach’s Sonatas and Partitas for solo violin are considered by many as the pinnacle of musical achievement, arguably the composer’s most demanding and emotionally penetrating works. After living with, reading about, listening to and playing these seminal works for over 30 years Gil Shaham offers a fresh and vital new perspective on these works, undertaken in 2014 as part of his Artist-in-Residence with Symphonieorchester des Bayerischer Rundfunk.
Lucy Russell & John Butt - J.S. Bach; Sonatas for violin & harpsichord (2015) [TR24][OF]

Lucy Russell & John Butt - J.S. Bach; Sonatas for violin & harpsichord
Classical | FLAC (tracks) 24-bit/96 kHz | 85:07 min | 1.60 GB | Digital booklet
Label: Linn Records | Tracks: 25 | Rls.date: 2015

Lucy Russell and John Butt, whose collaborations in the multi-award-winning Dunedin Consort bear testimony to their proficiency, here perform Bach's six Sonatas for violin and harpsichord, works which effortlessly encompass an astonishingly diverse spectrum of mood and character. This new recording is a delight of softly spoken wonder.
Nigel Kennedy - Inner Thoughts: Bruch, J.S. Bach, Brahms, Vivaldi, Elgar, Mendelssohn (2005)

Nigel Kennedy - Inner Thoughts (2005)
Max Bruch, J.S. Bach, Johannes Brahms, Antonio Vivaldi, Felix Mendelssohn, Edward Elgar

EAC | FLAC | Tracks (Cue&Log) ~ 394 Mb (incl 5%) | Mp3 (CBR320) ~ 184 Mb (incl 5%) | Scans included
Genre: Classical | Label: EMI Classics | # 0946 3 31049 2 1 | Time: 01:09:33

Medieval Baebes and other far greater shocks to the bourgeoisie have come along. Wild adventures placed under the rubric of performances of Vivaldi's Four Seasons are commonplace. Yet Nigel Kennedy continues to roost atop the classical sales charts in Europe, and even to command a decent following in the U.S. despite a low American tolerance for British eccentricity. How does he do it? He has kept reinventing himself successfully. Perhaps he's the classical world's version of Madonna: he's possessed of both unerring commercial instincts and with enough of a sense of style to be able to dress them up as forms of rebellion. Inner Thoughts is a collection of slow movements – inner movements of famous concertos from Bach and Vivaldi to Brahms, Bruch, and Elgar. Actually, the only composer falling into the middle of that large chronological gap is Mendelssohn; Kennedy apparently needs a sort of otherworldly serenity for this project, which Baroque and post-Romantic slow movements may have, but Mozart does not. At any rate, this is no radical idea; it's a softball straight up the middle.