Filmed in Berlin in 1997, this good-looking production finds the aging bluesman mixing his classic covers with more recent material, all for an appreciative audience in a startlingly dramatic venue.
UK release. This collection comprises all of Cocker's studio albums released from 1984 - 2007, including Live recordings, rarities, additional content from European deluxe discs, US Album versions and songs found in tribute albums from the likes of Elton John and Bruce Springsteen. The albums included in this box are: 1. Civilised Man (1984) 2. Cocker (1986) 3. Unchain My Heart (1987) 4. One Night Of Sin (1989) 5. Joe Cocker (Live) (1990) 6. Night Calls (1992) 7. Have A Little Faith (1994) 8. Organic (1996) 9. Across From Midnight (1997) 10. No Ordinary World (1999) 11. Respect Yourself (2002) 12. Heart & Soul (2004) 13. Hymn For My Soul (2007) 14. Related Recordings (Exclusive Bonus Disc).
Collection includes all studio albums by Australian alternative rock band from Sydney. In 2010, their album Diesel and Dust ranked no. 1 in the book The 100 Best Australian Albums.
Relive the flower power era with Ultimate… 60s a 4CD collection containing 80 classic hits from the 60s, includes tracks by Elvis, The Ronnettes, Simon & Garfunkel and many more!
After starting out as an unsuccessful pop singer (working under the name Vance Arnold), Joe Cocker found his niche singing rock and soul in the pubs of England with his superb backing group, the Grease Band. He hit number one in the U.K. in November 1968 with his version of the Beatles' "A Little Help from My Friends." His career really took off after he sang that song at Woodstock in August 1969…
When it came time for Motown to package its Commodores catalog for the CD market, they paired up the albums into a series of two-fers, one of the more suitable pairings being Natural High/Midnight Magic. These back to back albums, from 1978 and 1979 respectively, flow together well. Neither is one of the group's best overall albums, but each has a good share of hits that add up to a satisfying albeit spotty sum, one that includes a pair of gigantic hits, "Three Times a Lady" and "Still." These two crossover hits are both quiet piano ballads sung by Lionel Richie, who had made such songs his stock-in-trade by this point, delivering one or two on every successive Commodores album, to generally greater and greater (and broader) success each go round.
Tony Joe's first U.S. release since 1983 finds the swamp-rocker in rare form. Produced by Roger Davies – Tina Turner's manager/producer, and the one responsible for her '80s breakthrough – this is the most cohesive album he's made since his early Monument LPs with Billy Swan. Tony Joe is kept tightly focused with a small combo (Hammond organ, bass, drums), and the rest of the space in the mix is occupied by the star's funky guitar, harmonica, and breathy vocals, recorded so close he sounds like he's two inches from the listener's face. It also helps that Tony Joe's songwriting skills have only sharpened over the years; the disc is simply loaded with great songs, including "Crack the Window Baby," "Gumbo John," "I Want My Fleetwood Back," and the moody "Cold Fingers," "I Believe I've Lost My Way," and "Across From Midnight." One of his very best, and as highly recommended as they come.
Falling asleep during the Paradise Coffee ("The Coffee that Makes You Sleep") Program, the band's third trumpeter dreams he's Athanael, an angel deputized to blow the Last Trumpet at exactly midnight on Earth. But Osidro and Doremus, two fallen angels enjoying the physical pleasures of an earthly existence, try to steal Athanael's trumpet, enlisting the aid of suave jewel thief Archie Dexter. Athanael fumbles his first try when he saves Archie's accomplice, Fran, from suicide. His second chance seems doomed when he's forced to leave his trumpet as security for a meal he can't pay for. But he gets it back just in time for a final confrontation with his desperate adversaries, dangling with them from the roof, only seconds from Midnight.