Russian indie pop band Everything Is Made In China (EIMIC) has released its fourth full-length album called Acquired Taste. Domestic electronic scene in most cases, as the basis for building music takes more progressive Western analogs, it is worth acknowledging. Musicians from EIMIC went their own way and released a truly authentic record with pure drumming vocals in English without a roaring accent.
Best known as the founder of Roomful of Blues and for his short stint with the Fabulous Thunderbirds (replacing Jimmie Vaughan), Duke Robillard had only released two blues albums between 1996 and 2002. Although he was awarded the W.C. Handy Best Blues Guitarist award for 2000 and 2001 and his tireless road work always included plenty of stinging solos, Robillard left the jazz and worldbeat tangents behind for this welcome return to his first love. Those who have followed Robillard's career know that he's never been tied to one style, and Living With the Blues highlights his eclectic talents. Robillard crackles on everything here, from the straight-ahead Chicago approach of Willie Dixon by way of Muddy Waters' "I Live the Life I Love" to the Roomful-styled hard swing of the obscure Willie Egans' "I'm Mad About You Baby" to the acoustic treatment of Tampa Red's "Hard Road" and the jump blues of his own "Sleepin' on It" (reprised from the Roomful years). He turns the Brownie McGhee title track into a tough Chicago shuffle, featuring the rollicking tenor sax of old Roomful alumnus Doug James, and closes with a bluesy rhumba-styled version of B.B. King's "Long Gone Baby." He also adds tough spunk to Little Milton's "If Walls Could Talk," throwing in one of the disc's greasiest solos along the way.
This disc is a perfect demonstration of what treasures might be waiting to be rediscovered among Charles Koechlin's huge and still drastically undervalued output. Both the Piano Quintet and the Third String Quartet were begun during the first world war, and the bulk of work on them was completed soon after hostilities ended; the Quartet was first performed in 1924, but Koechlin continued to revise the Quintet for another 10 years before it received its premiere.
he hourglass is emptying for veteran bands like STRAWBS and their small but ardent following. Each much anticipated release is coddled with the understanding that it may be their last, and a glance at the titles and lyrics of "The Ferryman's Curse" concedes nothing so much as a pious man contemplating his worldly past and his otherworldly future…