Most John Patton albums are hard-driving, edgy soul-jazz and funk, and the title of Accent on the Blues makes the record seem like it would be no different than his other sessions. Of course, that isn't the case. Accent on the Blues is among the most atmospheric music Patton has ever made. While it stops short of being free, it's hardly funky soul-jazz, and that may disappoint some fans of his rip-roaring style. Nevertheless, the album is a rewarding listen, primarliy because it displays a more reflective side of his talent, demonstrating that he can hold his own among the likes of guitarist James Blood Ulmer and saxophonist Marvin Cabell.
Handel's solo sonatas exist in versions for various wind instruments as well as for violin, in some cases differing in their respective keys and number of movements. Many were reworked in later printed editions so that they would be playable on the transverse flute, an instrument that was becoming ever more popular in England at that time. This release of the complete wind sonatas takes into account the different versions of the pieces. The soloists are proven experts in their field: flutist Barthold Kuijken, recorder player Peter Van Heyghen and oboist Marcel Ponseele.
Jos van Immerseel is one of the leading representatives of historical performance practice today. Alongside his great commitment to Renaissance and Baroque music, he has consistently broadened his view of the classical and romantic repertoire as well.
A leader of the movement for historically informed performances, Jos van Immerseel has been active in performances of Renaissance and Baroque music, but he has concentrated on piano music of the Classical and Romantic eras, performing and recording much of the keyboard repertoire on period instruments. This eight-CD box set from Accent contains van Immerseel's recordings from 1979 to 1986, played on a variety of original pianofortes and modern reproductions, and with period instruments in the works for ensembles.