"After the widely noticed performance at the „Acht Brücken Festival 2016” at Cologne's Philharmonic Hall, Gregor Schwellenbach, Hauschka, Erol Sarp (of „Grandbrothers“), Daniel Brandt, Paul Frick (both of "Brandt Brauer Frick") and John Kameel Farah will be releasing their interpretation of Steve Reich’s "Six Pianos" as a studio recording via FILM. The re-recording of this piece is an interpretation of Reich’s composition but still far more than just that – it is a modern approach to his idea behind it. "Keyboard Study #1" by Terry Riley is a worthy b-side opposed to Reich’s composition. The piece is kind of a building set of ever lengthening, repetitive patterns played against each other with the right and left hand displaced. The composition proposes various possible combinations for the performer to choose from and repeat at will. And what the performers have chosen proves Gregor Schwellenbach’s assumption: "Especially Terry Riley’s and Steve Reich’s music are open doors for pianists socialized by pop music and their audience".
Pianos in The Kitchen brings together select concert recordings of solo piano works performed at The Kitchen from 1976 through 1983, including works from the 1976 Bösendorfer Festival and the 1983 series of benefit concerts that supported the purchase of a new Steinway Baby Grand piano for the institution. Featured are names familiar to The Kitchen’s history such as Philip Glass, Meredith Monk, Charlemagne Palestine, and Anthony Davis as well as performers/composers Harold Budd and Dennis Russell Davies, who have enjoyed important careers, but are not necessarily associated with The Kitchen’s programming. This CD covers a range of genres, from jazz to classical to new music. All of the recordings document performances in which the piano–the instrument most central to the development of Western music–is played, explored, and extended. There is a notable immediacy and intimacy about each performance in this compilation, stemming perhaps from the nature of live recordings and the strength of the piano as a large organic, vibrant instrument.
"…In short, this CD is a delight from begin to end. It will make you want to see and hear the two pieces performed live because only then can one fully enjoy the virtuosic playfulness and beauty of the musical interchange between the two pianos in the Concerto in E flat major; not to mention the pure divertimento of the Concerto in F major, which is a recreational, uplifting and entertaining." ~musicweb-international
Martha Argerich’s long career has taken in many outstanding solo performances, but she has often professed to feeling ‘lonely’ on stage. This CD showcases the area in which she feels truly at home: her extensive and fruitful collaborations with other first-class musicians. Among the many younger pianists she has taken under her wing at her academy in Lugano are Lilya Zilberstein, who rose to fame in the 1990s and whose sparkling playing is also featured on this disc, as well as Nelson Goerner, whose collaboration with Argerich in Rachmaninov’s nostalgic Symphonic Dances is released here for the first time.
This might just be one of the most intriguing of all of the Mozart multi-pianos concertos on record. Here we have a rare collaboration not found on any other recording between George Solti and Daniel Barenboim, where the two conductors face each other playing the concerto for two pianos K.365; the conducting of the English Camber Orchestra from the piano on this Decca recording is at the hands of George Solti.
Album released in Spain reissue of the original released in 1961. It's played by the pianist, composer, arranger and British director Ronald Frank Aldrich (Isle of Man, 1916-1993), aka 'Ronnie Aldrich'. His most notable works were his two piano recordings for Decca between 1961 and 1978 (he recorded about 35 albums). This album is the first such work. The piano is accompanied by an instrumental ensemble conceived and directed by him, which integrates classic and electric guitars, bass, organ, marimba, harp, percussion and other elements. The musical arrangements by Aldrich care a sonority difference exquisitely balanced, without giving predominance to any of the various instruments, except the piano.