Nach dem Aufsehen erregenden Auftakt Kriegsklingen ist mit Feuerklingen nun der zweite Band von Joe Abercrombies First Law-Trilogie erschienen. Die Handlung setzt unmittelbar nach dem Ende des ersten Bandes ein und wieder gelingt es Abercrombie, den Leser mit den Abenteuern seiner ungewöhnlichen Figuren so sehr gefangen zu nehmen, dass die knapp 800 Seiten des Epos wie im Fluge vergehen.
Praise 4 Joe: tribute to Joe Henderson. Luca Mannutza and Max Ionata retrace the musical story of the great American saxophonist, who died in 2001, in the dry form of the duo, through the famous compositions of Joe Henderson and the mature and personal interpretation of the two musicians. The dimension of the duo leads to reasoning on the structures of the pieces and on the absences: giving the right place to all the elements that make up the writing and the execution. Interpreting in duo the songbook of a composer, of an important musician, becomes a further challenge, in making ends meet the needs of a concert, a recording, a performance.
Excellent addition to any jazz-fusion music collection
I'm afraid I cannot discuss this album in terms of "meribolant soul melodies" or such, but if you're looking for a peaceful and relaxed solo album from one of the top jazz guitarists, CHARACTERS might be just right for you.
John Abercrombie's 1989 release UPON A TIME is, as the subtitle points out, an album of duets, mostly with bassist Mel Graves and drummer George Marsh. While bass and drum solos are often the punchlines of musical jokes, Graves and Marsh are skilled players with enough good taste to keep the flashiness to an interesting minimum. As for guitarist Abercrombie, his playing is typically brilliant, whether picking out the traditional melody of "My Scottish Heart" or moving into a more impressionistic sonic arena in tracks like "In the Woods" or "Chuck Man Rivers." Earthier and more expressly jazz-based than many releases on the ECM-affiliated New Albion label, UPON A TIME is a satisfying, richly rewarding album.