Atb No Silence

Charlie Rich - Don't Put No Headstone On My Grave (1986) {Zu-Zazz} 24-bit/96kHz Vinyl Rip plus Redbook CD Version

Charlie Rich - Don't Put No Headstone On My Grave
Vinyl rip in 24-bit/96kHz | FLAC (5% Recovery) | m3u & Tech Log, no cue | HQ Artwork
434 MB (24/96) + 180 MB (CD) | RAR 5% recovery | DR Analysis | Country | 1986
Zu-Zazz Z 2002 (1986) Original UK Mono Pressing

is an album of early tracks by Charlie Rich which are demos and remixes without strings and choruses.
Liszt - Todtentanz + Rachmaninoff - Concerto No. 1 (1961) {Classic/RCA LSC-2541 180g} 24-bit/96kHz Vinyl Rip + Redbook Version

Liszt - Todtentanz + Rachmaninoff - Piano Concerto No. 1
Vinyl rip in 24-bit/96kHz | FLAC (5% Recovery) | m3u & Tech Log, no cue | HQ Artwork
829 MB (24/96) + 219 MB (CD) | RAR 5% recovery | DR Analysis | Classical | 1961
Classic Records/RCA LSC-2541 (1994) 180g 1S RTI Pressing

This album is part of a Classic Records Deluxe 1S Edition Box Set of RCA Living Stereo "Shaded Dog" releases.

ATB - Future Memories (2009)  

Posted by maxpyzio at Sept. 24, 2009
ATB - Future Memories (2009)

ATB - Future Memories (2009)
FLAC | 882 MB | cue, log | 2CD | EAC rip

ATB (born André Tanneberger, February 26, 1973, Freiberg, Saxony, Germany) is a German DJ, musician, and producer of electronic dance music. According to the official world DJ rankings governed by DJ Magazine, ATB is currently (2009 list) ranked #25.[1]
Future Memories is the seventh studio album by German artist ATB. Released on May 1st, 2009.
Just like Two Worlds (2000) and Trilogy (2007) before it, this album also features 2 CDs. The first CD consists of dance songs, while the second one is to feature chill-out tunes. In another comparison with Trilogy, Future Memories features 26 tracks in total.
Boston SO, Marin Alsop - Leonard Bernstein: Symphony No. 3 'Kaddish'; Missa Brevis; The Lark (2015)

Leonard Bernstein - Symphony No. 3 'Kaddish'; Missa Brevis; The Lark (2015)
Claire Bloom (narrator), Kelley Nassief (soprano);
São Paul Symphony Choir; Maryland State Boychoir; Washington Chorus;
Baltimore Symphony Orchestra, conducted by Marin Alsop

EAC | FLAC | Image (Cue&Log) ~ 267 Mb | Mp3 (CBR320) ~ 172 Mb | Artwork included
Genre: Classical | Label: Naxos | # 8.559742 | Time: 01:09:38

Three examples of Leonard Bernstein’s vocal art can be heard in this recording. His Symphony No. 3 ‘Kaddish’ shuns traditional symphonic ideas in favor of an eclectic theatrical and oratorio-like form with a prominent rôle for speaker. For this recording Marin Alsop has returned to the work’s original narrative text, heard before the 1977 revision. The Lark – heard in a concert version with added narration – derives from Lillian Hellman’s adaptation of L’Alouette on the life of Joan of Arc, and it was this music that Bernstein reworked into his Missa Brevis many years later. Marin Alsop is a Bernstein protégé, and has written fondly and extensively about studying with him. He mentored her when he was conductor of the New York Philharmonic and few conductors today understand his music better. This disc presents Bernstein the vocal composer performed inlargely original editions by one of his best contemporary interpreters. The speaker in Kaddish is the great actress Claire Bloom.

No-Man - Albums & EPs Collection [13 CD] (1993-2009) (Repost)  Music

Posted by gribovar at March 25, 2017
No-Man - Albums & EPs Collection [13 CD] (1993-2009) (Repost)

No-Man - Albums & EPs Collection [13 CD] (1993-2009)
EAC Rip | FLAC, WavPack (image+.cue+log) - 3,44 GB | MP3 CBR 320 kbps (LAME 3.93) - 1,53 GB | Covers - 599 MB
Genre: Art Rock | RAR 3% Rec. | Label: One Little Indian, Hidden Art, 3rd Stone Ltd., Materiali Sonori, Kscope

No-Man is a British duo formed in 1987 by Tim Bowness and Steven Wilson (Porcupine Tree). The name No-Man was adopted in 1990 and first used on the self-released June 1990 single release, "Colours". Originally creating a sample-based proto-trip hop / ambient styled music, No-Man’s sound has become more organic, eclectic and band-oriented in subsequent years. Drawing from a diverse mix of Singer-songwriter, Post Rock, Minimalist, Progressive rock, Jazz, and Contemporary Ambient sources for inspiration, No-Man's sound is distinctive, yet difficult to categorise. On labels such as One Little Indian, Sony, Adasam and Kscope, the band has so far produced six studio albums and a number of singles / outtakes collections, most notably, 2006's career retrospective, "All The Blue Changes"…
Schubert - Symphony No.8 'Unfinished'_Symphony No.5_Serenade (Kosler, Warchal) [1996]

Schubert - Symphony No.8 'Unfinished'_Symphony No.5_Serenade (Kosler, Warchal) [1996]
EAC Rip | FLAC, TRACKS+CUE, LOG | Covers | 1cd, 308 MB
Classical | Label: Prestige Classics | Catalog Number: 1730.2074 | TT: 58’31"

Bohdan Warchal (27 January 1930, Orlová, Czechoslovakia – 30 December 2000, Bratislava, Slovakia) was a Slovak violinist, a member of the Slovak Philharmonic Orchestra and founder, chief conductor and soloist of the Slovak Chamber Orchestra.
His Naxos Records discography includes the Bach Brandenburg Concerti and Handel's Water and Fireworks Music. For cpo he has recorded many of Michael Haydn's symphonies.
Boris Giltburg - Ludwig van Beethoven - Piano Sonatas: No. 8 'Pathétique'; No. 21 'Waldstein'; No. 32, Op. 111 (2015)

Boris Giltburg - Ludwig van Beethoven - Piano Sonatas:
No. 8 'Pathétique'; No. 21 'Waldstein'; No. 32, Op. 111 (2015)

EAC | FLAC | Image (Cue&Log) ~ 204 Mb | Mp3 (CBR320) ~ 164 Mb | Scans included
Genre: Classical | Label: Naxos | # 8.573400 | Time: 01:09:08

Ludwig van Beethoven’s 32 piano sonatas form an unparalleled canon, remaining one of the greatest and most rewarding challenges for pianists to this day. These three sonatas represent Beethoven’s Early, Middle and Late periods but are united in the key of C – minor, for the dramatic and stormy intensity of mood in the Pathétique, and major for the radiant and poetic Waldstein sonata. In his sonata Op. 111 the cycle is completed with music of utmost dramatic tension and the deepest spirituality.
Arthur Brown - Speak No Tech (1981) & Requiem (1982) [Reissue 2010]

Arthur Brown - Speak No Tech (1981) & Requiem (1982) [Reissue 2010]
EAC Rip | FLAC (tracks+.cue+log) - 767 MB | MP3 CBR 320 kbps (LAME 3.93) - 307 MB | Covers (14 MB) included
Genre: Progressive Electronic, Psychedelic Rock | RAR 3% Rec. | Label: Lemon Recordings (CDLEM158)

Arthur Brown was one of the prime movers behind the Progressive underground in late 1960s England, famous for his outlandish stage act which included psychedelic robes and a helmet of fire!
Digitally remastered two-fer containing a pair of albums from the British Rock icon. "Requiem" is an end-of-the-world concept album that comes on with a bang, not a whimper, and may well be the best thing that Arthur Brown has ever done! It's got all of the sonic excess you'd expect from the man who gave US 'Fire', but Brown's ornate Art-Rock tendencies are invariably backed up with enough visceral punch to make them marvelously affecting, not merely affected, while producer Earl Mankey handles the electronics well enough to maintain an unusually high level of interest and detail…

Muddy Waters - Trouble No More (Singles 1955-1959) (1989)  Music

Posted by uff at March 20, 2017
Muddy Waters - Trouble No More (Singles 1955-1959) (1989)

Muddy Waters - Trouble No More (Singles 1955-1959) (1989)
Blues | 1cd | EAC Rip | Flac + Cue + Log | covers
MCA, UICY-3418 | rem: 2004 | 255Mb

This is an excellent compilation of some of Muddy Waters's lesser-anthologized singles, all of them dating from the late '50s. Some of these were surprisingly hard to acquire in any form until this appeared; the original version of "Got My Mojo Working," and for instance, as well as some of his higher-profile tracks, like "Rock Me," "Trouble No More," "Close to You," and "Don't Go No Further."
Simon & Garfunkel - Sounds Of Silence (1966) [Audio Fidelity, AFZ 080]

Simon & Garfunkel - Sounds Of Silence (1966)
EAC | Flac(Image) + Cue + Log & MP3 CBR 320Kbps
2010 | Audio Fidelity, AFZ 080 | ~ 175 or 70 Mb | Scans(png) -> 52 Mb
Folk Rock

Simon & Garfunkel's second album, Sounds of Silence, was recorded 18 months after their debut long-player, Wednesday Morning, 3 AM – but even though the two albums shared one song (actually, one-and-a-half songs) in common, the sound here seemed a million miles away from the gentle harmonizing and unassuming acoustic accompaniment on the first record…