This music documentary weaves together performances from Nick Cave and the Bad Seeds' 2016 album Skeleton Tree with candid footage of Cave opening up about the death of his 15-year-old son. Directed by Andrew Dominik (Chopper, The Assassination of Jesse James by the Coward Robert Ford).
Although the cover art might suggest that this compiles, features, or in some way includes material from Michael Nesmith's four-year (1966-1970) tenure as a Monkee, this isn't the case at all. Additionally confusing matters is that the same 25 tracks on this collection are replicated – right down to the exact running order – on the unimaginatively titled Best Of: Original Hits. Regardless, the contents of both have been culled from Nesmith's first half-dozen post-Monkees long-players. The tune stack is well represented by the First National Band LPs Magnetic South (1970), Loose Salute (1970), and Nevada Fighter (1971) – plus, to a much lesser extent, Tantamount to Treason (1972), And the Hits Just Keep on Comin' (1972), as well as Pretty Much Your Standard Ranch Stash (1973). Nesmith's penchant for penning quirky country & western-flavored pop songs can be directly traced back to his Monkees material, such as "St. Matthew," "Good Clean Fun," and "Magnolia Simms." During this period he was also woodshedding material for future endeavors.
Celebrating their 25th Anniversary, and a formal introduction to their affiliate label, Alive!/Total Energy, Bomp! Records has released a two-disc set of past and present gems from their vaults and catalog. From the label that helped the punk movement in the 70's comes contributions from Zeros, Dead Boys, Iggy & The Stooges, Weirdos, Flesheaters, and the Lazy Cowgirls. And that's just disc one. Disc two offers up tracks from Davie Allan & The Arrows, The Streetwalkin' Cheetahs w/ Deniz Tek, U.S. Bombs, and MC5.
John Cale's 1992 live Fragments of a Rainy Season holds a special place in the hearts of longtime fans. Cale was no stranger to concert sets. Among his most notorious are the snarling Sabotage/Live from CBGB's and 1986's howling Even Cowgirls Get the Blues. Fragments captures Cale completely solo. His iconic singing voice, rainbow variety of melodies, and poetic lyrics are accompanied only by his piano or acoustic guitar. It's easily his most welcoming album, the one that provides a solid introduction as he ranges through his back catalog.
This exhaustive document of Pink Floyd’s sonic explorations contains some tantalising glimpses of the different paths they could have taken – as well as 15 versions of Careful With That Axe, Eugene…
Deluxe Special Edition Double Disc Reissue. The first of a series of Marc Almond expanded re-issue CD s, Open All Night was originally released in 1999 and pays respect to the sound of Soft Cell whilst mixing in elements of R&B, gospel, Latin and trip-hop. Features duets with Siouxsie Sioux ( Threat Of Love ) and with former Sneaker Pimps vocalist Kelly Ally ( Almost Diamonds ). Features an 18-track bonus disc, curated by Marc Almond himself of original song demos, film soundtrack rarities and alternative versions of tracks recorded at the time of the 1999 Open All Night Sessions.
Billed as the first official collection of live bootleg recordings, the triple-disc For Lack of Honest Work is a live anthology stretching back to live-in-the-studio recordings of “It Wouldn’t Have Made Any Difference” and “Broke Down and Busted” in Philadelphia from 1971 and running all the way to 2006, when Todd belts out “I Hate My Frickin’ ISP” in Toronto. In between these extremes are many other extremes – Todd indulging in the early days of Utopia, cuts from his A Cappella tour, a doo wop arrangement of “Real Man,” a synthesized piss-take of “Bang on the Drum,” a solo electric “Hammer in Your Heart,” slickly accomplished on-stage jamming – all loosely arranged so the first disc contains the poppiest material, the second the proggiest, the third his mature phase. It’s not quite a straight-on realist portrait but a hazy abstract impression of Todd’s multifaceted abilities, with the overall range being somewhat more impressive than individual moments.