Arc 1.2

Krystian Zimerman - Chopin: Piano Concertos Nos. 1 & 2 (1999)  Music

Posted by tirexiss at Dec. 3, 2016
Krystian Zimerman - Chopin: Piano Concertos Nos. 1 & 2 (1999)

Krystian Zimerman - Chopin: Piano Concertos Nos. 1 & 2 (1999)
EAC | FLAC (image+.cue, log) | Covers Included | 81:52 | 362 MB
Genre: Classical | Label: Deutsche Grammophon | Catalog: 459684

Chopin's two piano concertos have long been admired more as pianistic vehicles than as integrated works for piano and orchestra. But in his revelatory new recording, Krystian Zimerman suggests otherwise: The opening orchestral tuttis have so much more light, shade, orchestral color, and detail, you wonder if they've been rewritten. Every gesture, every instrumental solo is so specifically characterized that by the time the piano makes a dramatic entrance, the pieces have become operas without words.

IK Multimedia ARC System 2 v2.1 (Win/Mac)  Software

Posted by Dizel_ at Feb. 18, 2014
IK Multimedia ARC System 2 v2.1 (Win/Mac)

IK Multimedia ARC System 2 v2.1 (Win/Mac) | 45/26 Mb

ARC System 2 (Advanced Room Correction) is the sequel of the first and only acoustic correction system that combines a measurement microphone, measurement software AND a correction plug-in to improve the sound reliability and acoustics of your studio in an elegant, low-cost portable solution.

IK Multimedia ARC System VST RTAS 1.1.2  Software

Posted by Dizel_ at Aug. 16, 2009
IK Multimedia ARC System VST RTAS 1.1.2

IK Multimedia ARC System VST RTAS 1.1.2 | 17.17 Mb

ARC System delivers the most advanced solution to acoustical problems for any DAW-based studio. Combining a professionally calibrated microphone, standalone software that captures sound information and calculates proper room correction, and a multi-platform plug-in: this technology will improve how your studio sounds forever. IK Multimedia has teamed up with the leading provider of sound equalization solutions, Audyssey, for the production of an innovative, low-cost and mobile solution to correct the distortion problems caused by room acoustics: ARC system.

Koma Hibiki 1-2  Comics

Posted by Lebedev30 at March 25, 2017
Koma Hibiki 1-2

Koma Hibiki 1-2
Japanese | MURASAKI Yukiya, SAGARA Sou | CBR | 2 Volumes | 221.8 Mb
Genre: Shounen Sports

Koibana Kiseki 1-2+Special  Comics

Posted by Lebedev30 at March 25, 2017
Koibana Kiseki 1-2+Special

Koibana Kiseki 1-2+Special
Japanese | NAITOU Ryu | CBR | 3 Volumes | 191.9 Mb
Genre: Action Fantasy Romance Shounen

Kiddy Grade Vs 1-2  Comics

Posted by Lebedev30 at March 25, 2017
Kiddy Grade Vs 1-2

Kiddy Grade Vs 1-2
Japanese | CBR | 2 Volumes | 123.7 Mb

Kiddy Girl And Pure 1-2  Comics

Posted by Lebedev30 at March 25, 2017
Kiddy Girl And Pure 1-2

Kiddy Girl And Pure 1-2
Japanese | CBR | 2 Volumes | 131.6 Mb

1-2-3 Magic Teen: Communicate, Connect, and Guide Your Teen to Adulthood  eBooks & eLearning

Posted by Bayron at March 25, 2017
1-2-3 Magic Teen: Communicate, Connect, and Guide Your Teen to Adulthood

1-2-3 Magic Teen: Communicate, Connect, and Guide Your Teen to Adulthood by Thomas W. Phelan
English | 2016 | ISBN: 1492637890 | 192 pages | EPUB | 6 MB

Los Vengadores - Road Force #1-2  Comics

Posted by Coda at March 24, 2017
Los Vengadores - Road Force #1-2

Los Vengadores - Road Force #1-2
Marvel, 2012 | CBR/RAR | Spanish | 2 núm. (Completo) | 52.4 MB Totales
Hong Kong PO, David Atherton - Kurt Weill: Symphonies 1 & 2; Bastille Music (2000)

Kurt Weill - Symphonies 1 & 2; Bastille Music (2000)
Hong Kong Philharmonic Orchestra, conducted by David Atherton

EAC | FLAC | Tracks (Cue&Log) ~ 241 Mb | Mp3 (CBR320) ~ 147 Mb | Scans included
Genre: Classical | Label: Global Music Network | # GMN 100 | Time: 01:08:49

David Atherton made a fine reputation for himself as a contemporary music conductor back in his salad days with the London Sinfonietta, nowhere more so than in his three-disc (now two-CD) set of music by Kurt Weill. He certainly hasn’t lost his magic touch in the intervening years. These performances of the two symphonies sweep the (not very full) board. Swift, lean, incisive, and always exciting, Atherton reveals all of this music’s anger, irony, and bittersweet lyricism without a trace of histrionics or self-indulgence. Indeed, a certain coolness is part of the point too. And so in the marvelous Second Symphony, Atherton catches the neo-classical temper of its outer movements with impeccable wit and grace, making the passionate intensity of the magnificent central slow movement all the more shocking as a result.