Someone ought to get some t-shirts made that say "Vivaldi rocks!" At least that partly accounts for his popularity in the twenty first century; among the old masters, Antonio Vivaldi's sense of rhythmic dynamics and the gale-like force of many of his string concertos are close enough to the ever-enervating pulse of pop music that he has found an unlikely audience among younger listeners. Andrea Marcon and the Venice Baroque Orchestra's disc Vivaldi: Concerti & Sinfonie per Archi delivers these very kinds of goods, and will prove pleasing to Vivaldi fanciers of the younger set.
This is a welcome addition to my collection. These little gems sparkle and make me want to look at other Vivaldi pieces. It's time to go beyond the Four Seasons. These pieces show compositional variety, the playing is nuanced and exciting, and the SACD recording is superb.
When these recordings first came out, far in advance of the period instrument revolution, they were revelations. Though modern instruments were used, there was an effort to get performance practices right… And there was the incredibly powerful, absolutely heavenly sound of that chorus of men and boys, as well as the lifelike recordings that perfectly captured the vast space of the Chapel of King's College. Since that time there have been other performances that depict the letter of each work to a greater degree than these, but many listeners will argue that there are none that have better encapsulated the spirit of this music… These are star-studded "great singing" recordings in which the artists will be remembered as much as the music itself.
Xavier de Maistre is generally fêted as the artist who has managed to liberate the harp from its reputation for wonderful but very soft sounds, and establish it as a solo instrument in the concert hall. On his album "Notte Veneziana", the internationally successful harp virtuoso plays well-known concertos by the Venetian composers Vivaldi, Marcello and Albinoni in new arrangements, combining them with original compositions for solo harp such as the sonata by Giovanni Pescetti, Godefroid’s stunning set of variations on the popular tune “Carnaval de Venise”, and “La Mandoline” by 19th-century composer Elias Parish Alvars.
The English Concert is a baroque orchestra playing on period instruments based in London. Founded in 1972 and directed from the harpsichord by Trevor Pinnock for 30 years, it is now directed by harpsichordist Harry Bicket. The orchestra has been led by Nadja Zwiener since September 2007. The English Concert was founded by Trevor Pinnock and others in November 1972. The date of foundation is often given as 1973, probably because they started with seven people and only later progressed onto the orchestral repertoire as their number increased. They were one of the first orchestras dedicated to performing baroque and early classical music on period instruments, their repertoire from then to now ranging approximately from Monteverdi to Mozart…
The VIVALDI METAL PROJECT is a music creation born from an idea conceived and developed by Italian keyboard player, composer and producer MISTHERIA (solo artist, Bruce Dickinson, Rob Rock, Roy Z, Artlantica). The project is a symphonic-metal opera based on Antonio Vivaldi’s Baroque masterwork “The Four Seasons”, featuring more than 130 amazing metal and classical artists, orchestra, a string quartet and three choirs from all over the world. The album features 14 tracks - all the movements from Antonio Vivaldi's original score plus two original new songs written by MISTHERIA. The impressive roster of artists probably makes this titanic album the biggest all-star project ever!
Antonio Vivaldi’s the Four Seasons is the most popular piece of classical music of all time. There have been over 1000 different recordings , selling tens of millions of copies. It’s become so ubiquitous – in lifts, as phone ring tones or on call-centre answering machines – that it has been denounced as Muzak for the middle classes.