On Silence Yourself, Savages' passion burned so brightly it seemed like it might consume itself before they could record a second album. Fortunately, Adore Life proves that the band not only has the endurance to return, but the finesse to come back better than ever. Jehnny Beth and company sound as bold as they did on their debut, but with a newfound precision that only makes their impact more powerful. Adore Life depicts love's most fearsome and joyous sides with a hunger that feels like these songs are really about devouring and being devoured. The churning opener "The Answer" boils relationships down to the plainest ultimatum possible: "If you don't love me/Don't love anybody."
Brooklyn singer, songwriter, and guitar slinger Steve Gunn makes his Matador debut with Eyes on the Lines, a windblown set of road explorations that, despite its meandering nature, is one of his most accessible records yet. The Pennsylvania native has maintained a prolific output over the previous decade, much of it in the form of one-off projects and collaborations, but his solo releases all seem to spring from the same well of wanderlust. Expanding on the spacious sound of his excellent 2014 LP, Way Out Weather, Eyes on the Lines is more of a free-flowing rock affair, finding Gunn and his band locking into bucolic grooves that take their time to unfurl.
With rich vocals atop quiet looped waves of white noise, filtered synths and sparse thuds, Montreal songwriter Devon Welsh aka Majical Cloudz, is one of 2013's most unique and essential voices. His 2012 Turns Turns Turns EP, an audacious distillation of Welsh's ideas that brought his vocals to the fore. Citing Elliott Smith and Arthur Russell as the two biggest influences on his songwriting. Though they stand stylistically apart from other artists in their Montreal scene - which includes Grimes, Doldrums, Blue Hawaii, and others - Majical Cloudz are proud beneficiaries of it camaraderie.