The new Brave New World album, "Spork," is now available. Adam is thrilled to be working with mixing wizard Jeff Jones, also known as the Jedi Master. Adam worked with Jeff a while back at RVI studios, and Jeff helped record and mix Adam's first solo album, "In A Loud Way." Jeff recently won a Grammy for his production work on Dr. John's new CD, "The City That Care Forgot."
Outstanding three CD set featuring the entire July 1988 15 song performance at the Munich Philharmonic Concert Hall plus a blistering 35 minute version of 'Call It Anything' taken from his1970 Isle of Wight Festival show. The Munich concert features able assistance from Kenny Garrett, Bobby Irving, Adam Holzman and Joseph McCreary amongst others while the Isle of Wight track features Chick Corea, Keith Jarrett, Dave Holland and Jack DeJohnette.
Produced with loving care by Claude Nobs, founder of the Montreux Jazz Festival, with no edits or overdubs, this document of Miles Davis's Montreux performances shows through never-before-released material how Miles and company transformed his music live, with their fire, invention, and interplay. The list of sidemen on these dates is a who's who of today's superstars, including saxophonist Dave Liebman, guitarists John Scofield and Robben Ford, keyboardists Adam Holzman and Kei Akagi, bassist Michael Henderson, and percussionist Mtume. Most of the music on these discs features versions of Davis's fusion "hits." The funky and R&B-ish ditty "Ife" and the bouncy "Calypso Frelimo" are rendered with more gusto than their studio versions, as are the in-the-pocket, mid-'80s tunes "Star People" and "New Blues." A package this big has more than a few surprises, however. Chaka Khan lends her powerful pipes to Davis's unique cover of the Michael Jackson sleeper, "Human Nature," and "Al Jarreau" is an upbeat (though too short) tribute to the great vocalise master.
Music was a slight departure from pianist Michel Petrucciani's usual Bill Evans-influenced recordings of the period. Petrucciani uses synthesizers (his and Adam Holzman's) on all but two selections, but these are very much in the background, making the ensembles sound a little larger than they actually are. Petrucciani's ten originals range from romantic ("Memories of Paris") and manic ("My Bebop Tune") to charming ("Lullaby") and funky ("Play Me") with a generous supply of Latin-tinged pieces and one rhythmic vocal by Tania Maria; Joe Lovano (on soprano) and the accordion of Gil Goldstein make one appearance apiece.
Pianist Michel Petrucciani, who during the early part of his career was heavily influenced by Bill Evans, gradually developed his own sound. By 1991 he was using Adam Holzman on synthesizer with his quintet (which on this date also includes bassist Anthony Jackson, drummer Omar Hakim and percussionist Steve Thornton) to play colors behind his piano. In addition, Petrucciani was backed by funky rhythms and emphasized his own original compositions. Rather than selling out to blatant commercialism, Petrucciani had actually found his own voice within the "contemporary" setting. The music on his CD is of consistently high quality.