CHICAGO BLUES SESSION VOL. 1 features tracks by Boston Blackie recorded in 1992 and by Otis "Big Smokey" Smothers in 1984.
The Genius Sings the Blues began as a simple compilation. Comprised of a dozen songs Ray Charles made between 1952 and 1960, the collection was released in 1961 by Atlantic Records to counter the singer’s migration to rival ABC Paramount. What Atlantic originally underestimated is that the album contained many of Charles’ greatest works, all unified by their bluesy emotions and stirring arrangements. A classic of the soul and R&B canon, The Genius Sings the Blues is a snapshot of the evolution of timeless American music captured by the pianist’s indelible rhythmic pace, gospel roots, jazz backgrounds, and Southern-styled accents…
I Always Turn The Blues On, Val Starr & The Blues Rocket's fourth all original blues CD, hit the streets on August 1st, 2017. " We released the CD just in time for International Blues Day on 8/5. Her prior release, Woman on a Mission received solid radio support, holding the #1 spot on the Airplay Direct Global Radio Blues Charts for 5 straight weeks in March. The band also debuted on the Roots Music Report blues charts at #39. Their radio success can be attributed to their talent, hard work and music business background.
Slide guitar blues is produced when a player uses some kind of tubular finger covering (usually made of metal or glass, like a bottleneck) to depress the strings of a guitar over the frets so that the strings are stretched and bent, producing a wavering tone. Traditionally slide guitar blues was played on resonator guitars, but a variety of acoustic and electric guitars have also been used. Blues slide guitar originated in the Mississippi Delta region where it was popularized by a number of blues players, including Robert Johnson. Electric slide guitar blues developed along with other electric blues styles with the migration of African-Americans north to Chicago in the 1940s.
Poco’s biggest-selling album of all time also presented the biggest personnel change at one time for the then-decade-old group, whose lineup had hardly been a model of stability up to that time. Co-founding drummer/singer George Grantham and longtime bassist/singer Timothy B. Schmit were both gone, the latter off to the Eagles. Listening to parts of this album, one gets the sense that, with the arrival of Charlie Harrison (bass, harmony vocals) and Steve Chapman (drums) in the group, Poco was deliberately adopting a change in sound similar to what the Eagles went through when Joe Walsh joined, into much harder rocking territory, at least part of the time.
Widely considered as one of the leading exponents in early music, Emma Kirkby is renowned for her purity of production, clarity of diction and extraordinary degree of vocal control. From this release it is obvious that Emma Kirkby's artistic vigour and sense of discovery are undiminished. Alongside her incomparable performances of well-loved works such as Bach's cantata Jauchzet Gott in allen Landen, she uses the esteem in which she is held by musicians and audiences alike to champion long-forgotten repertory such as William Hayes's The Passions. Emma is accompanied by Cantillation and the Orchestra of the Antipodes conducted by Antony Walker.