CHICAGO BLUES SESSION VOL. 1 features tracks by Boston Blackie recorded in 1992 and by Otis "Big Smokey" Smothers in 1984.
This 52 disc Ultimate Collection features music from the Delta to the Big Cities. This special first edition also includes a historic puck harmonica. How blue can you get? You will find your favorites here and discover some hidden gems, as the 'ABC of the Blues' brings together the best of the best.
It seems fair to say that, when it was released in March 1965, Bob Dylan's "Subterranean Homesick Blues" was totally unexpected by most people, that it sounded like nothing anybody had ever heard before, and that it utterly transformed Bob Dylan's career and the history of popular music along with it..
An integral member of the nonpareil Muddy Waters band of the 1950s and '60s, pianist Otis Spann took his sweet time in launching a full-fledged solo career. But his own discography is a satisfying one nonetheless, offering ample proof as to why so many aficionados considered him then and now Chicago's leading post-war blues pianist.
Dave McKenna made a remarkably piano solo debut in 1955 with the fifteen tunes he recorded for ABC Paramount (1-15). The remaining tracks on this compilation also come from a solo album, one he cut almost eight years later for the label Realm. Playing without a rhythm section, a key challenge for a jazz pianist, McKenna accomplished a recital of lasting value and pleasure. He plays with strength, individuality, fine beat and technique, and constant taste in all tempos. He is a wonderfully co-ordinated two-handed pianist.
This was the last of the six albums John Mayall originally made for Blue Thumb/ABC Records between 1975 and 1978, about which he has said, "ABC released six of my albums as a tax write-off. A week after they were released you couldn't find them in any store." It's a live album on which Mayall fronts a quartet consisting of guitarist James Quill Smith (who sings lead on several songs), bassist Steve Thompson, and drummer Soko Richardson. The approach is rock-oriented, and the set list includes such Bluesbreakers favorites as Mose Allison's "Parchman Farm," and Freddie King's "Hideaway" (taken at a frantic tempo), along with the usual complement of generic Mayall originals, among them, a remake of "The Bear," from Blues From Laurel Canyon.
"(We Ain't Got) Nothin' Yet" is extraordinary and magical; like the Box Tops' "The Letter," it's one of those little two-minute blasts of pop which brought the transistor radio to life and which is the proverbial breath of fresh air on oldies radio stations daring enough to play psychedelia. Psychedelic Lollipop is the real thing; the Blues Magoos on the LP cover look like Captain Kirk abandoned them on some forgotten Star Trek planet, and the music inside the sleeve is authentic acid rock. They stretch John D. Loudermilk's "Tobacco Road" across four-and-a-half Seeds-style minutes, obliterating the Nashville Teens' 1964 hit recording in the process.
2016 marks 20 years since iconic ABC TV show Recovery was first broadcast on our screens. To celebrate this anniversary, ABC Music have assembled a very special ‘Best Of’ collection, featuring Recovery’s most memorable performances, courtesy of the finest local and international artists of the era. The release includes performances from a galaxy of local and international stars including Powderfinger, Silverchair, Kate Ceberano, Nick Cave, Paul Kelly, Something For Kate, The Whitlams, Natalie Imbruglia, The Living End, You Am I, Sonic Youth, Spiderbait and many more.
In his third album in just two years, Jim Croce continued to mine the success of his previous efforts.
Released at the height of the singer-songwriter era, Life And Times put Jim Croce up there with the best of them.