…Both Banchini and Bovi deliver exceptionally refined performances throughout the album. Bovi's voice is pure, elegant, and perfectly suited for music of this time. Banchini's tone on the Baroque violin is, appropriately, every bit as vocal and singing as the soprano arias. Taken all together, this album is much more than an ordinary CD that is popped in the player and listened to from beginning to end, but rather, an all-encompassing experience that truly transports listeners to another place and time. Unconditionally recommended.
Born in Brescia around 1571, Giovanni Battista Fontana lived in Venice, Rome and Padua, where he died during the plague of 1630. His music surprises by the mastery of counterpoint, the simplicity and the expression of its slow movements, the complexity of its ornamentation and the elegant vivacity of its short dance sections. Nicknamed 'dal Violino' and described as "one of the most singular virtuosos the age has seen". Fontana has left us an outstanding example of early Baroque instrumental music. On this release, Daniel Cuiller leads the ensemble Stradivaria in a selection of sonatas.
The violinist Chiara Zanisi works with the finest early music ensembles, notably the Amsterdam Baroque Orchestra under Ton Koopman, with whom she has just finished a long tour performing the Six Brandenburg Concertos. She now devotes her first solo recording to Johann Sebastian Bach’s Six Sonatas for Harpsichord and Violin. Alongside her is Giulia Nuti, among the most brilliant harpsichordists and scholars in Italy, whose solo CD Les Sauvages: Harpsichords in pre-Revolutionary Paris (DHM) won a Diapason d’Or, among other awards. The kernel from which this project grew is their strongly shared idea that, in addition to great stylistic richness and invention, Bach’s music possesses an aura of magic and an almost divine form.
Another superlative Alpha production! Really! From the beautiful multiple Gainsborough reproductions through the astute notes and the vivid sound to the stunning performances, this really is another superlative Alpha product. Violinist Pablo Valetti and harpsichordist Céline Frisch are fluent and soulful players with an empathetic sense of ensemble. In these Sonatas for Violin and Harpsichord, Valetti and Frisch's warm tone, supple tempos, and expressive lines make Bach's music sound as virtuosic as ever, but more lyrical than usual. Alpha's recording is close and detailed and real, capturing the sound of the air in the room. The notes are lively and learned and entertaining. The notes on the Gainsborough on the cover are even better and even the tiny little reproductions somehow contrive to catch the effervescent beauty of his light and shape and color and texture. While the classic recordings of the Sonatas remain inviolate, Valetti and Frisch should be heard by anyone who loves recorded art.
Two rising stars in today’s firmament of Baroque music performance, Leila Schayegh and Jörg Halubek, join forces to record one of the major challenges in their joint repertory: the six Bach Violin Sonatas, BWV 1014-1019. The collection’s title, 'Sei Suonate à Cembalo certato è Violino Solo', reflects the close partnership demanded of the violin and harpsichord players, with Bach moving away from the idea of continuo support for a solo instrument and constantly making new technical demands on the musicians and thereby approaching the concept of the triosonata. Completed by around 1725, most of these richly characterful works combine the Italian style and a cantabile tone with elements of German contrapuntal style. The artistic partnership of Schayegh and Halubek, now in its tenth year, has seen them record chamber music by Jean-Marie Leclair, CPE Bach and Giovanni Mossi but the Bach Violin Sonatas represents their first joint recording for Glossa.