Trouble Man is a soundtrack and twelfth studio album by American soul singer Marvin Gaye, released on December 8, 1972, on Motown-subsidiary label Tamla Records. As the soundtrack to the 1972 Blaxploitation film of the same name, the Trouble Man soundtrack was a more contemporary move for Gaye, following his landmark politically charged album What's Going On.
FSM returns to the treasures of the Warner Bros. archives (The Omega Man, The Towering Inferno) with a masterpiece by Jerry Goldsmith: The Illustrated Man. The film stars Rod Steiger and Claire Bloom in an adaptation of several short stories by Ray Bradbury, affording Goldsmith the crowning achievement of his work in the anthology format (CBS Radio Workshop, The Twilight Zone), as well as one of his most memorable and original works in the science fiction, fantasy and horror genres.
Before he went on to direct the smash-hit films La La Land and Whiplash, Damien Chazelle began his career with Guy and Madeline on a Park Bench. A jazz musical film written and directed by Chazelle while he attended Harvard, Guy and Madeline tells the story of a young couple, an up-and-coming trumpeter and an aimless introvert, whose relationship falls apart as the glow of their new love fades. Heartbreak, hope and regret follow as the two try to find meaning in their new lives apart from one another. Chazelle was steadfast that a film so focused on the world of jazz and tap would need an excellent score. Luckily fellow Harvard student Justin Hurwitz was recruited to the challenge of composing Guy and Madeline, which he flourished at. Hurwitz meshes the classic big band sound of early 20th century jazz sensibilities with smaller progressive ensemble pieces and lyrics written by Chazelle to delightful results. Now available for the first time, Guy and Madeline shows the early genesis of a Hollywood partnership that would be responsible for multiple modern classics.
The original soundtrack for Neil LaBute's Nurse Betty features innocent, classic pop songs that capture the sweetly delusional state of the film's title character. Jula De Palma and Pink Martini's versions of the lighthearted standard "Whatever Will Be, Will Be (Que Sera Sera)" bookend songs like Ricky Nelson's "Poor Little Fool," Ann-Margret's "Slowly," and Della Reese's "Don't You Know," and selections from Rolfe Kent's quirky original score complete this enjoyable companion to one of 2000's most unique films.
Instead of paying homage to John Williams' celebrated score for Richard Donner's 1978 Superman film, as composer John Ottman did with Bryan Singer's 2006 reboot Superman Returns, Hans Zimmer has crafted an entirely new set of themes for Man of Steel, director Zack Snyder's 2013 re-reboot of the franchise. Closer in tone to the composer's work on Christopher Nolan's Batman trilogy, the 15-track Man of Steel is grittier and darker than any of its predecessors, due in large part to Zimmer's proclivity for non-stop, thunderous percussion, though it retains enough goose bump-inducing moments to be called a proper Superman score, especially on the elegiac "Look to the Stars" and its soaring counterpart (pun intended) "What Are You Going to Do When You Are Not Saving the World?," both of which dutifully reflect the iconic superhero's propensity for both goodness and might. A Limited-Edition Deluxe version added bonus tracks.